Acres’ Bastard – Page 2

Award-Winning People are Talking About Acre’s Orphans

Acre’s Orphans has been less than a week, so it’s too early to tell if anyone is actually going to buy it. But they ARE reading it. I know, because I’ve received some very kind words about it from people who win awards and stuff. Many of these are from terrific writers who have read, and enjoyed, Lucca’s adventures. These are writers who I am proud will even talk to me, let alone enjoy my work. (I would write an entire blog post about Impostor Syndrome, but I’m probably not up to it.) That’s a joke. Kinda.

My writing friend Jeffrey Walker, author of the Sweet Wine of Youth series about the First World War, recently showcased me on his blog. (Read the interview here). His last book, Truly are the Free, just won an Indie Brag award for historical fiction as well as a short-list for the Goethe Award

Acre’s Orphans is another rollicking and gritty medieval romp for Wayne Turmel’s utterly incorrigible—yet grudgingly adorable—orphan-hero, Lucca Le Pou. A delightful read for any historical fiction devotee, Turmel manages to render up the decaying Kingdom of Jerusalem accessible, violent, and naughty enough to hook any YA reader, too. Who knew Hospitaller knights and leprous nuns could be so cool?

Apparently someone else is a fan of leprous nuns, because Bradley Harper, author of the Edgar-award winning A Knife In the Fog told me his favorite part was the battle with the bandits where (avoiding big spoilers) poor Sister Marie-Pilar saves the day. You never know what people are going to take from your work, but I kinda dug that scene as well. Brad’s first novel has been short-listed for a a freakin’ Edgar award as Best First Novel. Here’s his review:

“Acre’s Orphans is an enjoyable excursion back to the battle for the Holy Land, contested by none other than the fierce but honorable Salah-Din. Ten-year-old Lucca the Louse has his hands full avoiding Saracen soldiers, merciless bandits, and a spy loyal to neither side but hoping to profit from both. The tale is faithful to history and the diverse culture of the region which exists up to the current day. The characters are well-drawn and the stakes are high when the boy is entrusted with an important message from the captured city of Acre, intended for the remnants of the Christian nobility along the northern coast, four days travel away. Accompanied by a giant Knight Hospitaller, a young Druze girl on the cusp of womanhood, and a leprous nun, Lucca must get his ragged party safely to Tyre, where an uncertain reception awaits them all.”

Another award-winner is Barbara Barnett. She’s an insanely smart person whose novel The Apothecary’s Curse was short-listed for the 2017 Stoker award. She was the first to tell me in documented form what she thought…

“A splendid adventure laced with new perils at every turn for the young hero at the heart of Turmel’s latest excellent foray into the heart of the Crusades.”

We don’t write for awards. We sure don’t write for the money, but we do write to be read. To have my words enjoyed by people all over the world, including those whose talent I respect is more than a little fun. Just thought I’d share.

If you haven’t ordered your copy of Acre’s Orphans, or haven’t read the first of Lucca’s adventures, they are available on Kindle or in Paperback wherever you get your fix.

And please, leave a review. It’s like applause for the author.

Where did Lucca the Louse Come From?

No doubt by now you are aware that Acre’s Orphans will be published on January 28th. Many of you are familiar with its hero, Lucca le Pou (or Lucca the Louse for those of you who don’t speak French.) He’s a popular little guy, and a number of people ask me how I came up with him.

Put simply, Lucca started as a fun idea, and was finally created out of horrible tragedy. It’s probably a story worth sharing, and very few of you will have heard this one. So it started here:

This is me standing in the old city of Jerusalem in November of 2008 on the site of the Hospital of St John… the Hospitallers for those of you who follow such things. As I stood there, thinking all kinds of Crusadery thoughts, I kept asking myself, “what the hell were they thinking?”

The Crusades have always held a fascination for me. I’m a sucker for knights and jousting and swords are always cooler than guns. So I tried to imagine what would make someone travel halfway around the world to fight in a war that, to my modern mind, makes no sense at all. Especially the battle of Hattin. What the hell makes someone do that? And what must it have been like for people who weren’t nobility or churchmen– the average folks? I figured there was a story there, but I couldn’t figure out what it was. Acre’s Bastard originally started as the tale of a Hospitaller knight, and it wasn’t particularly inspiring, given that most of them would be slaughtered at the end.

Then this picture flashed around the world.

This picture of 5-year-old Omran Daqneesh was from 2016 when Russian bombs fell on the Syrian city of Aleppo. Aleppo is about 300 miles from Acre, and was a constant scene of battle even back in the 1100s.

I couldn’t get the idea out of my head that children had been dying in wars in the region since the beginning of our history, and it just gets uglier and more vicious. That led me to think about other stories of children caught up in war. I was much more interested in the civilians than the knights and nobility. What would it be like for a child back then. If Lucca was a bit older, you know who he reminded me of???

One of my favorite stories is Kim by Rudyard Kipling. An orphan caught up in wartime, befriending soldiers and living on his wits. If you haven’t read it, you’re missing out.

So, I made him more like one of my favorite characters

And so, I imagined Lucca as old enough to not be traumatized like young Omran, and not old enough to actually have to fight, and there you have it.

Now he’s on his second adventure, Acre’s Orphans. There are still lepers, knights, spies, and swordplay. There will be tears and, yes, a lot of laughs.

Check out the new book when it’s published on January 28th. It is available to pre-order on Kindle and the paperback will be available by January 20th.

Of course, if you haven’t read Acre’s Bastard yet, get on it!

I am a Terrible Person. I Kind of Dig It.

I am a terrible, awful, very bad person.

This is clear to me now. There’s no avoiding it. I mean, I don’t kick kittens or steal Salvation Army kettles or anything like that. But I am an objectively evil person because, as a writer, I kind of enjoy torturing my readers. That’s not nice, right?

Example 1: Acre’s Bastard

My new novel, Acre’s Bastard will be out in January of 2017 and available in all formats and online stores

So, prepublication for the book, I was sending out copies to some folks who said they’d read an advance copy and maybe give me some quotes or reviews. I didn’t know many of these folks, and they’d all read a synopsis. The next day I got a Facebook message from one of these ladies giving me hell and saying I should have put a content warning on the book and I was an irresponsible author for not telling people that certain content might not be appropriate.

Remember, this is Acre’s Bastard. The one many people say is really a (shiver) YA book in disguise. What had gotten her so upset?

The exact quote was, “the graphic sexual assault in chapter 2 triggered my PTSD and really upset me. If you’d put a warning up front I never would have read this horrible thing.”

I was mortified. I don’t want to belittle her experience, and I truly am sorry I upset her. I went to several other people for their opinion. They all felt it was fine, and she was overreacting. I sent her a note saying there were no hard feelings for her posting her feelings all over Facebook for complete strangers and potential readers to see (even though I thought it was a bit much, you can’t discount people’s feelings or experience.)

Here’s what makes me a bad person: Once I got over the shock of her reaction, one thought kept recurring to me. I was actually kinda proud of myself. To get that reaction, I must have written the s@#$t out of that scene. It made me smile. Still does. I’m a bad person.

Example 2: Los Angeles, 1952

This is one of my favorite short stories (you can read it here and judge for yourself.) I’ve never been able to find a home for it, for two reasons. First, it’s over 5000 words, and in this world where most short stories are published online, that pretty much makes it War and Peace. Secondly though, it contains a certain word. A word I’ve never used in real life and makes me cringe. You know, the N word.

Just last week a magazine editor told me how much he enjoyed the story, thought it was very well written, but “some of the language” made him uncomfortable and he couldn’t publish it. Now, I can protest (as I often do) that the language and behavior of the characters are not necessarily those of the management. Truth is, when I thought of Lorna yelling that word during the excitement of a boxing match, I smiled because I knew how readers would respond. When I brought it into my writers group, I could hear gasps when they got to “that scene” and it made me happy to my toes. Again, not very nice of me was it?

The latest example: Acre’s Orphans

A character dies in chapter 12. A character a lot of people are very fond of. And I laughed out loud when it came to me. Not in a text-y LOL kind of way, but really laughed. So loud it scared Byron, my cockatiel. Not because it wasn’t sad, but because if I did my job right it would elicit a South Park “you bastards you killed Kenny” moment. When several of my beta readers told me how they reacted, I didn’t apologize. I didn’t shrink. I soaked up their emotional responses, lit a cigar and thought, “yeah baby. That’s my job.”

The truth is, I like making people laugh. I like making them cheer, but I also like making them have an unexpected emotional reaction. Sometimes it’s positive, sometimes it’s horror, or sadness, or disgust. Good. That’s my freaking job.

Someone once said that being a novelist is like telling a joke and waiting 6 months for the laugh. It’s true. If a writer touches you in the feels, let him or her know. Better yet tell them AND Amazon with a review.It’s kinda why we do this.

Even if it means we have to admit we’re terrible, awful, really bad people.

A Hall of Fame Western Author- Robert Vaughan

Just when I begin to think I’m pretty hot stuff, I come across someone whose body of work is both impressive and intimidating. Such is the case with today’s interview. Robert Vaughan, as you’ll see, has been around a while. His publisher, Mike Bray at Wolfpack Publishing was hanging out at the Las Vegas Book Fest. I asked if he had any historical fiction authors I should talk to, and he couldn’t connect me with Robert fast enough. Here’s the deal on his (I’m estimating) 8 millionth book, The Town Marshal.

So for the uninitiated, tell us about yourself.

I was nineteen years old when I sold my first book. That was 61 years ago, and since that time I’ve sold somewhere around 400 books under my own name, and 42 pseudonyms. I wrote the novelization for the mini-series Andersonville, and wrote, produced, and appeared in the History Channel documentary Vietnam Homecoming. As of this writing, (9 November, 2018) I have five books in the top ten of Amazon Western novels: #1, #2, #3, #4, and #7.

I have hit the NYT bestseller list eight times. I’m the recipient of the Spur Award, (SURVIVAL, writing as K.C. McKenna) the PORGIE Award (Best Paperback Original), the Western Fictioneers Lifetime Achievement Award, I received the Readwest President’s Award for Excellence in Western Fiction, and I am a member of the American Writers Hall of Fame.

I am also a retired army Chief Warrant Officer with three tours in Vietnam. I now live with my wife and my dog on the beach in Gulf Shores, Alabama. (Editor’s note: See? What’d I tell you?)

What’s the story behind The Town Marshal?

The book , THE TOWN MARSHAL is a look at some authentic Western History. Its two main participants, James Cooper, and Henry Newton Brown, form a close friendship when, along with Billy the Kid, they fight in the Lincoln County War. After that, James and Henry move on, their bond of friendship growing even stronger as James becomes a crusading newspaper editor and Henry, a town marshal feared by outlaws and lauded by his peers and the towns he served.
But something goes wrong, and in an emotive moment, the two best friends find themselves face to face in a dramatic and poignant confrontation.

What is it about that time period that intrigued you enough to focus a book on it?

Of the two main characters, James Cooper is fictional, and I use him to propel the book, and to be a foil for Henry Newton Brown. Brown is an authentic character with one of the most fascinating, and ultimately tragic life stories. It was the authenticity of Brown’s story that drew me to the book.

Without giving away spoilers, what’s your favorite scene in the book?

One of my favorite scenes would be the defense of the McSween House in Lincoln. Alexander McSween was a much-respected attorney in Lincoln, and during the Lincoln County War, his house came under siege. McSween, James Cooper, Henry Newton Brown, and Billy the Kid occupied the house. In addition there were three women and a young girl trapped in the house: McSween’s wife, Susan, his sister-in-law Elizabeth Shields, Elizabeth’s ten-year-old daughter, Minnie, and Katherine Gates, the local school teacher.

Where can people learn more about your impressive collection of work?

You can find the 9 Westerns I’ve done for Wolfpack Publishing on their website here.

You can also find me on my Amazon author page.

Subscribe to my newsletter and get a chance to win a signed paperback copy of my upcoming novel. Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look at the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.

1920s Italy, Intrigue and Murder with John Anthony Miller

The trauma of World War 1 created the environment that allowed the ’20s to roar. It was an amazing time of change and trying to figure out exactly what the hell had just happened. I was intrigued when I heard about John Anthony Miller’s new novel, “Honour the Dead.” It goes on sale November 1.

So what’s the John Anthony Miller story?

I like to write about ordinary people who are compelled to do extraordinary things, driven by events or tumultuous times. My first four books are about WWII, but not generals or admirals or politicians, but a reporter, a history teacher, a banker, a violinist. They become heroes, just as many other ordinary people became heroes during the global conflict, their stories difficult to imagine in a world that is now so different, but in some ways, still the same. I also like to use the location of the novel as a character, often exotic, richly described, a place where people have either been or might someday like to go. My first four books are set in Singapore, Berlin, Lisbon, and Paris. For my fifth novel, a murder mystery entitled Honour the Dead, I chose Lake Como, Italy, one of the most beautiful places in the world and a personal favorite of mine.

I agree, I prefer writing about “ordinary” people as well. What’s “Honour the Dead,” about?

Honour the Dead is about six English survivors of WWI who converge on Lake Como, Italy in 1921: four men, two women = one corpse and one killer.

Penelope Jones, a wealthy socialite, is admitted to Lakeside Sanitarium, convinced someone is trying to kill her. Her husband, Alexander Cavendish, a WWI hero, is having an affair with her closest friend and owes gambling debts to Billy Flynn, a London gangster. Her father, Wellington Jones, is fighting the collapse of his business empire and knows about Cavendish’s affair and gambling debts. Wellington needs money desperately and knows Penelope will inherit Cavendish’s estate. Dr. Joseph Barnett, Penelope’s doctor, struggles to control images of a war he can’t forget. He despises Cavendish, having served with him in the war. Barnett doesn’t see a war hero, but a despicable murderer who forced young men to die. Rose Barnett, the doctor’s wife, is a famous poet with a sordid secret. Rose was a nurse in France during the war, where she committed five mercy killings on horrifically wounded soldiers. Cavendish, the only witness, is blackmailing her. Who is the corpse and who is the killer?

I am a total geek for the post-WWI era. What is your fascination with it?

I set the novel in the 1920’s because I was intrigued by the utter devastation wrought by the First World War, which has since been overshadowed by the cataclysmic Second World War. I wanted to write about survivors, people desperately trying to forget the horrific tragedies they endured, losing family and friends, neighbors and coworkers – all victims to a war waged in muddy trenches with chlorine gas, the horror amplified by modern inventions like the tank and airplane. And even in 1921, three years after the fighting ended, I wanted to show that, regardless of how bright the future might seem, the past still clings tightly, refusing to let go.

Without giving away the farm, what’s your favorite (or favourite) part of the book?

My favorite scene from Honor the Dead is the epilogue, where a series of twists and turns show the reader that nothing is ever as it seems.

I think you may be the first person to say “the epilogue.” Now I’m intrigued. Where can we find more about you and your work?

https://www.amazon.com/JOHN-ANTHONY-MILLER/e/B00Q1U0OKO/

https://www.goodreads.com/author/show/9787380.John_Anthony_Miller

https://twitter.com/authorjamiller

Website: http://johnanthonymiller.net/

Ch-Ch-Ch-Changes

If you’ve noticed a slow-down in my interviews and blogging ( and blessings upon your house and camels for caring) it’s because there’s a lot going on. Here’s just a sample of what’s been going on in this writer’s life:

We are moving to Las Vegas. After 17 years of Chicago winters, The Duchess has declared, “no mas.” Since I’d have to sell a butt-load more books than I have to live in California, Vegas it is. Between househunting and packing, until October 1, my literary efforts are taking a back seat. We can’t wait to move though! I never thought I’d be able to buy real estate in las vegas! I’m so lucky to be in the position to move house but I can’t say it’s been an easy process! So exciting!There have been some other changes since then too…
Byron the cockatiel has a new home. For 8 years, I have shared my office and writing with a very cranky room-mate. Byron doesn’t take well to change, and the logistics of moving across the country, and the increased travel I’ll be doing, made re-homing him the right answer. It was hard to do, and the first person who says “he’s just a bird” gets punched in the throat.
The day job and “The Long-Distance Leader” require mental bandwidth. I usually keep my business and personal life separate. That’s why readers here probably don’t pay much attention to my non-fiction work. Still, “The Long-Distance Leader: Rules for Remarkable Remote Leadership,” is actually doing very well. It’s far outsold any of my other work and continues to drive business, which helps pay the rent in the new city, and keeps me fed. If you haven’t checked it out, it’s a big seller in airports. Seriously, we’re a Hudson Best-Seller three months running. I have actually published 10 books with the new one coming out, my Amazon Author Page is here if you care.

I’ve been doing more short-story writing, which doesn’t usually show up here. Between novels and my non-fiction writing, I like to do short stories. One of these, “The Clairtangentist” was just published on Storgy.com July 31, and another will be coming out October 8. I will also have a story in this year’s Rivulets, the annual anthology of the Naperville Writers Group. “Dien Bien Phu, 1954” If you’re interested, you can find either the stories or links to them on the “Short stories and other pieces” link on this site. Enjoy.
I’m getting fewer interview opportunities. Maybe because I’ve been spending less time pimping myself out on Goodreads, but I’m getting fewer contacts from authors who want me to help spread the news about their books. If you know a historical fiction writer who’s looking to get the word out, have them drop me a line.
I’m working on Acre’s Orphans for a January release. Just because you can self-pubish with one push of a button doesn’t mean you should. I”m doing everything I can to make sure the book looks good, gets publicity and out-sells my other fiction. That takes time.

All of this is my way of saying things will be slow here until mid-October. I have a couple of interviews planned, but will resurface with an update after we’ve settled into Sin City.

I’ll tell you more when I come up for air. Don’t let the weasels get you down.

Britain After the Romans with Tim Walker

One of my earliest histfic obsessions was King Arthur. Few time periods have been as written about, even though little is actually known (which, let’s face it, makes it easier!) It’s a world where fantasy, history, romance and adventure all come together and everyone’s sort of okay with it. Whether you’re into Jack Whyte and his heavily researched Camulod series, or Marion Zimmer Bradley’s feminist take on it, it’s FUN.

Falling on the hard history side is Tim Walker’s “A Light in the Dark Ages,” series. He’s re-released his first tale, “Abandoned.”

Alright, Tim. What’s your deal?

I’m an independent author with seven titles in the following genres: historical fiction, dystopia, children’s and short stories. Fire away, Wayne…

In a nutshell, what’s the book about?

My latest book is an historical fiction novel, Abandoned. Actually, it is a second edition based on a novella I wrote in 2015, but more than twice the length of the original. Abandoned is the starting point for what became a three-book historical series, A Light in the Dark Ages. Having completed the series with the launch of book three, Uther’s Destiny, in March 2018, I then went back and did an extensive re-write of Abandoned, launching the second edition in July 2018. I can now sit back and say, ‘Job done!’

Abandoned is an adventure story that starts the day the last Roman Governor of Britannia departed for good, and surmises on what may have happened in the early days of the Dark Ages. It lives on the boundary between historical fact, supposition and mythology.

What is it about that time period or character that intrigued you and motivated you to write about it?

It all started when I visited the site of a former Roman town in the south of England and began wondering what life must have been like for the Briton inhabitants after the Roman garrison marched for the last time, around the year 410 AD. After nearly four hundred years of occupation and assimilation, would the locals have regarded this as liberation or abandonment? The town in question was called Calleva Atrebatum – literally, ‘the wooded place of the Atrebates’. The Romans built a fortified town on the site of the Atrebates’ tribal village. By naming their town after the locals, it suggests a desire at conciliation and co-operation. From this starting point I researched what was known about the immediate post-Roman period in Britain (the fifth century) and discovered that, apart from a few surviving manuscripts written by monks, there is very little to go on. Lurking on the horizon is the legend of King Arthur, with some historians daring to suggest there was a real military leader of this name who organised resistance to the spread of aggressive Germanic/Danish tribes – the Saxons, Angles and Jutes.

If Arthur, as is suggested in the Welsh Chronicles, died at the Battle of Camlann around the year 537, then assuming he was in his early fifties (why not?), then he would have been born around the year 485. I took this date as a target to conclude my ‘alternative history’, but became so intrigued by the earliest account of the Arthurian legend (written by Oxford academic, Geoffrey of Monmouth, around 1136), that I included the story of Arthur’s father – Uther Pendragon – and the early life of the boy Arthur, in my third book, Uther’s Destiny. Geoffrey, by the way, claims to have worked from ‘an ancient book written in the British language’ but no evidence of this mysterious text has ever been found to corroborate his claim.

It’s heady stuff delving into this ‘black hole’ in English history that has been plugged with legend and mythology. My aim was to write an alt-history of Britain in the fifth century, and slowly creep up on the Arthurian legend, presenting it as a believable part of the narrative. All myths have a basis in some human events – often extraordinary and worthy of immortalising in ballads and fireside stories. We know that it took the Saxons nearly two hundred years to subdue the Britons and carve out their kingdoms, so it is a fair assumption that there was organised resistance. Was Arthur one man or a composite of a number of resistance leaders? Our hopes for an answer lies with archaeologists and historians who are still searching for evidence of what really happened in Britain in the fifth and sixth centuries.

Without giving away spoilers, what’s your favourite scene or event in the book?

My hero, Marcus, had already suffered the trauma of barely surviving a battle against a ruthless Saxon war party when his heart froze at the sight of the return of his deadly foe. He is standing on the battlements of the town of Londinium (London) staring down the River Tamesis (Thames)…

A CRY WENT up at the sight of a fleet of a dozen ships slipping menacingly along the Tamesis as far as the Roman bridge, their dragon heads edging past startled merchant boats that tried to steer away. They lowered their sails and ran out their oars in a practised manoeuvre, rowing against the flow of the dirty brown river, following the lead ship along the centre channel. The drawbridge was down, preventing the single mast ships from passing under the bridge and forcing them to beach their vessels on the shingle shore outside the town walls. Soon helmeted warriors leapt from their ships, shouting war cries and banging their weapons on their shields to announce their arrival. Horn blasts from the towers called the guards to their posts.

Allectus and Marcus, barely a week into their tenure as Commanders of the Guard, met on the parapet over the south gatehouse. They looked down on scurrying families who had abandoned their pots, baskets and fishing nets to take to the wooden planks that floated above the river mud and led to the safety of the raised bridge approach.

“It seems our coming was timely,” Allectus growled, seeing the scampering traders on the bridge whipping their pigs and goats into a trot.

But for Marcus, it seemed time was suspended as he stared down at the tide of frightened folk cramming through the gates, his white-knuckled grip on the stone turret betraying his anxiety. To his left, Allectus was barking out orders as guards scurried past him. The Saxons swaggered across the mudflats with steely menace, shouting in their harsh, guttural language. Two raiders dragged a cowering boy from the first wicker hut they encountered and, whilst their accomplices mocked the wretched child’s screams, butchered him as if he were no more than an animal.

Marcus’s glazed expression and dream-like state had not gone unnoticed. “Your enemy has returned, Marcus,” Allectus intoned, slapping him on the shoulder and jolting him out of his daze. “We shall lock them outside for now, but the bridge and south bank settlement are exposed.”

“I have a troop of fifty men stationed in the south bank guardhouse,” Marcus groaned, staring helplessly across the now deserted bridge.

“They must buy time by raising the south arm of the drawbridge to prevent these dogs from rushing over the bridge to a feast of merry slaughter,” Allectus replied. “We have nearly two thousand men in barracks, and five hundred horses. I estimate their numbers at barely five hundred.”

Marcus eyed the more experienced commander as he marshaled his thoughts, struggling to shut out a living nightmare of guttural chanting in time to drum beats drifting on the wind. His fingers curled around the dragon medallion that hung from his neck, comforting him. “I shall send a rider across the bridge with an order to raise it and hold firm.”

Where can people find you and your book (links to Amazon page, Goodreads, Twitter, Blog whatever)

Readers can find out more about me and my books at my website – http://timwalkerwrites.co.uk

Universal book links for the three-book series:

http://myBook.to/Abandoned

http://myBook.to/Ambrosius

http://myBook.to/Uther

Amazon Author Page: http://Author.to/TimWalkerWrites

Facebook page: https://facebook.com/TimWalkerWrites

Twitter: https://twitter.com/timwalker1666

Subscribe to my newsletter and get a chance to win a signed paperback copy of Acre’s Bastard. Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look at the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.

Acre’s Orphans is Done. When Will it See Daylight?

At 7:58 last night I typed the last words of the final rewrite on Acre’s Orphans. The sucker’s done. Now it’s off to proofing, design and whatever. Here’s proof:

Thanks to everyone who helped get it this far. Of course, now there’s proofing, layout, cover design and the rest of the stuff that goes with birthing a book. I am going to be asking you, my readers, for help on this. Your feedback will be most helpful. Help a brother out, will ya?

At this point, I”m not sure of the launch date. With the move to Las Vegas coming up and then Christmas, it will likely be January of 2019–two years after Acre’s Bastard, which is a helluva long time between installments. Hopefully the third (and final, I swear) Lucca story won’t take so long coming into the world.

So, as is traditional with every finished draft of a book, or sale of a short story, it’s time for this:

AT long last, it’s time to celebrate the completion of a final draft. Acre’s Orphan is a’birthing.

If you’re interested in getting one of the first copies, or getting on the list for an advanced copy for reviews (and if you know anyone who reviews books I’d like to do a better job of getting the word out in advance,) please sign up for my newsletter by clicking the link on the right side menu or the Contact Me button. No spam, but you’ll get a heads up on free offers and when the book is ready for the light of day.

My undying gratitude to all of you.

WWT

Time Jumping Through History with Doug Molitor

Okay, I know that the term “historical fantasy” gets a lot of people bent out of shape. They like the pure, detail-rich very serious stories, and so do I, most of the time. I also enjoy using history as a jumping-off point for silliness and fantasy. I look on such things as what I call “Jellybean books.” They’re not meant to be taken seriously, and yet you can still learn things and get intrigued enough to read more. Or just enjoy yourself for a bit. Not everything you eat has to be good for you. If Naomi Novik can write dragons into the Napoleonic wars iand become a gateway drug for more serious fare, God love her. Besides, it’s my blog, bite me. I’ll interview who I want.

Which leads us to Doug Molitor and his series of funny, time-traveling adventures. The latest is Memoirs of a Time Traveler the first in a series.

Okay, get on with it. What’s the Doug Molitor story?

Humorist and TV writer Doug Molitor is the author of Memoirs of a Time Traveler.

I am a TV comedy writer and novelist whose books include the Time Amazon series: Memoirs of a Time Traveler, Confessions of a Time Traveler and Revelations of a Time Traveler; and two Full Moon Fever novels, Monster, He Wrote and Pure Silver. I wrote TV comedies like Sledge Hammer!, You Can’t Take It With You and Police Academy, sci-fi/fantasy/adventure series like Sliders, Mission: Genesis, Adventure Inc., Young Hercules, F/X, and the western spoof Lucky Luke. In animation, I co-wrote the feature SpacePOP, and was the writer of 200 episodes of such series as X-Men, Bill & Ted’s Excellent Adventures, Sinbad, The Future Is Wild, Captain Planet, The Wizard of Oz, Happily Ever After, 1001 Nights, Where on Earth is Carmen Sandiego? and Sabrina.

You wrote Sledge Hammer! I’m now fanboying. In a nutshell, what’s the book and series about?

In a nutshell – and my critics would say that’s just where it belongs – Memoirs of a Time Traveler is about Ariyl, an Amazonian tourist from 2109 A.D. who drags David, an archaeologist of today, on a chase through time to stop a psychopath who’s rewriting history. Romantic comedy meets sci-fi with sword-swinging adventure.

Jellybeans of the first order! What is it about the time periods you write about that intrigue you?

The first era my travelers visit is Thera, the home island of the vanished Minoan Empire ca. 1600 B.C., which according to many historians (including my hero) was the source of the Atlantis legend. Since childhood, I’ve been fascinated by the fate of Thera; today’s sun-kissed Greek isle of Santorini is all that is left after a huge volcanic island exploded then collapsed beneath quarter-mile-high tsunamis. The two sequels visit equally exotic and turbulent ancient times: the Mongol siege of Baghdad in 1258, and Rome under the monster Caesar, Commodus. There are also chapters set in America during the Revolution and just after the Civil War. But all three books come to a climax at pivotal events in Golden age Hollywood, between 1933 and 1954. Somehow, the birth of mass media is a nexus in time that repeatedly draws my antagonist into conflict with my hero and heroine.

What’s your favorite scene in “Memoirs”?

My favorite scene in Memoirs takes place in 1945, when my time-traveling odd couple find themselves at The Players, a storied Hollywood nightclub. Here they hook up with Orson Welles, and a trio of the town’s top leading men na

med Duke, Dutch and Jimmy. David and Ariyl are trying to keep history from being disastrously derailed by the murder of one of these beloved stars. When I first wrote the book ten years ago, I asked comedy legend Larry Gelbart (M*A*S*H, Tootsie, A Funny Thing Happened on the Way to the Forum) to vet these chapters, since he’d actually begun his writing career in 1945 Los Angeles. Instead, bless him, Larry asked to read the whole book, and gave me the blurb I proudly put on my cover: “You couldn’t ask for a finer guide to the future – or the past – than Doug Molitor.”

I’d take that one too. Not for nothing but my wife has a quite unnatural and incurable crush on Orson Welles. Where can we learn more about you and your books?

By the way, for a few more days Memoirs of a Time Traveler is going to be FREE on Amazon. Click this link to get your FREE copy while you still can.

To contact me:

Facebook: https://www.facebook.com/DougMolitorAuthor/

Author page: amazon.com/author/dougmolitor

Twitter: http://www.twitter.com/DougMolitor

Webpage: dougsdozen.com/MemoirsofaTimeTraveler

The book on Amazon:

https://www.amazon.com/Memoirs-Time-Traveler-Amazon-Book-ebook/dp/B078L82R4N/?tag-dougmolitor-20

Thanks for putting me on your page!

The KKK in Maine with Mark Alan Leslie

One of my favorite things about historical fiction is that it exposes us to subjects that we didn’t know, or think we cared, about. For example, I didn’t know that French Canadians were the subject of hatred by the Klu Klux Klan in the early 20th Century. That’s where this week’s interview comes in. Mark Alan Leslie is the author of The Crossing.

Okay, so let’s start with the obvious. What’s your deal, Mark?

After 25 years writing golf magazine pieces for Sports Illustrated, Links, GOLF, Golf Course News and others — and winning a half dozen national writing awards along the way — I turned my time to something else I enjoy: history. Since then I’ve written three historical novels and three contemporary thrillers. The historical works are The Crossing about the Ku Klux Klan in Maine in the 1920s, True North: Tice’s Story about the Underground Railroad, and Midnight Rider for the Morning Star about America’s first circuit-riding preacher, Francis Asbury. Each book is loaded with action and adventure — and historical facts many of us have never heard or read about.

What’s your latest book, The Crossing about?

“As Maine goes, so goes the nation” was a motto of the early 1900s and the Ku Klux Klan determined that if it could grab a foothold in the bellwether northeasternmost state, it could succeed anywhere. So it sent its most charismatic recruiter to draw the crowds. He succeeded… for a while. One of his successes in this work of fiction is Cooper’s Crossing, a very close-knit town — close, that is until the Klan arrives.

The Crossing takes us into the dangers and intrigues of this scenario. The charismatic KKK leader is pit against a magnetic pastor, and townsmen against townsmen, culminating in a battle of brawn, and the spirit, when a French-Canadian crew of lumberjacks arrives.

Because when you think rollicking action, Canadian lumberjacks is what comes to mind. I’m kidding, but as someone with French-Canadian roots, I am a bit surprised. After all, aside from Toronto hockey fans and Alberta oil workers, who doesn’t like French Canadians? What is it about this period in history that caught your attention?

Maine students have never been taught about this time when the KKK helped elect a governor as well as several mayors of prominent cities, the President of the Maine Senate and many others.

The whole idea intrigued me: How could a racist group thrive in a state with only a handful of black people? Well, they found others to hate, focusing on Jews and Catholic immigrants from Ireland, Poland and Canada who were “taking our jobs and with allegiance to a Pope a world away instead of our own government.”

It sounds trite to say, “haters gonna hate,” but history shows if you’re looking for a scapegoat, you’ll usually find one, even if you have to make it up. Without giving away spoilers, what’s your favorite scene in the book?

My favorite character, lumberjack Jigger Jacques, and his crew arrive in town and are ambushed by Klansmen on horseback at the same time the town’s pastors are meeting nearby with embattled townspeople about the Klan. The dichotomy is powerful: brutal physical fighting at the mill versus peacemaking at the church.