Storgy.com – Wayne Turmel

An Intriguing Asian Dystopian Debut- Tomas Marcantonio

One of the best things about being a writer in these weird times is the chance to build an online network. I’ve connected with a lot of writers from all over the world, many of them connected to Storgy.com. The guys there have published a number of my stories, and I’ve had the chance to read great work from writers I would otherwise never have been introduced to.

So when Storgy decided to publish a novel, and it was written by Tomas Marcantonio, whose work I’ve admired for a while, I knew I had to read it. I wasn’t disappointed. Surprised, and absolutely delighted. It was a great find.

This Ragged, Wastrel Thing is as if Blade Runner met Frank Miller’s Sin City–it’s a cool, gritty, noir crime thriller set in a dystopian world set somewhere between Korea (where Tomas works teaching English) and Japan. Here’s my conversation with him:

Alright, tell us your deal.

A lot of my friends call me a caveman. I’m really not a technology person at all. I carry a phone around for emergencies, but I don’t even have a phone number. Maybe it’s an introvert thing; phones are so intrusive. I did a lot of traveling in my twenties – Africa, Asia, South America – and I always loved the freedom and anonymity of living without a phone.

I still love to travel, but I’m a lot more settled now. I’ve been based in Busan for the best part of ten years. It’s one hell of a city – mountains, sandy beaches, neon mazes, incredible food, but I still visit the UK when I can. I’m still very close with my family and friends in Brighton, my hometown.

Your novel, which smells like the first in a series, is unlike anything I’ve read before. What is it about?

This Ragged, Wastrel Thing is a bit of a mongrel, really. Put simply, it’s a mash-up of things I love: dystopian fiction and hard-boiled detective noir; Korea and Japan; neon-lit backstreets and basement bars; corruption and redemption; a future world without smart phones!

It’s all set on a fictional island city called Sonaya, the history of which is based on a small island called Dokdo (or the Liancourt Rocks). The Sonayan government uses drones to watch over the population, and that’s bad news if you get caught up in a murder case as soon as you’re out of prison. Our protagonist, Dag, is in some ways a classic anti-hero, a loner saddled with regret.

Where did the idea come from?

It all started with my first ever short story – It’s Not a Party Until Someone’s Dead. It was inspired by some of the policies and issues around Korea and Japan, especially the problem of aging populations. I did some research and came across some interesting ideas, including a handsome tax for overachieving men. I wanted to play with this idea and came up with the character of Dag, who has to deform himself to make his way in Sonaya.

I made most of it up as I went along, it was so freeing, and Storgy agreed to publish it on their website and even encouraged me to write more. Eventually, I decided to turn it into a novel, and the Storgy team was incredibly helpful with ideas and pointers. They were with me from the start, really. Then I set about creating the world in much more detail, writing a history for the island, researching policies in the region, before delving into characters and plot. It was a blast to write.

The guys at Storgy have created quite a tribe. What was it like publishing with them–this is their first novel?

I can’t say enough good things about the Storgy team. There are some wonderful literary journals and indie publishers out there these days, but Storgy has to be right up there in terms of love of the craft and support for the writing community. They genuinely care about their writers; I never thought when I submitted that first short story that I’d end up having such close relationships to the team (let alone get a novel published!).

Ross Jeffery, Storgy’s Head of Books, is well known within the writing community now, not only as an avid book reviewer, but also as an excellent author in his own right (if you haven’t read his novella Juniper, or his novella-in-flash Tethered, you’re missing out!). Behind the scenes, Head of Film Anthony Self does amazing work with the short fiction submissions, while Managing Director Tomek Dzido has been a joy to work with. As head of publishing, and also as my editor, he’s been with me every step of the way and This Ragged, Wastrel Thing would be a poor specimen without him. People won’t see how much work these guys put into Storgy. It’s a real labour of love, and nothing short of inspiring.

Who do you read?

I’ve been reading a lot of detective and noir books over the past few years. People will probably recognize flavours of Raymond Chandler in This Ragged, Wastrel Thing, but I’m also a huge fan of James Lee Burke, Dennis Lehane, Walter Mosley, Rachel Howzell Hall, and several others in this genre. I was always a big admirer of Hemmingway’s terse style, and I think you see shades of that in noir fiction. These writers are all capable of such vivid writing; even when the prose seems hard and simple, suddenly you get these stunning moments of beauty that leap off the page.

In fact, I love evocative writing of any genre. Annie Proulx, Virginia Woolf, and Laurie Lee are three writers who always leave me spellbound no matter what they’re writing about. More recently, Water Shall Refuse Them by Lucie McKnight Hardy was a wonderful read – every sentence was perfection.

Where can we find more about you and your work?

I recently set up my author website here: https://tommarcantonio.wixsite.com/author.

You can contact me on Twitter @TJMarcantonio, and you can check out some of the early reviews of This Ragged, Wastrel Thing here on Goodreads

Not to crash the party, but Johnny Lycan & the Anubis Disk is coming in November. Order now by clicking here and going to Black Rose Writing. Use the promo code: PREORDER2020 to receive a 15% discount. Amazon, Barnes and Noble, Kindle and Audible coming in November. And look to the side of the page to sign up for my newsletter.

A New Short Story: The Cutman and Why I Write About Boxing So Much

Today a new short story of mine was published at Storgy.com. The Cutman is the tale of a guy whose job is to put people together so they can be torn apart properly.

Yes, it’s another boxing story. It’s the third I’ve had published, after Bayamon, 1978 and The Towel. Fourth, if you include Los Angeles, 1952, a 2-part story about a date that takes place at a boxing match. What’s up with all the boxing love?

On one level, it’s simple: I love the sport. My grandfather was a silver medalist in the Canadian Golden Gloves, and fought half a dozen pro fights. My dad and I used to watch together, and he taught me to appreciate the lighter weight classes, as you’d expect from a guy who never really got past bantamweight himself.

A friend of mine once asked, “why do you like boxing so much? Your stories make it sound like it’s all blood and racism and toxic masculinity.” To which the correct answer is; “what’s your point?” If you’re looking for drama and high stakes, it’s a perfect crucible.

Me with former Super Featherweight champ Cornelius Boza Edwards

But there’s a more”writerly” answer. Each of my short stories is a writing exercise of a kind. Can I capture this moment, or this kind of action, or compress this scene into a specific period of time? Boxing is perfect for these little word experiments. Each round is exactly 3 minutes. You can compress a lot of action into that time period. There are a finite number of characters, which for short stories is great.

You’ll find choreographing the fight scenes has benefitted both Acre’s Orphans, and my upcoming novel, Johnny Lycan and the Anubis Disk. Practice makes…. well, better.

I hope you enjoy The Cutman. I am proud of it. Of course, you can find my other short stories here on my site, if you haven’t discovered them already.

Johnny Lycan & the Anubis Disk is coming in November. Order now by clicking here and going to Black Rose Writing. Use the promo code: PREORDER2020 to receive a 15% discount. Amazon, Barnes and Noble, Kindle and Audible coming in November.

One Week to Get a Free Story

If you’re a regular visitor to these shores (and by shores I mean this dinky little corner of the interwebs) you may have seen some of my short stories that have been published elsewhere. If you haven’t you can find them here. Of course, all but one. That one you can only get if you subscribe to my newsletter.

See the newsletter signup on the left hand side of the page? Fill it in and you’ll get a link to a story no-one else has had the chance to read yet. I’ll send the super-secret link in next week’s newsletter.

“Sponging” took 3rd place in Storgy’s 2019 Flash Fiction competition and is available here. I’m also betting you didn’t buy it soooooo…

If you want a free look at this 995 word tale about horseracing and petty revenge, you have to be a subscriber to my newsletter. You’ll receive word about fun interviews and updates on the upcoming publication of Johnny Lycan and the Anubis Disk.

Go ahead. I promise not to bombard you with spam and you’ll continue to receive bonuses and updates on what’s going on in my writing world.

Of course, that still gives you plenty of time to read my other novels such as The Count of the Sahara, Acre’s Bastard and the thrilling sequel, Acre’s Orphans, all available on my Amazon Author Page.

A thousand blessings for being in my orbit. I’m doing all I can to make it worth your while. Don’t let the weasels get you down.

Support Litmags #1- Storgy

If we start zoning out a page in then it needs work. Don’t bore us. You know what’s good.
Anthony Self, Executive Director, Head of Film, Storgy Magazine.

Since I was a kid, I wanted to be a writer. In particular, I had visions of being a wildly successful short story writer, firing off brilliance to magazines like Alfred Hitchcock Presents, and Fantasy and Science Fiction, slumming occasionally in Esquire or the New Yorker and the checks would just flow to my mailbox.

I still love writing and reading short stories and there is a crop of new online lit-mags and publishers who are flying the flag and keeping the art-form alive. I’m going to showcase a few of them over the next couple of weeks. Some have published me, some have kept their standards high (Kidding!)

A few years ago, I had a boxing story I was looking to submit. While it went to another magazine, the kind reply inspired me to stay connected with the boys in the UK. If you haven’t checked out Storgy.com yet, you’ll find a mix of opinion, short fiction, and just cool stuff, unbounded by genre (although they do skew heavily to the snarky and slightly weird.) Their new short story collection, Hopeful Monsters is available for pre-order now. (It’s on my Kindle TBR pile)

Here’s my interview with Anthony (Tony) Self.

What is Storgy, and why should we care?

STORGY magazine initially started as a closed-off writer’s group, where a few of us would be able to massage our own egos and pretend to know about the craft to put stories online. People started sending us their own work to put online and we liked the attention like craven wannabe-celebrities so I guess something stuck and we began publishing stories that fell through the cracks. These were the stories that didn’t have a home. The bastard children of literature.

Given how hard the publishing business is, what the hell were you thinking? How did the original concept come to you?

I know, right? Five years ago we were dilly-dallying with a story a week and now we’re independent publishers; posting reviews, previews, interviews and short fiction for all the masses to gobble up like malnourished street urchins. We wanted to write a 1,000 story every week and challenge ourselves to accomplish this. Looking back we were probably naive. Or had head trauma. One or the other.

Editor’s note: through a series of late-night emails the name of the magazine is a mashup of “Story” and “Orgy.” An Orgy of Stories. Don’t form companies while drinking. What kind of content are you looking for?

All kinds. We’ve had essays, we’ve had poems, we’ve had mythological Buddhist zen-like soliloquy’s, at the end of the day if the story keeps us engaged from beginning to end we may publish it. If we start zoning out a page in then it needs work. Don’t bore us. You know what’s good. And don’t send us your first draft. You’re better than that.

One of the reasons for this post is to encourage submissions. What do writers do that drives you crazy?

We used to heavily edit stories because a lot of mistakes were evident in the prose. We want to get stories out there to the masses but we also want to be professional about it all. It kind of hits us in the feels when we’ve edited something, send it back to the writer for review and they’re indignant about a rewrite as they consider their work a masterpiece and HOW DARE WE TRY TO CHANGE IT. Oh yeah, and ‘it was all a dream’, type endings

I love when I get constructive feedback from an editor. Most of us are submitting to find an audience and build our brand, such as it is. What are you and the the boy’s long-term plan for world domination?

A less elitist New Yorker type mantle would be fun. We’ve pushed ourselves to become independent publishers to create content for the short story form, so we’d like to carry on with that. Oh yeah, and get a $1,000,000 grant or something like that. That would be nice.

Any advice for authors submitting?

We’re flexible with a lot of things, such as number count, typeface, formatting – but look at our FAQ’s before submitting, it’s a courtesy to the person reading and potentially wanting to publish your piece.

You’ve been very kind to my work, publishing a number of stories and reviewing Acre’s Bastard and Acre’s Orphans. At the risk of sounding needy, what is it you like about my work?

Personally, I really liked The Towel – on one level it’s a snapshot of a boxing fight, conveying the imagery of RagingBull, Southpaw or Warrior, but on a deeper level it can be interpreted as the indomitable spirit of never giving up. This is something we agree on. In fact, it’s the core message of what STORGY is all about..

Storgy has expanded to publishing short story collections. Check them out here.

Most of my short stories, published or otherwise, can be found here on this website.

The Resurrection of a Short Story- Dien Bien Phu, 1954

This morning, one of my short stories was published in the nifty online litmag “Twist in Time Magazine.” It’s a short piece of historical fiction set in Vietnam before the French left. You can read “Dien Bien Phu, 1954” by clicking on the link and visiting their very lovely website.

This story means a lot to me. First of all, one of my goals was to be published this year by an American magazine. The Count of the Sahara? The Book Folks are based in London. Dodging the Rain is a lovely litmag and I’m a fan: Galway, Ireland. Storgy? There’s a big old bromance going on with Ross, Tomek and the team over there but they’re in London. On one hand it doesn’t matter–the internet is a big place and as a Canadian living in the US writing a short story about a French soldier in Vietnam, does where it is published really matter? Still, it bugged me. Now that’s handled. Blessing on the homes and camels of Tianna, Renee, Adrienne, and their team.

There’s a second reason I’m excited, and it is that this story nearly didn’t see the light of day at all.

Those of you who have been reading my blog for a while might recognize the title. It was originally submitted–and accepted– as my last contribution to the annual anthology of the Naperville Writers Group. I even put it up on my website but eventually pulled it off because, through a bizarre combination of things, it never got published. The editor literally forgot to add it to the final version of the book. (At least that’s the story I choose to believe.)

This turned out to be something of a blessing. While I was disappointed, I could now submit what I thought was a pretty darned good story and find a larger audience.

You can read more of my short stories on my site here. This is a solid addition to the collection.

Of course, to be cynical, the idea of getting my short stories published is to draw attention to the novels. If you like the short pieces you read for free, consider buying a copy of The Count of the Sahara or the Lucca le Pou stories: Acre’s Bastard and Acre’s Orphans.

A New Short Story in a New Genre- The Forger of Cairo

I love the short story form, and the good folks at Storgy.com have seen fit to publish one of my new pieces, The Forger of Cairo (you can read it here. Please do- and support my friends in London, who seem strangely fond of me.)

When I write short stories, it’s usually as a form of exercise. It starts with a challenge: can I do X? With “On the End of Magick,” I tried to emulate the Victorian tone of “Jonathan Strange and Mr Norrell.” With “The Last Good Cigar Day of the Year,” it was hoping to capture that one, small, moment of zen I get sitting on the deck with a good cigar. Whatever I learn winds up in my longer work.

So, what was I trying to do with this one? A couple of things. For one thing, I notice that the market for horror fiction is much bigger than for the smaller, historical pieces in which I usually indulge (although if you read it you’ll see I did a little of both. Old habits dying hard and all.) I am, after all, trying to find an audience and perhaps a stray buck or two.

The second reason is that the new novel I’m working on is NOT a Lucca book, but a strange little contemporary thing that has horror/action elements in it. Before I invest the next 6 months or so of my life in such an effort, I wanted to see if I could pull it off. I guess you’ll tell me (and I hope that you do. Tell a brother, would ya?) Not only that, but the McGuffin in this story, as well as Lemuel in The Clairtangentist, are part of the new work. It’s like I’m creating my own private Marvel Universe.

If you haven’t read the new book yet, what’s keeping you for corn’s sake?

So I hope you enjoy this story. If this is your introduction to my work, Please check out the other short stories on my site and others. More importantly, if you haven’t read my novels, particularly the newest one, Acre’s Orphans, what’s stopping you? They’re available in all formats on my Amazon Author Page (and the paperbacks are available in any bookstore that will order them for you.)

Don’t let the weasels get you down!

My latest short story- The Towel- is on Storgy.com

My latest published short story, “The Towel,” has been put into the world by one of my favorite fiction sites, Storgy.com. It’s a tale of boxing and blood, both literal and metaphorical. I am really proud of it, and I’d be honored if you’d read and spread the word. TAKE A LOOK HERE

I don’t know what it is about the fight game that inspires these short pieces, but this is the third pugilism-based story I’ve done in the last couple of years. The first was based on a real-life incident, “Bayamon, 1974,” and published in the Irish journal, Dodging the Rain. (For the record, Storgy accepted this one too but DTR had already accepted it for publication.) READ THE STORY ON THEIR SITE

The final entry is a story I love and have never found a home for. Also history-based, “Los Angeles, 1952” is a tale of boxing, old Hollywood and a first date that may or may not be going well. The only place it has a home is on Scriggler.com (which is the online elephant graveyard for pieces I couldn’t place anywhere else) and my site here. CHECK IT OUT AND SHARE IT IF YOU LIKE IT.

If you’re new to my work, welcome. If you’ve been a patient reader, you don’t know how much I appreciate you. The new novel, Acre’s Bastard, is set for January. Get on my email list and you’ll learn more as soon as I do.

Thanks for following me, and I hope to keep giving you reasons to stick around.

Don’t let the weasels get you down.

My Short Story “The Clairtangentist” is on Storgy

I’m thrilled that one of my favorite story sites, Storgy.com, has published one of my short stories. “The Clairtangetist” is something completely different for me. It’s a light, maybe even romantic, urban fantasy, and one of many stories to come set in Las Vegas.

Read the story on Storgy’s site here.

Storgy.com is a great place for eclectic short stories, essays and just cool stuff to read while you’re surfing the web.

And just a question, why is it that editors in the UK and Ireland (The Book Folks, Dodging the Rain, Storgy) like my stuff better than US publishers? Is it my colonial roots? Just asking.

If you’d like to read some more of my short stories, you can check the Short Stories and Other Pieces page here on my blog