The Most Interesting Period in History? Catherine Kullmann and the Duke’s Regret

Certain periods in history are more interesting to us than others. Depending on where your family’s from, your feelings about the events in question, and what country you live in, your mileage may vary. For example, World War 1 into the Russian Revolution, the Renaissance in Florence, and The Crusades are more interesting to me than the US Civil War (1.0) or the War of the Roses.

Enter Catherine Kullmann and her novel, The Duke’s Regret. She thinks what is known as “The Regency” in Britain qualifies… let’s see why.

What’s your deal Catherine?

  • I am Irish, married (for forty-five years), a mother (three sons) and a grandmother (one granddaughter, one grandson).
  • I love travelling, meeting people, good food and drink,  classical music, especially opera
  • I prefer radio and live theatre to cinema and tv
  • I cannot live without books or tea
  • I am fascinated by history and love visiting historic sites and buildings of any period.
  • I write novels set in England in the extended Regency Period from 1795 (when the later Prince Regent married to 1830 (when he died as King George IV)

Look at you, all organized with bullet points. What’s The Duke’s Regret about?

Some characters slip into your books unplanned and unheralded only to play a pivotal role in the story. So it was with Flora, the young Duchess of Gracechurch in The Murmur of Masks and later in Perception & Illusion. Flora own story revealed itself slowly. A devoted mother who befriends young wives whose husbands are ‘distant’, it becomes clear that the relationship between her and her husband Jeffrey is also distant.

They married at a young age, she not yet seventeen and he some years older. In 1815, at the end of The Murmur of Masks, both are in their thirties with many years of life ahead of them. I began to wonder what would happen if one of them wanted to change their marriage. This led to my new novel, The Duke’s Regret.

A duke can demand anything—except his wife’s love.

A chance meeting with a bereaved father makes Jeffrey, Duke of Gracechurch realise how hollow his own marriage and family life are. Persuaded to marry at a young age, he and his Duchess, Flora, live largely separate lives. Now he is determined to make amends to his wife and children and forge new relationships with them.

Flora is appalled by her husband’s suggestion. Her thoughts already turn to the future, when the children will have gone their own ways. Divorce would be out of the question, she knows, as she would be ruined socially, but a separation might be possible and perhaps even a discreet liaison. Can Jeffrey convince his wife that his change of heart is sincere and break down the barriers between them? Flora must decide if she will hazard her heart and her hard won peace of mind when the prize is an unforeseen happiness.

The Duke’s Regret contains spoilers for The Murmur of Masks and Perception & Illusion. So as not to mislead readers, I have therefore combined them in The Duchess of Gracechurch Trilogy. All three books are available as eBooks and paperbacks.

You are obsessed with this time period. What gives?

It is the beginning of our modern society. The Act of Union between Great Britain and Ireland of 1800, the Anglo-American war of 1812 and the final defeat of Napoleon at the Battle of Waterloo in 1815 are all events that still shape today’s world. At the same time, the ruling aristocracies were being challenged by those who saw the need for social and political reform, while the industrial revolution which led to the transfer of wealth to the manufacturing and merchant classes was underway. Women, who had few or no rights in a patriarchal society had begun to raise their voices, demanding equality and emancipation.

Following the collapse of the Treaty of Amiens in 1803, the United Kingdom was at war with Napoleonic France until 1815. Unlike other combatants in this long war, Britain was spared the havoc wrought by an invading army and did not suffer under an army of occupation. War was something that happened elsewhere, far away. For twelve long years, ships carrying fathers, husbands, sons and brothers sailed over the horizon and disappeared. Over three hundred thousand men did not return, dying of wounds, accidents and illness. What did this mean for those left behind without any news apart from that provided in the official dispatches published in the Gazette and what little was contained in intermittent private letters?

The question would not leave me and it is against this background of an off-stage war that I have set my novels. How long did it take, I wondered, for word of those three hundred thousand deaths to reach the bereaved families? How did the widows and orphans survive? What might happen to a girl whose father and brother were ‘somewhere at sea’ if her mother died suddenly and she was left homeless?

What’s your favorite scene in the book?

It’s hard to say. I love this one, where Jeffrey is accepted by his nine-year-old daughter Tabitha. Up to now, Tabitha has addressed him formally as ‘Your Grace’ or ‘sir’

Tabitha raised her rope again. “I’m going to see if I can skip thirty times without stopping.”

“That will take a lot of breath. Would it help if I count for you?” Gracechurch asked.

Yes, please, Pap—” She broke off, biting her lip.

He squatted in front of her so that she could look into his eyes. “Papa? Would you like to call me Papa?”

She nodded vigorously.

“I should be happy if you did. I am your Papa, am I not?”

She threw her arms around his neck. “Now you are my Papa. Before you weren’t, not really.”

He rose to his feet as he hugged her back. “Then I am sorry for it. Will you forgive me?”

She nodded again and he kissed her cheek before setting her down carefully. She smiled brilliantly at him, then picked up her rope and held it in the starting position.

“Are you ready? Off you go!”

Where can we learn more about you and your work?

Thank you for hosting me and for your interest in my writing. You can find out more about me and my books at

Website: https://www.catherinekullmann.com

Facebook: fb.me/catherinekullmannauthor

Twitter: https://twitter.com/CKullmannAuthor

Goodreads: https://www.goodreads.com/author/show/15549457.Catherine_Kullmann?

Amazon.com https://www.amazon.com/Catherine-Kullmann/e/B01IW3F4MA?

Amazon.co.uk https://www.amazon.co.uk/Catherine-Kullmann/e/B01IW3F4MA/re

We interrupt Mike’s interview for a shameless plug. Acre’s Orphans has won a much coveted “Discovered Diamond” award for historical fiction. You can read the review here, or just take my word for it and buy the book.

Beau Brummell by the Fashionable Erato

I know nothing about fashion, but both my wife and my mother ( and there’s nothing creepier than when they both say the same thing to you) referred to my attempts at dressing up as “very Beau Brummell.” I had no idea who that was, but now I’m smarter because of this week’s interview.

Erato, (yes it’s a pen name) has written about the ultimate 18th-century fashion plate in her new novel, The Cut of the Clothes.

What’s your story, Erato?

Erato writes under a pen name. She obviously doesn’t have my crying need for validation

So, Erato is my pen name — and no, it doesn’t mean I write erotica (what the hell, people? It’s not even the same key vowels, but people mistake it all the time for “Erotia” or something.) Editor’s Note: an overwhelming majority of people are idiots. Don’t let it get to you. In any case, I write historical fiction. So far all of my books are set in the Georgian/Regency era, which I am finding is a bit of a misfortune, as “Regency” has become a modern genre of its own that I don’t actually write; consequently people who like “Regency” stories don’t usually seem to like my work and other people who might actually like them don’t want to read them because they think they don’t like “Regency” stories. It just means they’re set in the late-18th/early-19th century in Great Britain, it doesn’t mean they’re about rakish noblemen having dubiously consensual sex with reluctant heroines, or that they’re Christian propaganda for clean living, or that they’re Jane Austen fanfiction where Darcy and Elizabeth have a secret baby the entire time of Pride and Prejudice.

Duly noted. It’s rough when genres constrict your subject matter. What’s the book about?

It tells the true story of Beau Brummell and the Prince Regent. It’s a story that’s been done a few times before, since it seems everyone agrees that was the most interesting part of Brummell’s life — when he was in London and at his peak. Brummell seems to possess such a natural charm, good looks, and a talent for matching his clothes together that he becomes an instant star once the Prince befriends him. My version is different from the other tellings for a couple reasons: first, it is the only one I know of that didn’t make up a fictional character to serve as a love interest for Brummell and then try to tell it as a love story. Secondly, it’s told from the Prince’s point of view, in my best attempt at historically accurate reproduction of the way he wrote.

I’m going to confess that fashion and talking about clothes bores me to tears, despite being strapped to the couch and forced to watch 13 seasons of Project Runway with the Duchesss. What is it about this story you find so fascinating?

I had heard the name Beau Brummell a bit, and when you mostly write Georgian/Regency fiction you know a little about him and his contributions to fashion from your research. I wrote kind of a knockoff version of him into the book None But Fools (as “Beau Bancroft”) but nothing very studied. While I was writing my upcoming book The Virgin and the Bull (it was written before Cut of the Clothes but only now getting published) I had needed to look up some fashion vocabulary term — I think the word I needed was the fall of a pair of breeches — and when I did so online, the page I found happened to also have a video of the opening scene of the BBC film Beau Brummell: This Charming Man. I watched the opening scene, which is not really anything more than James Purefoy as Brummell getting dressed and then walking down a hall, but on that basis, I thought, “My next book should be about Beau Brummell.” I deliberately did not watch the rest of that movie until after my book was done, and indeed our final takes on the story were quite different, but that was the inspiration.
What’s your favorite scene in the book?

There’s a joke, and I’m afraid if I explain it it’ll be ruined for like, the one person who will ever read it and actually get it without needing to look it up… ah well, they might not be amongst the same people who reads this blog, right? What are the odds? Prinny is sick in bed and is reading a book with a French title: Les Bijoux Indiscrets. I deliberately went out of my way to find the trashiest possible 18th century book for him to be reading. It’s a book by Denis Diderot of all people (co-creator of the first Encyclopedia.) It’s about a king with a magic ring that causes women’s vaginas to talk, and to declare their sexual histories. That’s as much of a plot as it’s really got. So, that’s what Prinny reads there.
Worth being said, the real-life Prinny had one hell of a pornography collection. If I remember correctly, when he died, it took three days of continuously burning fires to destroy it all. Nowadays people don’t tend to collect pornography magazines or dvd’s instead they just go online and visit websites like https://www.tubev.sex/ that have hundreds of adult porn videos that are free to watch.

Where can people learn more about you and your books?

The Cut of the Clothes – Amazon.com:
Amazon UK:
Google Play:

Erato’s Author Pages –

Amazon: https://amzn.to/2H3M6eD

Goodreads: https://www.goodreads.com/author/show/15113073.Erato

Facebook: https://www.facebook.com/EratoWrites

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