historical fiction – Wayne Turmel

Multi-generational Chinese Historical Fiction with Wendy Chen

Like most NAWPS (North American White People,) my family history was never greatly recorded until most of the old aunties were gone. That’s one reason I’m fascinated with historical fiction that connects different generations across multiple countries. Living in Las Vegas, which has a plethora of excellent HF writers, I was excited to learn about Wendy Chen and her new book, Their Divine Fires.

Although we share geography, this is the first time I’ve had a chance to “meet” her. I hope you enjoy our conversation.

Hi Wendy. We’ve never had a chance to meet, even though we share a town. What should we know about you?

I am a writer, translator, and teacher, with a background in the visual arts–specifically bronze and marble sculpture. I am interested in writing across genres, and my work often pushes against genre conventions as well. For example, I write poetry that has elements of prose, and vice versa. My first book, Unearthings, was a book of poetry, and I recently published my debut novel–a work of historical fiction titled Their Divine Fires–in May 2024. Next year, my translations of the Song-dynasty woman writer Li Qingzhao will be out in a poetry collection titled The Magpie at Night with Farrar, Straus & Giroux. I’m really excited about that collection, as Li Qingzhao is considered one of the greatest poets in Chinese history and wrote and published during a time when women were discouraged from doing so. Currently, I teach creative writing at the University of Nevada, Las Vegas.

What is “Their Divine Fires” about?

My book follows four generations of Chinese and Chinese American women in one family. Beginning in the early 1900s in China and ending in modern-day America, the novel traces the journeys of these family members as they each figure out how to survive amidst revolution, resistance, and adversity. Each generation faces challenges unique to their period, such as the Chinese Revolution of 1911 or the Cultural Revolution of the 60s, but they are all unified by a common spirit of persistence. The novel is particularly interested in the ways individuals grapple with love–its vulnerabilities and its pains–against, despite, or because of history. This is a book for readers who loved Min Jin Lee’s Pachinko or Marquéz’s One Hundred Years of Solitude.

What is it about that time period that appealed to you? What are the roots of the story?

The novel has personal significance to me, as it draws on the history and lives of my ancestors. The inspiration for this novel is the stories my grandmother would tell me when I was a child, stories about her mother and her grandparents. It always fascinated me to think about how the lives of my ancestors and my own life were so different from one another, and yet how their lives led inextricably to my own. How could my grandmother, a peasant girl from a rural village in China, end up in America in the 80s? How could China have changed so much over the last century? How did my ancestors live through revolution, civil war, famine, disaster, dictatorship, and come through it all on the other side? Those were questions I was working through while writing Their Divine Fires.

What’s your favorite scene in the book?

One of my favorite scenes in the book is the opening, when a brother asks his little sister to cut his hair. At that time in the early 1900s in China, men typically kept their hair long and untouched, a symbol of respect and reverence for their bodies which their parents gave them. It was, therefore, an act of filial piety to preserve your hair. However, the sister helps her brother cut his hair, an act which defies tradition and angers their parents. I struggled a lot with figuring out how to open this book, as I wanted to give a sense of the ways a family was beginning to fracture across the generations without hitting the reader over the head with the symbolism. Finally, I landed on this scene, which demonstrated the fracture as well as the love between the siblings–a bond which is eventually tested as the novel develops.

Where can we learn more about you and your work?

My website wendychenart.com provides information about me, my publications, and my latest projects. You can also find me on Goodreads, Twitter, and Facebook under the profile name wendychenart. Their Divine Fires is available at Amazon here.

Part of the fun of being a multi-genre author is meeting readers with diverse tastes. If historical fiction, rather than werewolves, is your cup of team, consider The Lucca Le Pou Stories. It’s a two-book series about a young orphan in the Crusades who becomes a spy. There’s intrigue, violence, leprous knights, and heroics ala Kipling’s Kim.

You can find the series on Kindle here. If you’d like a signed paperback copy, drop me a line. Of course, you can find all my work; fiction, nonfiction, and just plain goofy at my Amazon Author Page

Today is the Launch of The Second Edition of the Long-Distance Leader and Maybe a Laugh?

Today we launch the updated version of a book that has changed lives around the world for 6 years. The Long-Distance Leader, Revised Rules for Remarkable Remote and Hybrid Leadership is now out in the world.

In this new edition we have updated the technology (Zoom exists! Skype for Business doesn’t!) and paid way more attention to hybrid work since the Return to Office (kind of.)

You can get the book at Amazon, or buy it from us and get free resources and bonus material! www.LongDistanceWorklife.com/LDL

Of course, when you write in multiple genres, they say you confuse your audience. People read business books don’t necessarily read fiction, and vice versal. Then people who read fiction, don’t always read historical fiction like Count of the Sahara or the Lucca Le Pou Stories. And people who read histfic don’t always read stuff like The Werewolf PI series.

I present the Venn Diagram of my audience. Thank you all.

My Genre ADD is Kicking In Again

What’s a guy to do when he finishes a series? With Johnny and his friends (relatively) safe, it’s time to start writing something else. Okay fine, but what?

For most of the last year, I’ve been writing screenplays and a couple of short stories. The movies are fun if I can get anyone to read them. There are two low-budget horror films and a script for Johnny Lycan & the Anubis Disk. And yet there’s this need….

Enter a new project. It’s back to historical fiction for me. I hope those of you who discovered me with my Urban Fantasy detour will stick with me for this new one. It’s still early stages, but this is what I know:

It’s about the French Foreign Legion. Yeah, I’m not kidding. I’m joining the ranks of Theodore Roscoe and PC Wren, if they’ll have me.

It’s not first person. Every novel I’ve written has been in first person (Willy Braun, Lucca le Pou, Johnny.) I think this one needs to be different and it’s an experiment.

I’m a kid from the rainforests of British Columbia, so what’s my fascination with the desert? For this story it’s back to Algeria with a side quest to Morocco. Gil Vincente is like no one I’ve written before and the tale is much grittier. Hopefully, it will be fun for all of us.

If you’ve read my historical fiction before, thank you. (There may be news about Acre’s Bastard and Acre’s Orphans soon, who knows?) and the Count of the Sahara continues to engage readers. If you only know my work through Johnny Lycan, I invite you to check it out. you have plenty of time. The new book is in its early stages.

Yeah, the story looks a lot like this. Picture courtesy of Foreign Legion Info.

On top of all this, the second, updated edition of The Long Distance Leader, Revised Rules for Remarkable Remote and Hybrid Leadership comes out September 17th. All of that should keep you busy while I’m cranking out Gil’s story.

Don’t let the weasels get you down.

Tomahawks and Dragon Fire with Stanley Wheeler

You’ve heard of Sword and Sorcery? (That’s the Lord of the Rings stuff with semi-medieval settings and clashes of swords.) How about Flintlock Fantasy? That’s set in a slightly more modern world, maybe the late 1700s or so, where muskets and flintlocks exist and there are DRAGONS! (Sign me up.) One of the people writing in this genre is Stanley Wheeler, author of the Tomahawks and Dragon Fire series.

Stanley, tell us about the wonder that is you…

I could describe myself in very favorable terms, but there’s always someone ready with a second opinion. Born and raised in Idaho, I’ve climbed the pyramids of Mexico, rambled about the halls and grounds of Versailles, and mourned the honored dead at Normandy. I would like to return to visit that hallowed ground. Although writing has been a long-term affliction for me, I didn’t start publishing until 2012 when I published a western novel I had written ten years earlier. I now have about a dozen novels and a few published short stories available. I enjoy acting in the community theater and in old-time radio show plays. Writing novels surpasses the stage experience because I get to play all the characters—and I don’t have to memorize the lines. However, the kissing scenes are less satisfying. In my youth I discovered that I didn’t want a long-term relationship with crops and cows, so I sought an education that would take me abroad. Eventually, I graduated with a degree in Near Eastern Studies. I had an opportunity to go to Washington D.C. to complete the final round of testing for employment with a government agency. I passed on the chance and went into law instead. In a life built on one bad decision after another, I thought I should cap that pyramid by sharing my writing affliction with the public.

We’ve all decided to take our trauma out on readers. Tell us about your latest book and the series.

I recently completed writing Crisis in Fire and Snow, book 6 in my Tomahawks and Dragon Fire Series. Threading the Rude Eye is the first book in the series. In this alternate history fantasy, Alex is completing his study of the law. He plans to marry and go to England to become a barrister. However, when two peculiar men with a map to a cache of dangerous power arrive with The King’s Supreme Commander in pursuit, everything he loves is destroyed, and he is thrown into the maelstrom of the revolution and the quest for the cache of power. Magic, dragons, and many other fantastic creatures complicate the struggle for life on the hostile frontier and the battle for liberty in America. Each book in the series builds on what has gone before. The characters grow and change, and their understanding of the magic progresses as well. I love each installment, but book 5 in the series, Truth in Flames, touches me the most deeply.

Can you tell us about the magic system (that’s writer talk for world building and cool stuff)?

There are a few different forms of magic used in the series. The most powerful magic originates from the dragon stones, which, as you might expect, come from dragons. The stones give one enhanced abilities: the power to compel others to one’s will, to heal, and to form tangible objects like weapons, shields, cords, etc. Additionally, other stones used in conjunction with a dragon stone provide other powers. The idea for the story and the magic grew from thoughts I had entertained for a few years. Finally, during a hiking trip, I outlined the first three books. I thought I was only outlining the first book, but the story expanded in the telling. Fantasy and history are subjects I enjoy. It seemed natural to mesh them into a great tale. Alex has a great sense of right and justice. Events constantly challenge both his growing powers as well as his desire to fulfill his commission limited instructions on how to use the power. In one sense, he is like the young Arthur, striving to reach an ideal in a world beset with evil. Although he possesses the same power that the commander uses to manipulate and control, he must use it for good. It’s a learning process with which nearly everyone should be able to relate and to sympathize. Strange beasts provide another fascinating element of the series. American Indian legends and lore have provided inspiration for most of the creatures in the tale.

Who did this to you? What writers warped you this way?

A wide variety of subjects and authors appeal to me. Alexandre Dumas and Edgar Rice Burroughs scratch a certain itch. Louis L’Amour’s western stories are always a good escape, and Tolkien provides a slow train to adventure and contemplation. I should add Heinlein and Alan Dean Foster to my science fiction and fantasy favorites too. Both Tony Hillerman’s and Raymond Chandler’s mysteries whisk me to settings that I relish, and my novel Smoke, a 1940s noir mystery with a hearty helping of humor, reflects that influence.
As far as modern authors go, I find that David J. Butler and Brandon Sanderson create fantastic worlds. I’ve met and corresponded regularly with David Butler, and we have a lot in common. I like to say he’s a younger, taller, smarter, more successful version of me. In non-fiction, I’m drawn to history, biographies, and military accounts. In Jr. high school I started reading everything I could find about the Civil War. From there I discovered Napoleonic history, and now I’m immersed in the American Revolutionary Era. I’ve found Michael O. Logusz and John Ferling write valuable and rousing retellings of eventsfrom that period.

Where can people learn more about you and your work?

Anyone can check out my books on my Amazon page: https://www.amazon.com/stores/Stanley-Wheeler/author/B00FN5I7T8

Or on my website: http://stanleywheeler.com/books/

And sign up for my regular newsletter to keep track of my stories and travels: https://sendfox.com/flintlockfantasyStanley

I also blather weekly and interview other authors at www.stanleywheeler.blogspot.com

If you hate starting series that aren’t complete, consider starting the Johnny Lycan: Werewolf PI series. The grand finale, Johnny Lycan & the Last Witchfinder is available now on Amazon and from Black Rose Writing.

“I’ve been a fan of this series since the beginning, and while I’m slightly devastated that this is the end of it, I LOVED The Last Witchfinder.” S G Tasz

This final installment in Johnny’s saga is perhaps the weirdest, most baffling of all… Author Jill Hand

Historical Fiction with Sasquatches: David Buzan

If that title didn’t catch your attention, why are we even friends? You know my first novels were historical fiction. Now add the fact that growing up in BC we used to play “Sasquatch Hunters” at recess in the woods behind the school in Mission BC. So I was thrilled to hear about fellow Black Rose Writer David Buzan’s book In the Lair of Legends.

David let’s start with who the heck you are.

I’m a late-to-the-party author who didn’t even begin writing my debut novel until the end of 2020. Although I had started selling short fiction in high school and early into college, I found myself exclusively pursuing screenwriting after graduating from the Vancouver Film School in 1994. It was a wild ride! Fifteen years, three agents, a half-dozen spec scripts, two options…and plenty of heartache. In fact, I had become so disillusioned with the entire process that I found myself walking away from it entirely. I had truly convinced myself that I was a failure, and turned my back on any new creative writing for over a decade.

There was a distinct moment in October of 2020 when everything changed. It was in the midst of the worst wildfire season in Oregon’s history. The sky had been choked with smoke for endless days, and several close friends and family members had to be evacuated from their homes. While this was happening, the whole world was dealing with Covid-19. Being a manager for an essential business, I was working right through the treacherous smoke and the threat of the virus. One afternoon at work, strong emotions totally overwhelmed me. I remember walking outside and staring up at the dark skies. I thought about my writing and was instantly filled with regret.

There’s a moment in ROCKY BALBOA when Rocky explains that his desire to step back into the ring was akin to feeling “something in the basement.” It’s a compunction to return to a past dream and finally prove something to yourself. That’s certainly the way that I felt at that moment. Before I walked back inside that day, I had made the unwavering commitment to start writing again. And so I did.

I did the spec script thing back in the 80s and 90s, and am working on a Johnny Lycan script, so I feel ya about coming back after so long at the day job. What’s your book about?

“In the Lair of Legends” centers around a Native American Civil War veteran who finds himself battling a unit of Army traitors and a legendary monster in a desperate fight for survival. The story itself is a unique genre mishmash: action-adventure/historical fiction/western/horror. It’s got the large-scale stunts of a James Bond picture, wild Schwarzenegger-esque one-liners, and the bone-crunching action of a “Die Hard” film. But at its center is Jolon Winterhawk, an honorable and moral indigenous protagonist whose spiritual journey is every bit as difficult as his physical one. Plus, the book showcases a pair of Sasquatch maneaters!

Shut up at take my money! What are the roots of the story?

As a writer, heroes that are on some sort of redemptive journey always appeal to me. In this instance, there was a man straddling two vastly different ideologies: the Nez Perce tribe he’s fighting to defend, as well as the nation he’s sworn to protect. The dichotomy of that was the fertile soil that Winterhawk grew from. In terms of history, most of us are ignorant of the fact that nearly a quarter-million Native Americans fought during the Civil War. With certain aspects of this story, I wanted to show how they were treated not only on the battlefield by fellow soldiers but also how they were ultimately received after returning home to their tribes. Added to this is the relatively unknown aspects of the Army Balloon Corps during that era, whose last remaining aeronauts are the book’s duplicitous human antagonists.

As for the ravenous monsters, I wanted to reframe the idea of Bigfoot in the imagination of my readers. Growing up in Oregon, you see Sasquatch images everywhere: bumper stickers, candy wrappers, jam bottles, and t-shirts. Bigfoot is very much like our state animal! Of course, he’s always portrayed as some sort of gentle giant. That definitely wasn’t my intent here. With “In the Lair of Legends,” I wanted to make the Sasquatch into a terrifying defender of his forest domain. In this book, Bigfoot is much more reminiscent of “Jaws” than “Harry and the Hendersons.”

Who are the authors you enjoy?

My favorite author is David Morrell. His work (especially the groundbreaking “First Blood”) created entire genres and subgenres in the thriller category. I’m also an avid reader of Stephen King, Tana French, and Matthew Reilly. All are different writers with totally opposite styles. But they each have a unique voice that sets them apart from everyone else.

Where can we learn more about you?

You’ll find me interacting a lot on social media, especially on the platform-formally-known-as-Twitter. I enjoy talking about a myriad of topics with people, especially movies and film score appreciation. There are links to follow me on various social media platforms found on my website: www.davidbuzan.com.

It’s been a while since I plugged my own historical fiction, but just because it’s older work doesn’t mean it’s not worth reading. Check out The Count of the Sahara, and the Lucca Le Pou Stories: Acre’s Bastard and Acre’s Orphans. Heck, check everything out on my Amazon page.

The Joys (and Pain) of Not Having an Author Brand

What is my author brand? When you think of what you’ve read from me, what do you think of?

Most of you reading this are not writers, so you probably don’t know what I’m about to tell you. In December, I had a book come out. Last week, I had a second. You’d think as an author that would be a very good thing. Everybody who bought the first book would buy the second, right? Guess again.

The problem is that the book that came out in December was the second installment of the Werewolf PI Series: Johnny Lycan and the Vegas Berserker. The book that is still hot off the presses is the third in the Long Distance Workplace Series: The Long-Distance Team, Designing Your Team for Everyone’s Success.

The thing is, readers who enjoy silly thrillers about Lycan gumshoes are not necessarily the same bunch who are reading serious books about making their remote teams work. That

doesn’t even include my short fiction, which has been published all over the world and in every conceivable genre. In fact, if you think about my work, including historical fiction like Count of the Sahara and the Lucca Le Peu stories, the Venn diagram of possible readers looks like this:

What I”m trying to say, is if you read my work, you are in very elite company, and I appreciate you. If you enjoyed The Long-Distance Leader, maybe take a chance on Acre’s Bastard or Count of the Sahara. The same brain, for good or evil, created all of them, and I hope you find, read and enjoy my work.

Plus, you’re in an exclusive club, and that’s kind of cool, right?

History is Made of Real People- I Can Prove It

Before I decided to write about werewolf detectives and psychic pawn brokers, I wrote my first novel. It was based on someone I was obsessed with, Byron De Prorok. That obsession turned into The Count of the Sahara.

When you write historical fiction, it’s easy to get caught up in the history part of things and forget that you’re telling the stories of real people. They have lives. And families. And grandchildren, as it turns out.

That brings me to something I haven’t shared with many people. Earlier this year, I received a lovely email from a woman in South Africa, named Genevieve Manderstam. Turns out, she’s Byron’s granddaughter.

Her mother and aunt were taken away from their father when they were very young and even had their names changed, so Genevieve knew only the tiniest amount about her famous grandfather, and not much of that was nice.

Here’s the kicker. She thanked me for telling his story, warts and all. It meant a lot to her. Given it wasn’t a completely positive tale, that should tell you where my boy stood in relation to the family.

Recently she sent me this hand-written note which means a lot.

She also sent me a picture holding my book. Look at that smile.

As a writer, this kind of stuff makes me happy. Certainly happier than if Johnny Lupul ever has kids. Them, I’m not sure I want to meet…..

A World War 2 Spy Thriller with Flowers

I’m a sucker for a good spy thriller, and the Second World War has no shortage of opportunities for espionage, thrills and great stories. But how many heroines of those stories double as both spy and professor of botany? I’ll wait, because there’s only one I know of. My fellow Black Rose Writing author, Karen K Brees, tells this story in her new novel, Crosswind.

Karen, what’s your story?

I’ve lived long enough, seen enough, and done enough, that I’ll never run out of ideas for books. I’ve been a librarian on a bookmobile, a cattle rancher, a goat herder, a reluctant boater, a Harley biker babe ), and an enthusiastic, if clumsy, horsewoman. I knit well and hand quilt. To paraphrase Michael Travolta in Michael, “I listen. And I take copious notes.” I love history and especially love writing historical fiction. I can use the past as a framework and create a world that never was or might have been.

What’s Crosswind about?

Crosswind: The WWII Adventures of MI6 Agent Katrin Nissen is, at its roots, a story of the Nazi fascination with native plants that became their rationale for attempting to obliterate everyone and everything that didn’t fit their definition of “native.” The plot, of course, revolves around the search for a missing MI6 agent and the microfilm he possesses. The MI6 agent sent to find him and retrieve the microfilm is Yale Professor of Botany, Katrin Nissen. It flows from there, as she steps up to the plate to wage her own war against the Nazi agenda.

Where’d the story–and maybe more importantly, Karin, come from?

Strong female characters with a dry sense of humor have always appealed to me. Katrin is one of those women. She knows who she is and she does her job. Does it quite well, actually. But she always finds herself in some form of danger that requires her to use all her wits to escape.

Putting Katrin in a WWII setting just seemed natural. It was a time when ordinary people did extraordinary things to conquer pure (or impure) evil. Right and wrong were clearly delineated, and the fate of humanity hung in the balance. My WWII fiction tells the stories of these people. They’re composites, but they’re drawn from real life.

Totally unfair question, but what’s your favorite scene in the book?

My favorite scene, without giving away too much, is the night at the Blue Danube, a Bohemian bar, where Katrin meets two young women who have been targeted by the Nazis. What Katrin does at that meeting is pivotal to the outcome of the story.

I liked that scene a lot. Where can people learn more about you and your work?

Crosswind is my latest book. I’ve written several others both fiction and nonfiction. My website is www.karenkbrees.com. I’m on FB and Goodreads as Karen K. Brees.

You can find me at Black Rose Writing (FWIW you can find me there too! )

and on Amazon

The Second Book in the Werewolf PI series, Johnny Lycan and the Vegas Berserker is out December 8. Preorder now from my publisher, Black Rose Writing, and save 15% with the code PREORDER22. You can also preorder it on Amazon

You can also join my new Facebook Author Page for constant updates and chances to win prizes.

Of course, if you haven’t yet read Johnny Lycan and the Anubis Disk, what’s keeping you? You can get it in Kindle or Paperback.

The Count of the Sahara Turns 6 Years Old This Week. (The Book, Not the Guy)

6 years ago today, my life changed forever. My first novel, and 6th book overall) The Count of the Sahara was published by Erik Empson (peace be upon him) at The Book Folks in the UK.

For the uninitiated, this is the real-life (mostly) story of a character I’ve been obsessed with for years: Count (cough, cough) Byron Khun de Prorok. He was an amazing mix of ambition, brilliance, talent, chicanery, and failure. How many archaeologists from the 20s have their own IMDB page?

For those of you who haven’t read it, it’s a pretty ambitious first book. It alternates between the imaginary story of Willie Braun, a young German-American teenager who becomes the driver and assistant for a charismatic archaeologist on a tour of the US Midwest in 1926. Then it flashes back a year to an ill-fated, well-documented expedition to the Algerian Sahara. We see how the tale de Prorok is spinning doesn’t quiiiiiite match the reality.

In the 6 years since publication, a lot’s happened. I’ve written 2 business books, The Long-Distance Leader and The Long-Distance Teammate. I’ve also written 3 more novels ( Acre’s Bastard and Acre’s Orphans, as well as Johnny Lycan and the Anubis Disk) and the sequel to Johnny Lycan is almost finished. You can see them all on my Amazon Author Page.

Whenever I beat myself up for not being faster, I allow myself to think about putting out 6 books in 6 years. I’m not James Patterson, but not bad for a 60-year-old with a day job.

Byron has given me the chance to speak and be interviewed dozens of times on the subject of this fascinating character. My favorite moment was when I heard last year from his Grand-daughter, thanking me for telling his story (as warts-and-all as it is.)

This book began my career (or whatever this is) as a novelist and I’m not stopping anytime soon.

If you have read the book, a million thanks.

If you haven’t, what’s keeping you? You can order it directly from the publisher, you can find it on Amazon worldwide.

If you want a SIGNED copy of the paperback, please drop me a line. You can get one for $15 plus shipping (if you’re outside the US it ain’t cheap) and you can pay me by Paypal or Zelle. The same is true if you want signed copies of any book, but today is about giving Byron his due.

Thank you for joining me on this journey. I ain’t done yet.

Raphael in Rome with Stephanie Storey

I know nothing about painting, I really don’t. I envy people who can paint, draw and sculpt, but those aren’t skills I possess. While I find the Renaissance fascinating as history, I’m embarrassed by how little I really know about the key players. That’s where Stephanie Storey comes in.

I met Stephanie at the 2019 Las Vegas Writers Conference and we’ve remained in contact ever since. Her first novel, “Oil and Marble: a Novel of Leonardo and Michelangelo.” was terrific, and she has just released “Raphael, a Painter in Rome.” Read it, seriously.

Stephanie, what should people know about you?

I’m an art nerd and television producer out in Hollywood, which means, yes, I write about art history, but hopefully in an entertaining way. I was born and raised in Arkansas, but after living in Los Angeles for nearly twenty years, my husband — an actor and Emmy-winning comedy writer — and I travel the world full-time, well, not during the global pandemic. We are currently sheltering in place by a lake in Arkansas, which is the perfect spot from which to write my next novel and host a talk show from my living room. That’s right, Covid-19 has apparently pushed me to launch my own chat show where I connect virtually with some of my favorite writers to talk about their passions, process, and what makes their work relevant to your life today. At least this time, I really like the host.

What’s your new novel about?

My newest novel is entitled Raphael, Painter in Rome, which hopefully tells you that it’s about Raphael the Renaissance painter not the Teenaged Mutant Ninja Turtle. These are the years when the young, brilliant painter of perfection Raphael was decorating the pope’s private rooms while Michelangelo was just down the hall painting the Sistine Chapel ceiling, as they went head-to-head in the deadly halls of the Vatican to see which of them would become the greatest painter. This period in history–full of war, conspiring cardinals, and dangerous love affairs–is traditionally told from Michelangelo’s perspective, but I let Raphael tell the story of these events in his own voice, as he asks himself: “Is there a version of this story where I get to be the hero or does Michelangelo–and his miraculous ceiling–end the victor every time?”

What is it about that story that so fascinates you?

I’ve been obsessed with a guy by the name of Michelangelo for about twenty-five years, ever since I studied art in Italy as an undergraduate. I traveled to Florence and saw the David for the first time and then went down to Rome to see his Pieta and the Sistine, and my life was changed. I eventually set out on a pilgrimage to see every Michelangelo on public display in the world. But always, in the back of my head, lurked his most serious rival, Raphael. Raphael who was handsome and charming and beloved–the opposite of Michelangelo in so many ways. I knew I wanted to write a novel about their rivalry during the Sistine years, but the more I dug into the story, the more Raphael kept talking. He, frankly, wouldn’t shut up. So eventually I had no choice but to throw out Michelangelo’s point-of-view and let Raphael tell his own version of events. Now, Raphael doesn’t only rival Michelangelo as a painter in my mind, but in my heart, too.

I love the fact that the e-book has links to the actual artwork you’re talking about which really brings it to life. What’s your favorite part of the book?

You ask impossible questions, Wayne! I can’t pick just one! But I’ll highlight the one that I keep reading at my events (virtual for now!): It’s when Raphael and Michelangelo meet face to face for the first time. Raphael has snuck into Florence’s city hall and is trying to get a glimpse of Michelangelo’s designs for a fresco he is about to put up on the wall. Michelangelo is a paranoid recluse who doesn’t let anyone look at his work before it’s finished, so when he catches Raphael spying, Michelangelo climbs the scaffolding to take a marble hammer to Raphael’s head… I love this scene because it’s the first time Raphael sees Michelangelo’s drawings, and he’s shaken as much by the sculptor’s talent on paper as by his temper. I also love seeing Michelangelo through Raphael’s eyes because we not only get to see the disheveled stinky sculptor of history, but also a man consumed by passion and drive and desperation… to me it’s a beautiful portrait of Michelangelo that only a guy with the heart of Raphael could capture. But also, at this moment, when he’s faced with the dynamism of Michelangelo’s personality and art, Raphael has a chance to expose what drives him: a desire to bend the world toward beauty.

Where can people learn more about the wonder that is you, and see your new author talk show?

My website is StephanieStorey.com where you can learn about the history behind the novels, brush up on your writing skills, or find a museum to visit (once museums are open again). You can also see my talk show “Storey Time” where I interview other authors on my Team Storey YouTube Channel. Or you can find me on Goodreads, Bookbub, Barnes and Noble, Amazon, Twitter, Facebook, Instagram, or search for my book recommendations on BookShop.org which supports local, independent bookstores!

By the way, since Stephanie has such fabulous taste, here’s what she said about my upcoming novel, Johnny Lycan and the Anubis Disk:

Turmel offers a refreshingly modern take on werewolves, while leading readers on a blood-thumping, high-stakes ride through the underbelly of Chicago. I never thought I would look forward to the company of a werewolf, but Johnny Lycan’s quick wit and gruff candor made me think, “Now, there’s a hairy mythical creature with whom I’d like to sit down and have a beer.
Stephanie Storey, author, Raphael, Painter in Rome.

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