Tag: England

From India to the Blitz- Jane Gill

There is kind of a cottage industry around tales of England during the Second World War. By now we know what to expect–plucky heroines awaiting their men while ducking under furniture as Nazi bombs fall. But Jane Gill has a different kind of tale–of an Anglo-Indian woman who arrives in England just in time for the war to start. “Dance with Fireflies,” is the result.

Jane, tell us a bit about yourself.

I was born in the UK to an Anglo-Indian mother and a linguist father who specialised in Russian. Every weekend of my childhood, between Easter to September was spent camping. My siblings and I were left to our own devices to dam streams, collect wood for bonfires and climb trees. The long summer holidays were spent roaming around Europe in our tank-like 1960’s Wolesley, tent in the trunk, ready to pitch up. In my early adult life I became a graphic designer. It was the days of typeset print and spray mount. I loved the world of design and became an Art Director in an Advertising agency. Art Directors were teamed up with copywriters; they did the words, I did the pictures. Never in a million years did I expect to become a writer, I had always been so visual!

So, what’s Dances with Fireflies about?

My debut novel, Dance with Fireflies is based on my Anglo-Indian grandmother. In those days (1930-40’s) letter writing was prevalent. She kept thousands of letters, chits and diaries in a large wooden trunk (which is allegedly cursed…but that’s a whole new story). It’s remarkable that over a span of many decades and continents the ephemera has survived. I took this rich resource and read every letter, every scrap of paper. Some of it was neatly typed but mostly handwritten. It took me two years. Having mapped out the outline of all the nitty gritty information I had gleaned, I sat down and finally put pen to paper. The book starts with her six-week voyage from Bombay to England in 1939. Phyllis had sacrificed her life of privilege in the British Raj in India to live with her new husband’s family in England. She was not the English rose they had hoped for their British Army son and they found it hard to tolerate this high-spirited, solar topee wearing ‘foreigner’.

WW2 adds to Phyllis’s struggle for harmony in a land far from home. She misses the vibrant life of Benares and longs for spice in the bland food and music in her daily life now filled with chores set by her in-laws. As nightly air raids plunge their Devon home into darkness, Phyllis battles to keep her marriage from being sabotaged and her young daughter taken by her manipulative sister-in-law.

Obviously the family connection resonated. What else about that period really intrigued you?

Being born in the sixties, WW2 was only one generation away from me. My father would tell me how they would hide under the stairs when the bombs fell on Nottingham, his parents were terrified but as a boy he found it exciting. My mother would tell me more exotic stories of her days in a boarding school in the Himalayas and living in Karachi at the time of partition (1947). It seemed like the most interesting period to write about…there was so much going on and so much to tell.

With something so personal this is a tough one, but what’s your favorite (or favourite) scene?

One of my favourite scenes in the book is when Phyllis arrives in England and is invited into her mother-in-laws house. It is a small red-brick terrace in Colchester. There is wallpaper on the walls and antimacassars on the chair arms. Phyllis sits in silence on the horsehair sofa and looks about in wonder. The house felt pokey and dark in comparison to the colonial bungalow she had been used to. The pretty English wallpaper would have been devoured by the ants in India. She looked around for a mora (stool) to put her feet on (she needed to raise her feet off the floor in case scorpions, spiders or snakes were lurking). Her new mother-in-law couldn’t fathom out why Phyllis was sitting with her feet hovering in midair! Everything was so new to Phyllis it was a great chapter to write.

What’s next, and where can we learn more about your work?

I have recently completed the sequel to Dance with Fireflies and hope to publish it soon. It is set in India at the time of partition. The dual narrative twists and turns from Bombay to Karachi. The suspense builds as the protagonist is destined to meet a crucial character in the story. I can’t  give too much away!

You can find me on Facebook:

Twitter: @Janegillauthor

My Blog: www.janespentopaper.wordpress.com

Here’s how to find my book on Amazon https://www.amazon.co.uk/Dance-Fireflies-Jane-Gill/dp/1507880375

And don’t forget to support my work. Acre’s Bastard and Acre’s Orphans available as a 2-book set on Amazon Kindle or one at a time in paperback.

What if Guy Fawkes Won? Spec Fiction From Tony Morgan

One of the most vivid travel memories I have is flying into London on a November night and as we came low over England, small towns were blasting fireworks, so there were little starbursts all over the ground. Those demonstrations, of course, were in memory of Guy Fawkes and the Gunpowder Plot. As this plaque shows, it failed and the consequences weren’t great for Guy. But the story lives on. One author has asked the question: what if the plot to blow up Parliament had succeeded? The answer is a pair of novels: “Remember, Remember,The Sixth of November,” and “1617.”

Tony Morgan has taken the famous story of November 5th and created  his own world, playing my favorite writing game; “what if?” What if D-Day had failed? What if Columbus hadn’t made it back to Spain? What if my mother had married any of the three (THREE!) guys who proposed to her before she accepted my father? Actually, I try not to dwell on that one for all kinds of reasons. The point is, it’s a fascinating game.

What’s the Tony Morgan story?

Tony Morgan lives in Yorkshire in the UK, close to the birthplace of Guy Fawkes. His books have been described as a perfect read for lovers of the works of C.J. Sansom and S. J. Parris and anyone interested in how historic events have shaped our own times. Profits from both his books in 2017 are being donated to York Teaching Hospital Charity’s dementia appeal.

In a nutshell,what are the stories about?

In my first novel “Remember, Remember the 6th of November” I retell the story of Guy Fawkes and the Gunpowder Plot. It’s a pivotal moment in British history, celebrated annually on November 5th with bonfires and fireworks. Given few people know the details behind this, I’ve focused on the real-life events but couldn’t stop myself from including a few twists along the way.

In my new release “1617” I’ve inserted the twists from the start. An alternate history develops, where the Gunpowder Plotters have succeeded in blowing up Parliament and killing King James I. The story centres on the early years of the reign of his daughter, Queen Elizabeth II, as she attempts to set the country on a different path towards religious tolerance. Of course, not everyone is supportive. Far from it, extremists and foreign agents wish to foil her plans. Closer to home, Elizabeth’s opponents plan to stop her ending the “plantation” of Ireland. With all this happening, can the young queen survive?

What is it about that time period or character that intrigued you and motivated you to write about it?

The first book is set in a world with fascinating, if alarming, parallels with modern times – terrorists on the streets of London, religious unrest, government surveillance and conflict with Europe. The history of the Gunpowder Plot is compelling, from the motivations of the Catholic conspirators, to the intrigue, betrayals, torture and so on.

In both books, it’s the people of the era which fascinate me most. Every Gunpowder Plotter was a man with a family, wives, children, mothers, fathers, brothers and sisters; as were those on the opposite side of the divide. In “1617”, how could Elizabeth face a world where her father and brothers had been murdered and she was likely next in line? How would the zealots on all sides react to talk of religious tolerance? What would be the impact in Ireland, in America and beyond be from these changes to history? Attempting to begin to answer these questions was motivation enough for me. I’m hoping readers will also develop their own thoughts and threads.

Without giving away the good bits, what are your favorite scenes?

In “Remember, Remember the 6th of November” it’s a secret discussion between spymaster general Robert Cecil and one of the plotters. There’s a significant reveal so I won’t spoil it but Cecil is my favourite character in the book. He’s a man with a ruthless controlling streak but he also has humour and understanding too.

In “1617” I enjoyed the interplay between the protagonist Sir Everard Digby and his Welsh friend and real-life navy captain and explorer Thomas Button. My favourite scene though is where the deadly French spy Linda Blanchet exploits the lecherous French ambassador in London in an attempt to cover her tracks.

Now let’s get shamelessly mercenary. Where can people find you and your books?

Remember, Remember the 6th of November is available in Paperback and Kindle ebook formats –

US – https://www.amazon.com/dp/B01LICIBOK

UK – https://www.amazon.co.uk/dp/B01LICIBOK

1617 is available as a Kindle ebook –

US – https://www.amazon.com/dp/B075C3WY9P

UK – https://www.amazon.com/dp/B075C3WY9P

 

Thoroughly Enjoyable Imperfect Enjoyment- MJ Logue

The internet is a small place, especially for historical fiction authors. We tend to cross paths in the same Facebook groups and Twitter feeds. I’ve been aware of MJ Logue for a while, and have been eagerly awaiting the publication of her new book, “An Imperfect Enjoyment,” to interview her. Her funny, snarky outlook on life can’t help but infiltrate all her work.

So what’s MJ Logue’s deal?

Writer, mad cake lady, re-enactor, historian.
Been slightly potty about the clankier side of Ironside for around 20 years, and lists amongst my heroes in this unworthy world Sir Thomas Fairfax, Elizabeth Cromwell and John Webster (for his sense of humour.)

When not purveying historically-accurate cake to various re-enactment groups across the country, M.J. Logue can usually be discovered practising in her garden with a cavalry backsword.  (for the record, I don’t believe those exact words have ever been put in that exact order….ever.)

So what’s the nutshell version of your book?

An Imperfect Enjoyment is basically The Thin Man meets Forever Amber: if you can imagine the suave and rather elegant investigators of 1930s pulp fiction, set in Restoration England. A little bit sexy, grimly witty, slightly violent, and unerringly sophisticated.
Being the story of Thankful Russell – middle-aged, slightly-broken Admiralty intelligencer, retired – who finds himself married to the girl he’s always loved. (Turns out she’d always loved him, too. She was just waiting for him to notice.) The romantic Thomazine is big on happy ever afters. The problem is, as war with the Dutch looms and tensions run high in the capital, someone’s determined that she shouldn’t get one – or, indeed, that Russell’s going to get any kind of ever after, other than a traitor’s execution. Would a man whose principles led him to once take up arms against his King, turn his coat again and work against His Majesty for the Dutch Republic? Thomazine doesn’t think so. But her determination to see him cleared is going to lead them into more danger, and more high places, than either of them would have dreamed of….

What is it about that time period that fascinates you so?

Why the 1660s? Because I write another series set during the British Civil Wars, in which we initially meet Thankful Russell as a very badly damaged young lieutenant in the Army of Parliament, and because he meets Thomazine (in those books) when he’s twenty-one and she’s a little girl of not quite two and it was clear to me as a writer from pretty much that meeting that they were going to get together one day. She sees him as her especial property: because he’s disfigured, he’s terrified of women his own age – or their pity, at least – and Thomazine, not having known him before the scars, just thinks of him as… well, as Russell, really; as her rebel angel. So I had to know how that was going to pan out. He has to go away to come back, if you see what I mean.

So there are the two stories running alongside each other. There’s a not-quite-young man who’s thoroughly messed up, who’s got to the age of forty-two without having dared to love anybody in his life, and a girl who is single-minded enough to take him on but who’s starry-eyed enough to forgive his not being wired up right: and how they learn to be ordinary, really, to have a marriage and a home and children (one day…) together. There’s that. And then there’s the various intrigues and upheavals and literary chicanery of the Restoration going on around them: Sam Pepys the chest pest, and Aphra Behn and the Earl of Rochester writing dirty poems, and the theatre, and all of that. Imagining how you would live in that new world, if you had been happy with the old world. If you hadn’t been a fop or a cavalier or a poet, but someone who had believed in the ideals of a Commonwealth and a democracy without kings.

What’s your favorite scene in the book?

Oh, they make me laugh, them two. I couldn’t pick a favourite. Possibly the scenes where Russell decides that the best way to clear his name of a number of murders is forensically, and finagles an introduction to the Royal Society to talk about dead bodies. (With a very real and practical introduction to the same, which makes Thomazine heave.) There’s always an assumption that being a middle-aged, scarred, lapsed Puritan administrator he must be this dry-as-dust and rather humourless individual and he plays up to it relentlessly – being neither. I suspect he and Thomazine think it’s howlingly funny, in private. The sort of scene that could be high romance and oh-darling-your-eyes-are-like-stars, entirely derailed by a ticklish man and a woman with cold feet….

Or Chatham Docks. Because obviously, it’s a romantic thriller, and that means the heroine will need to be rescued from the clutches of the bad guy. Or, as it were, not. One minute it’s all sly humour and political intrigue, and the next minute it’s hairpins in the eyeball, with a horrible gristly crunch.

Where can people learn more about the wonder that is MJ Logue?

Website:         www.asweetdisorder.com
Twitter:        @hollie_babbitt
Facebook:        www.facebook.com/MJLogue/ 
Amazon links: Author.to/MJLogue