I am a Terrible Person. I Kind of Dig It.

I am a terrible, awful, very bad person.

This is clear to me now. There’s no avoiding it. I mean, I don’t kick kittens or steal Salvation Army kettles or anything like that. But I am an objectively evil person because, as a writer, I kind of enjoy torturing my readers. That’s not nice, right?

Example 1: Acre’s Bastard  

My new novel, Acre’s Bastard will be out in January of 2017 and available in all formats and online stores

So, prepublication for the book, I was sending out copies to some folks who said they’d read an advance copy and maybe give me some quotes or reviews. I didn’t know many of these folks, and they’d all read a synopsis. The next day I got a Facebook message from one of these ladies giving me hell and saying I should have put a content warning on the book and I was an irresponsible author for not telling people that certain content might not be appropriate.

Remember, this is Acre’s Bastard. The one many people say is really a (shiver) YA book in disguise. What had gotten her so upset?

The exact quote was, “the graphic sexual assault in chapter 2 triggered my PTSD and really upset me. If you’d put a warning up front I never would have read this horrible thing.”

I was mortified. I don’t want to belittle her experience, and I truly am sorry I upset her. I  went to several other people for their opinion. They all felt it was fine, and she was overreacting. I sent her a note saying there were no hard feelings for her posting her feelings all over Facebook for complete strangers and potential readers to see (even though I thought it was a bit much, you can’t discount people’s feelings or experience.)

Here’s what makes me a bad person: Once I got over the shock of her reaction, one thought kept recurring to me. I was actually kinda proud of myself. To get that reaction,  I must have written the s@#$t out of that scene. It made me smile. Still does. I’m a bad person.

Example 2: Los Angeles, 1952

This is one of my favorite short stories (you can read it here and judge for yourself.) I’ve never been able to find a home for it, for two reasons. First, it’s over 5000 words, and in this world where most short stories are published online, that pretty much makes it War and Peace. Secondly though, it contains a certain word. A word I’ve never used in real life and makes me cringe. You know, the N word.

Just last week a magazine editor told me how much he enjoyed the story, thought it was very well written, but “some of the language” made him uncomfortable and he couldn’t publish it. Now, I can protest (as I often do) that the language and behavior of the characters are not necessarily those of the management. Truth is, when I thought of Lorna yelling that word during the excitement of a boxing match, I smiled because I knew how readers would respond. When I brought it into my writers group, I could hear gasps when they got to “that scene” and it made me happy to my toes. Again, not very nice of me was it?

The latest example: Acre’s Orphans

A character dies in chapter 12. A character a lot of people are very fond of. And I laughed out loud when it came to me. Not in a text-y LOL kind of way, but really laughed. So loud it scared Byron, my cockatiel. Not because it wasn’t sad, but because if I did my job right it would elicit a South Park “you bastards you killed Kenny” moment. When several of my beta readers told me how they reacted, I didn’t apologize. I didn’t shrink. I soaked up their emotional responses, lit a cigar and thought, “yeah baby. That’s my job.”

The truth is, I like making people laugh. I like making them cheer, but I also like making them have an unexpected emotional reaction. Sometimes it’s positive, sometimes it’s horror, or sadness, or disgust. Good. That’s my freaking job.

Someone once said that being a novelist is like telling a joke and waiting 6 months for the laugh. It’s true. If a writer touches you in the feels, let him or her know. Better yet tell them AND Amazon with a review.It’s kinda why we do this.

Even if it means we have to admit we’re terrible, awful, really bad people.

 

15th Century Rom-Com Susan Appleyard

https://www.amazon.com/Crown-Pride-Honour-Wars-Roses-ebook/dp/B07DZMVKFJ/I define historical fiction as any fiction taking place in a different time in history than the one we’re in now. This sounds obvious, but you’d be amazed how picky some people (also known as histfic snobs) can be. For example, if there’s enough real history involved, I include alternative history and historical fantasy. Many don’t, and are quite cranky about it. The point is, it can cover many genres, and today’s interview is about a light, romantic tale that takes place in the 15th Century: Susan Appleyard’s “For the Crown.”

Susan, tell us about you…

I was born in England, which is where I learned to love English history, and now live in Canada in the summer with my three children and six grandchildren. In winter my husband and I flee the cold for Mexico, sun, sea and margaritas on the beach. I divide my time between writing and my new hobby, oil painting but writing will always be my first love

 

What’s For the Crown about?

A new departure for me from historical fiction, my latest book ‘For the Crown’ is a historical romance with a dash of humour. The hero is Robbie, Bastard of Ovedale, a warden on the border with Scotland. On one of his forays chasing cattle thieves, he captures a Scots girl, Mary Margaret Douglas and hopes to exchange her for a nice ransom. This plan is disrupted when her family refuses to take her back because she has been ‘ruined’ by the English. Robbie doesn’t know what to do with her. He is forced to take her with him when he goes to war. There is a great deal of dislike and distrust between English and Scots at this time. Robbie has to keep her safe and finds himself falling in love with her.

What is it about this time period that has you so fascinated?

The story is set in the fifteenth century, in the period known as the Wars of the Roses, a very turbulent time in English history as two rival claimants fought for the crown. I have written other books about this period and never tire of reading about it, which proves you can enjoy a story even when you know the ending. The wars provide an exciting background to the development of a mismatched love affair.

History isn’t all battles and daring-do. This is a fun idea. What’s your favorite scene in the book?

My favourite scene in the book – always a difficult choice for an author is the one where Mary drops the bombshell on Robbie that he loves her. (Yes, you read that right.) Robbie is pole-axed. The poor fellow had no idea and thinks the very idea is absurd because they are so wrong for each other. He is a little dense when it comes to matters of the heart but eventually sees that she is right.

Where can people learn more about your book and your work?

I’m on Smashwords

My Amazon Author Page

Amazon UK

My blog: www.susanappleyardwrite.wordpress.com

My Facebook page: https://www.facebook.com/susan.appleyard.9

My Twitter account: https://twitter.com/Mexisue1

The sequel to Acre’s Bastard is Coming January 21, 2019!

Subscribe to my newsletter and get a chance to win a signed paperback copy of my upcoming novel, Acre’s Orphans.  Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of whatever I’m working on, including Acre’s Orphans. Look at the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.  

England After WW1 with Liz Treacher

In my mind, there’s the First World War, then there’s the Roaring Twenties. But there must have been a transition period, where people were caught betwixt (Ha, love that word) the horrors of war and the possibilities of a new decade. Liz Treacher’s new novel, The Wrong Envelope, captures that complicated time.

Liz, tell us about you. What’s your deal?

When I was just four years old, I knew I wanted to be a writer, but it took me years to get going! In the meantime, I did lots of different things – researcher, alternative therapist, teacher and art photographer. I think all those different jobs gave me the life-experience I needed to finally put pen to paper. I live in the Highlands of Scotland with a view of sea and seals from my window and glimpses of the Northern Lights in the winter.

What’s The Wrong Envelope about?

Set in England in 1920, The Wrong Envelope is a light, witty tale of a romance between a flamboyant London artist and a Devon post lady. It uses humour and irony to explore the years just after the First World War. Life was trying to return to normal but the shadow of the conflict still hung over everyone.

What is it about that time period or story that got you so intrigued? It was a complicated time, to be sure…

A few years ago, I stumbled across a tiny suitcase that belonged to my grandmother. It was full of letters written to her by a soldier during and after the First World War. I was fascinated by the language used – the cheerfulness and bravado of a soldier trying to woo a young lady. I wanted to recreate the thoughts and feelings of the time, but I didn’t want to set a novel during the war itself. 1920 seemed a good year. Although the fighting was well and truly over, the effects were still being felt. Women found themselves in a very difficult position. They had possibly lost brothers or sweethearts at the front. Added to this, the jobs they had so competently covered during the war were being taken away again and given back to returning soldiers. I wanted to expose the problems people faced.

A lot of historical fiction writers began their journey with old letters. Wonder if future writers will be trying to decode old text conversations. What’s your favorite scene in the book?

I really like the first scene of the book which takes place in a rattling railway carriage and which gives a snap-shot of the time. There’s an octogenarian, dressed from head to toe in Victorian black lace, a ticket inspector with a pronounced limp from a war injury, two young ladies, one with cropped hair and short skirt, the other, our heroine post lady, old-fashioned in dress but modern in outlook. And there’s an artist, loud and eccentric, yet full of guilt about not having made it to the trenches. He does something outrageous in the first few pages which starts the story off in a lively manner…

Where can people learn more about your book?

There’s my website https://www.liztreacher.com/

I’m on GoodReads  https://www.goodreads.com/book/show/36695464-the-wrong-envelope

Of course, it’s available as an ebook on Amazon 

And also here.  https://books2read.com/thewrongenvelope

I”m on Twitter @LizTreacher

Subscribe to my newsletter and get a chance to win a signed paperback copy of my upcoming novel.  Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look at the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.

 

Cover Reveal for Acre’s Orphans- Out January 21

Okay, here it is. This is the cover for my newest novel, Acre’s Orphans. It’s a sequel to 2017’s Acre’s Bastard. (Which, FWIW is on sale on Kindle for 99 cents November 23-30.)

First, the cover.

Now, here’s the back cover blurb:

“Ten-Year-old Lucca the Louse narrowly escaped the worst
disaster to befall the Kingdom of Jerusalem, but he’s not safe
yet. His beloved but doomed city of Acre is about to fall into
Saracen hands, and there’s nothing anyone can do to stop it.
Days after his return, he uncovers a plot to rip apart what
remains of the Crusader Kingdom. Acre’s only chance lies in
the last Crusader stronghold; the port of Tyre. Carrying an
important secret, Lucca—accompanied by a young Lebanese
girl, a leprous nun, and a Hospitaler with a dark secret—must
make his way through bandit-infested wilderness to seek
help. Will he find assistance for those left behind, or will it be
too little, too late?
 
This exciting sequel to “Acre’s Bastard” is a rollicking,
humorous, and thrilling adventure story that stands alone, but
adds to the growing legend of Lucca le Pou.”
 
I’m thinking a January 21 launch, unless someone can think of something better. I will also set up a way to get advance copies for reviews. If you’re interested (please, Lord, if you’ve ever loved a brother) drop me a line.

A Hall of Fame Western Author- Robert Vaughan

Just when I begin to think I’m pretty hot stuff, I come across someone whose body of work is both impressive and intimidating. Such is the case with today’s interview. Robert Vaughan, as you’ll see, has been around a while. His publisher, Mike Bray at Wolfpack Publishing was hanging out at the Las Vegas Book Fest. I asked if he had any historical fiction authors I should talk to, and he couldn’t connect me with Robert fast enough. Here’s the deal on his (I’m estimating) 8 millionth book, The Town Marshal.

So for the uninitiated, tell us about yourself.

I was nineteen years old when I sold my first book.  That was 61 years ago, and since that time I’ve sold somewhere around 400 books under my own name, and 42 pseudonyms.  I wrote the novelization for the mini-series Andersonville, and wrote, produced, and appeared in the History Channel documentary Vietnam Homecoming.   As of this writing, (9 November, 2018) I have five books in the top ten of Amazon Western novels: #1, #2, #3, #4, and #7.

I have hit the NYT bestseller list eight times. I’m the recipient of the Spur Award, (SURVIVAL, writing as K.C. McKenna) the PORGIE Award (Best Paperback Original), the Western Fictioneers Lifetime Achievement Award, I received the Readwest President’s Award for Excellence in Western Fiction, and I am a member of the American Writers Hall of Fame.

I am also a retired army Chief Warrant Officer with three tours in Vietnam. I now live with my wife and my dog on the beach in Gulf Shores, Alabama. (Editor’s note: See? What’d I tell you?)

What’s the story behind The Town Marshal?

The book , THE TOWN MARSHAL is a look at some authentic Western History. Its two main participants, James Cooper, and Henry Newton Brown, form a close friendship when, along with Billy the Kid, they fight in the Lincoln County War. After that, James and Henry move on, their bond of friendship growing even stronger as James becomes a crusading newspaper editor and Henry, a town marshal feared by outlaws and lauded by his peers and the towns he served.
But something goes wrong, and in an emotive moment, the two best friends find themselves face to face in a dramatic and poignant confrontation.

What is it about that time period that intrigued you enough to focus a book on it?

Of the two main characters, James Cooper is fictional, and I use him to propel the book, and to be a foil for Henry Newton Brown.  Brown is an authentic character with one of the most fascinating, and ultimately tragic life stories.  It was the authenticity of Brown’s story that drew me to the book.

Without giving away spoilers, what’s your favorite scene in the book?

One of my favorite scenes would be the defense of the McSween House in Lincoln. Alexander McSween was a much-respected attorney in Lincoln,  and during the Lincoln County War, his house came under siege.  McSween, James Cooper, Henry Newton Brown, and Billy the Kid occupied the house.  In addition there were three women and a young girl trapped in the house: McSween’s wife, Susan, his sister-in-law Elizabeth Shields, Elizabeth’s ten-year-old daughter, Minnie, and Katherine Gates, the local school teacher.

Where can people learn more about your impressive collection of work?

You can find the 9 Westerns I’ve done for Wolfpack Publishing on their website here.

You can also find me on my Amazon author page.

Subscribe to my newsletter and get a chance to win a signed paperback copy of  my upcoming novel.  Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look at the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.

The Long-Distance Leader is one of the best business books of the year!

For many in the business book world, a recommendation from Soundview is a big deal. They do summaries of the best of the best, and help their readers find the good stuff. Well, I’m a lucky guy because The Long-Distance Leader- Rules for Remarkable Remote Leadership has been named one of Soundview’s Best Business Books of 2018.

Kevin Eikenberry and I are extremely proud of the book. You can find the summary on Soundview here, or visit Amazon. Of course, if you too think this is a helpful book, please leave a review for the rest of the world to see.

 

A 1960s Childhood Reimagined Joe Van Rhyn

One of the exciting things about moving to a new city is the chance to meet a whole new crop of writers and artists. Las Vegas has a thriving writing scene, as you’ll learn over the next few weeks as I interview new friends and people I’ve crossed trails with.

One of the first writers I met here is Joe Van Rhyn. He’s written a number of historical novels including his newest, Born Yesterday. I’m not happier realizing that the 1960s were nearly 60 years ago than you are, but they qualify as history. I have managed to come to grips with that.

Joe, tell us about you.

I’m a “late bloomer.” I didn’t start writing seriously until I retired. Over the years, I toyed with the idea of writing a book, retirement just freed up the time. I had written things like press releases and news articles. My first published work came as a contributor to another author’s book on the town we grew up in. My first solo project was a twenty-page history of my wife’s family’s one-hundred-year ownership of a tavern in Berlin, Wisconsin. I considered myself a good story teller, but wondered if I could hold it together long enough to finish a full-length novel? I’m proud to say, I not only finished the first book but have completed two more, since.

So much of my writing is drawn from the things I’ve experienced in my life. I grew up in a small resort town in Wisconsin. My family owned a Supper Club. We aged and cut our own steaks. I started tending bar when I was eighteen. I loved it. It gave me a master’s degree of knowledge in human behavior, both good and bad. Every night I’d get a new cast of characters to study. (Editors note: the Wisconsin Supper Club is its own little world, and someone needs to write a novel about it. Not me, you understand, but someone.)

I did a lot of acting in school and summer theater. Writing and acting come from the same part of the brain. Scenes are built on action and dialogue. In both, you have to be able to climb into your characters’ skin to fully expose their strengths and weaknesses.

In a nutshell, what’s Born Yesterday about?

My first book, “Born Yesterday,” is set in 1964. It’s how life and relationships change when a stranger is found unconscious in the park of a small resort town, and how fate brings two people together.

What is it about that time period that intrigued you?

When I began writing it, the thing I knew for sure, Pine Lake, the fictitious town, based on the one I grew up in, had to play a large role. I wanted to capture the flavor and values of the community as I saw then. The story is made up. The characters are composites of people I knew.

What’s your favorite scene?

Growing up I spent my entire summer on the lake, swimming, fishing, boating, and water skiing. On weekends we had competitive sailboat races. People said, in the race scene, they felt they were in the boat and caught up in the excitement of the race. I guess it would be my favorite, too.

What more should people know, and where can they learn it?

In the usual places, I have three books on Amazon in both paperback and for Kindle. Along with “Born Yesterday,” I have the follow up book, “Battle Born,” and my latest, a novella, called Life Along the Humboldt.” This last one has no relationship to the first two. It is a pioneer story set in the 1860’s.

The idea came out of the blue. I couldn’t get it out of my mind. Everyday I’d be adding new parts to the story. Finally, I just had to put everything aside and write it. Nutshell? “Even in the midst of tragedy and hardship, love finds its way.” I’m also on Facebook and have a website. www.joevanrhyn.com

You mentioned “Battle Born,” what’s it about?

One of my editors, loved the character of Nora, the crusty head nurse, in “Born Yesterday”. She suggested I should do something more with her.  “Battle Born,” the second in the series, is Nora’s story going back to 1945. She a headstrong Army nurse, with a caring heart. A chance meeting with a fifteen-year-old girl sends Nora on a path, loaded with conflict, murder and mayhem.

So, what’s next for you?

I’m well into book three. (still untitled) Our fifteen-year-old becomes the protagonist and she brings everything full circle back to the wonderful town of Pine Lake.

 

Subscribe to my newsletter and get a chance to win a signed paperback copy of  my upcoming novel.  Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look at the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.

Ancient Rome and China Meet – Lewis McIntyre

Whenever I hear people freaked out by other cultures (and you see it all the time) I think about what it must have been like when someone would literally see a different colored face or hear a different language for the first time. I’m not alone in this, I presume, because Lewis McIntyre has written a novel about a literal clash of cultures: Ancient Rome crossing paths with the Chinese for the first time in his novel The Eagle and the Dragon.

So what’s the Lew McIntyre story?

Hello to all.  My name is Lew McIntyre. I have done a little bit of everything, it seems. I graduated from the Naval Academy in 1970 and spent my career in Naval Aviation flying special-mission C-130 Hercules aircraft. I retired in 1990 and continued to support my aviation community to this day as an engineer, though the “Herc” has long since been replaced by the “Merc,” the E-6B Mercury.

I am an odd character, an engineer that seems to have mastered the art of writing.  Over the past twenty years I have done a lot of technical writing that people actually seem to enjoy reading.  About twenty years ago, I began The Eagle and the Dragon, and now here we are, two books out, three in the oven, and my wife Karen has published two, with a third in work. We seem to have found our third careers!

Besides writing, I enjoy biking, amateur radio (call sign KB6IC) and deer hunting.

OH, he tries to sound all normal-guy and non-engineery, then he goes and gives us his HAM sign. Probably not helping your cause any, but I digress. What’s The Eagle and the Dragon about?

The Eagle and the Dragon is a fictional account of the first Roman mission to China, set in 100AD, and modeled loosely around an actual Roman mission to China in 166AD.  Like most first missions, nothing goes according to plan:  Senator Aulus Aemilius Galba, tapped by Trajan to lead the envoy, expects an easy path to fame and fortune.  But the Fates have other plans for him and his unlikely companions.  From the storm-tossed Indian Ocean to the opulent court of Han China, from the grassy steppes north of China with the wild Xiongnu nomads, to the forbidding peaks of the Pamir Mountains guarding Central Asia, they will fight for their lives, looking for the road leading back to Rome. It’s quite an epic adventure, with a few love stories thrown in for good measure.

Writing it was a lot like watching a TV series, I had to go write the next chapter to find out what happened next!

Fun. That’s how I felt writing Acre’s Orphans. What intrigued you about this time period enough to invest the time writing a novel?

What intrigued me most about the era was the extensive contact the Romans had with “The Distant East”, the Oriens Repositus as they called it. Every year for over two centuries, 120 ships a year sailed from the Red Sea ports over the open Indian Ocean for India, loaded with gold, silver and Mediterranean wine to purchase silks, peppers and spices, and artwork.  Even tortoise-shell, from which they made a plastic-like, decorative waterproof finishing for wood furniture. The scale of trade was almost modern in scope, about a half billion dollars in gold going out each year to purchase goods that would be marked up ten, twenty, thirty-fold and taxed at 25%.  There were Roman interest sections, today we would call them consulates, in dozens of Indian cities, along with Roman temples.  Buddhism made its way to Rome as a popular, philosophical religion… things we never heard of.  Roman coins of the era have been found in Nagasaki, Roman shipping jugs have been found in Vietnam, and they even got as far east as Kattigat, somewhere in Borneo. Outside London, two Chinese skeletons were found in a Roman grave across the Thames two years ago… I know their names, they figure in my sequel!

I just had to capture this wholly unknown side of ancient Rome, the big ships they used, how they would have defended their lucrative cargo against pirates, what they thought of the world of the East, so different from their own.  I had to experience for myself what it was like to make that trip, and bring that experience to my readers.

What’s your favorite scene in the book?

I have two, I think.(Editors note: why does everyone always have two?)  One is a violent storm that blows up while the Europa is transiting the Indian Ocean.  I think it was a tropical cyclone, the time of year was right, but I believe they just grazed the fringes of it, otherwise, I might not have been able to finish the book.  The Europa was a big ship, a three-master of about 200 feet, but the seas were bigger, and they fought through the night to keep the ship afloat and facing into the forty-foot waves, wind gusting to perhaps eighty or more knots.  And the next day, de-watering the ship, surveying and repairing the damage, tending the injured.

Yes, the Romans had ships of that size.  I modeled the Europa, Asia and Africa off the Mediterranean grain freighters, which were of that size, perhaps 800 to 1200 tons displacement, for you nautical types. You can read about one such ship, besides my own, caught in a Mediterranean storm with St Paul on board, in the Acts of the Apostles.  It was a very detailed contemporary description of a prolonged storm at sea, accurate enough for a detailed reconstruction of the incident.

The second involves my heroine, Marcia Lucia, Chinese name Si Huar, who begins as an abused concubine of a mid-level Chinese official.  She rises throughout the story, coming to leave that life behind and find love with the grizzled centurion Antonius, for whom love is also a new experience. She learns to fight, much to his disgruntlement, taught by Hina, a warrior woman of the Xiongnu nomads.  Hina is a hard taskmaster and Marcia masters everything Hina sets her to do.  But when she faces her first real fight, a fight with her former consort that must be to the death if she is not to return to the life she left behind, she hesitates… almost fatally.  The doubt, the fear, the uncertainty of that first real fight, the agonizing pain of a serious wound that must be ignored.  Then sitting beside the dead body of the man she has known for ten years, the man she has just killed.

That’s intense. Where can people learn more about you and your work?

You can find my book at Amazon, in Kindle or paperback. Or email me at mcintyrel@verizon.net and I will send you signed copy for just $20, shipping included at no extra charge.

https://www.amazon.com/Eagle-Dragon-Novel-Rome-China-ebook/dp/B01MSEAC3I/ref=mt_kindle?_encoding=UTF8&me=&qid=

I have a second book out, a short story, Come,Follow Me, a Story of Pilate and Jesus, that first Easter weekend told from the point of view of that most reluctant executioner, Pontius Pilate.  Also on Amazon.

 

Subscribe to my newsletter and get a chance to win a signed paperback copy of  my upcoming novel.  Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look at the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.

 

 

My latest short story- The Towel- is on Storgy.com

My latest published short story, “The Towel,” has been put into the world by one of my favorite fiction sites, Storgy.com. It’s a tale of boxing and blood, both literal and metaphorical. I am really proud of it, and I’d be honored if you’d read and spread the word. TAKE A LOOK  HERE

I don’t know what it is about the fight game that inspires these short pieces, but this is the third pugilism-based story I’ve done in the last couple of years. The first was based on a real-life incident, “Bayamon, 1974,” and published in the Irish journal, Dodging the Rain. (For the record, Storgy accepted this one too but DTR had already accepted it for publication.) READ THE STORY ON THEIR SITE

Image result for Los Angeles, 1952The final entry is a story I love and have never found a home for. Also history-based, “Los Angeles, 1952” is a tale of boxing, old Hollywood and a first date that may or may not be going well. The only place it has a home is on Scriggler.com (which is the online elephant graveyard for pieces I couldn’t place anywhere else) and my site here. CHECK IT OUT AND SHARE IT IF YOU LIKE IT.

If you’re new to my work, welcome. If you’ve been a patient reader, you don’t know how much I appreciate you. The new novel, Acre’s Bastard, is set for January. Get on my email list and you’ll learn more as soon as I do.

Thanks for following me, and I hope to keep giving you reasons to stick around.

Don’t let the weasels get you down.

1920s Italy, Intrigue and Murder with John Anthony Miller

The trauma of World War 1 created the environment that allowed the ’20s to roar. It was an amazing time of change and trying to figure out exactly what the hell had just happened. I was intrigued when I heard about John Anthony Miller’s new novel, “Honour the Dead.” It goes on sale November 1.

So what’s the John Anthony Miller story?

I like to write about ordinary people who are compelled to do extraordinary things, driven by events or tumultuous times. My first four books are about WWII, but not generals or admirals or politicians, but a reporter, a history teacher, a banker, a violinist. They become heroes, just as many other ordinary people became heroes during the global conflict, their stories difficult to imagine in a world that is now so different, but in some ways, still the same. I also like to use the location of the novel as a character, often exotic, richly described, a place where people have either been or might someday like to go. My first four books are set in Singapore, Berlin, Lisbon, and Paris. For my fifth novel, a murder mystery entitled Honour the Dead, I chose Lake Como, Italy, one of the most beautiful places in the world and a personal favorite of mine.

I agree, I prefer writing about “ordinary” people as well. What’s “Honour the Dead,” about?

Honour the Dead is about six English survivors of WWI who converge on Lake Como, Italy in 1921: four men, two women = one corpse and one killer.

Penelope Jones, a wealthy socialite, is admitted to Lakeside Sanitarium, convinced someone is trying to kill her. Her husband, Alexander Cavendish, a WWI hero, is having an affair with her closest friend and owes gambling debts to Billy Flynn, a London gangster. Her father, Wellington Jones, is fighting the collapse of his business empire and knows about Cavendish’s affair and gambling debts. Wellington needs money desperately and knows Penelope will inherit Cavendish’s estate. Dr. Joseph Barnett, Penelope’s doctor, struggles to control images of a war he can’t forget. He despises Cavendish, having served with him in the war. Barnett doesn’t see a war hero, but a despicable murderer who forced young men to die. Rose Barnett, the doctor’s wife, is a famous poet with a sordid secret. Rose was a nurse in France during the war, where she committed five mercy killings on horrifically wounded soldiers. Cavendish, the only witness, is blackmailing her. Who is the corpse and who is the killer?

I am a total geek for the post-WWI era. What is your fascination with it?

I set the novel in the 1920’s because I was intrigued by the utter devastation wrought by the First World War, which has since been overshadowed by the cataclysmic Second World War. I wanted to write about survivors, people desperately trying to forget the horrific tragedies they endured, losing family and friends, neighbors and coworkers – all victims to a war waged in muddy trenches with chlorine gas, the horror amplified by modern inventions like the tank and airplane. And even in 1921, three years after the fighting ended, I wanted to show that, regardless of how bright the future might seem, the past still clings tightly, refusing to let go.

Without giving away the farm, what’s your favorite (or favourite) part of the book?

My favorite scene from Honor the Dead is the epilogue, where a series of twists and turns show the reader that nothing is ever as it seems.

I think you may be the first person to say “the epilogue.” Now I’m intrigued. Where can we find more about you and your work?

https://www.amazon.com/JOHN-ANTHONY-MILLER/e/B00Q1U0OKO/

https://www.goodreads.com/author/show/9787380.John_Anthony_Miller

https://twitter.com/authorjamiller

Website:  http://johnanthonymiller.net/

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