Acres’ Bastard – Page 3

Bram Stoker, Dracula and Victorian Dread

Before Anne Rice and Stephanie Meyer ruined vampires for everyone, I was a big Dracula fan. As a writer, I loved the backstories of how tales like Frankenstein and Dracula came to be written. So when I heard about Calvin Cherry’s new novel, Stoker, about, duh, Bram Stoker I was in.

So what’s the Calvin Cherry story?

I am a 48-year-old native Georgian and a retired sailor. I work as a Business Systems Analyst for a major insurance company in Atlanta and have a 15-year-old son named Jacob. He is already 7 inches taller than me and six sizes up from my shoe size! My spouse, Kevin, is from Tennessee and shares my passion for music, traveling, reading and writing. I have seen Elton John 27 times in my life and about to make it 28 in November. English and History were my favorite subjects in school, so I guess it did not come as a surprise that one Christmas Santa left me four graphic novels under my tree when I turned 7: Moby Dick by Herman Melville, Dr. Jeckyll & Mr. Hyde by Robert Louis Stevenson, Frankenstein by Mary Shelly, and Dracula by Bram Stoker. I have been taking a bite out of Dracula ever since! After 11 years of intense research and crafting, my debut historical fiction novel Stoker: Evolution of a Vampire was published by Page Publishing this past February.

What’s the basic plot of Stoker?

My novel can be considered a prequel to Dracula. It is mainly set in Victorian London and Romania in the late 1800s, during the time period Bram wrote Dracula. There are also flashbacks to Bram’s youth and when Vlad Dracula III reigned Wallachia. Bram is the central character in my novel, along with supporting roles by Bram’s wife, Florence, Bram’s son, Noel, and Bram’s employer, Sir Henry Irving.

Many of the events in my novel are factual as I used Bram’s own diaries, reference materials and notes on Dracula as material woven into my plot. It is written in Bram’s own writing style, which is vastly different from my own and was a great challenge for me. I listened to nonstop audio books written in this time period the entire 11 years I worked on my novel as I wanted the style and language to be as authentic to the period as possible. Though my book is classified as historical fiction, there are elements of gothic horror, mystery, crime and suspense that yields a 576 page thriller.

I have a thing for Victorian England, but what’s your excuse? What is it about the time or subject you found so interesting?

Victorian England has been the time period for numerous fantastic and morbid fictional and historical tales from Sherlock Holmes to Jack the Ripper. My fascination with this period began with reading Dracula as a child and then carried over into adult hood with favorites Charles Dickens, Oscar Wilde, and Lewis Carroll. Though I have been quoted as saying countless times that Dracula is the most frightening phycological tale ever written, around 2004 I began reading everything I could on Bram Stoker. Until then, there had been few biographies written about Bram – a fact in itself which I found interesting. Today, there are close to a dozen. With each additional book I read, it was astonishing and fascinating to discover his life was worthy of a novel. And in 2006 I outlined my book, incorporating many situations, milestones and events in his life.

Without giving away spoilers, what’s your favorite scene in the book. (Don’t deny it, we all have one)

I believe my favorite scene in Stoker is about two-thirds into the plot when Bram is finally on a train back home. His watch had stopped shortly after he began his journey abroad, so he asks someone for the time. The answer he gets back is more than what he expected!

Where can we learn more about your book?

My novel can be found at Amazon, Barnes & Noble, Books-a-Million. Here is a link to my Page Publishing page which contains links to all the national retailers that are carrying Stoker:

Subscribe to my newsletter and get a chance to win a signed paperback copy of Acre’s Bastard. Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look at the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.

Tales of a Medieval Woman Doctor- PK Adams

One of the great things about historical fiction, if you’re open to it, is the chance to read stories you’ve never heard from places you haven’t given any thought to and learn a little in the process. Take, for instance, Hildegard of Bingen. I’ll lay money you didn’t know she was Germany’s first female physician. I wouldn’t know either except for “The Greenest Branch,” by P K Adams.

Alright, lady. What’s your story?

I’m a Boston-based historical fiction author with a master’s degree in European Studies. I’m a life-long lover of history, and my goal is to bring stories of lesser-known historical figures and places to the attention of wider audiences. The Greenest Branch is my debut novel, with the second book in the series slated for release in early 2019. When not writing, I can be found drinking tea, practicing yoga, reading …. although usually not at the same time.

I was gonna say, that could get messy. Anyway, what’s “The Greenest Branch” about?

The Greenest Branch is based on the true story of Hildegard of Bingen (c.1098-1178), Germany’s first female physician. Living in the 12th century, she faced an uphill battle in her quest to gain the necessary medical education to be able to practice what was referred to then as “the healing arts.” Opposition to what she wanted to do was rooted not just in the prevailing social norms, but also in the Church’s attitudes towards women and towards the use of herbs (which it tended to conflate with witchery).

But it was not just the patriarchy that Hildegard had to deal with on her journey – she also faced difficult personal choices. In the book, I try to balance her achievements against the sacrifices she had to make, sacrifices that I believe ring true even all those centuries later.

What is it about Hildegard and the time period that drove you to write about her?

I have been a fan of medieval history for a long time, but I did not hear about Hildegard of Bingen until I took a history of music class in college (yes, she was also a composer, a writer, a philosopher, basically a jack-of-all-trades – in an era where most women could not even read or write). So I became captivated by her accomplishments and began to read more about her to find out how she was able to become a pioneer in so many fields reserved as a man’s domain in her time.

Interestingly, the record of her early life is pretty sparse, and I saw that as a chance to write a fictionalized account of how she rose to such prominence despite not being a royal wife or daughter. Some of the details may be fictionalized, but the story broadly follows Hildegard’s life journey.

Without giving away too much, what’s your favorite scene in the book?

In a scene quite early in the book, when Hildegard is only 13 years old and has just started working as an assistant to Brother Wigbert, the abbey physician, she asks him if women can also become physicians. Here’s the exchange:

“Can women study to be physicians, Brother?”

“No.”

“Why?”

“It is the natural order of things,” he replied, “that women should rear children since they are the gentler and more nurturing of the sexes. Who would guard the family hearth if they were to go to schools?”

I pondered this, frowning. “But if women are better at caring for others, they should make better doctors too, shouldn’t they?”

Wigbert looked momentarily surprised, then chuckled. “You make clever arguments, Hildegard, but studying requires well-developed reasoning faculties, which women do not possess, being more impulsive and less logical than men.”

I considered pointing out the contradiction but decided not to.

I love that scene because it shows the prevailing medieval beliefs regarding women’s intellectual abilities (I did not make Wigbert’s statement up, it’s based on how women were generally viewed). It also debunks them by pointing out the fundamental flaw of this way of thinking. Still, I feel a bit bad for Brother Wigbert because he is actually one of the good guys in the story – he becomes Hildegard’s mentor as her talent and determination become evident. However, there is another monk – the abbey’s prior – who is the antagonist and whose entire existence is absorbed by his efforts to make it impossible for Hildegard to achieve her dream of becoming a physician. As you can see, she had her work cut out for her.

Where can people find more about you and your work?

My book is available on Amazon US: https://amzn.to/2IPpj7h

and also Amazon UK, Canada, Australia, France, Germany, Italy, and several other marketplaces

My Goodreads author page URL: https://www.goodreads.com/pk_adams

Twitter: @pk_adams

Shameless Self-Promotion Update

With The Long-Distance Leader: Rules for Remarkable Remote Leadership out in the world for just over a week, I’ve been doing an incredible amount of promotion. Most of it is completely work-related, and you can find out everything you would ever want to know about that book at www.LongDistanceLeaderBook.com.

By the way, if you’re traveling through an airport, it’s now a Hudson Booksellers Best Seller!

I’ve also had a couple of chances to talk about my fiction work. Most enjoyably, an old colleague from my stand-up days, Keith Tomasek, has a terrific podcast about the arts and the creative process, The Inadequate Life. Recently, we talked for an hour about my stand-up days and the transition to being a grownup, as well as the ins and outs of publishing. It was a blast. If you’d like to hear it, it’s here. I think it’s the most wide-ranging and probably most honest interview I’ve ever done. And for a media ho like me, that’s saying something.

I got into corporate training because when I left stand-up, I had a 15-year hole in my resume and only one marketable skill; I could stand there and talk.

To Keith Tomasek, The Inadequate Life podcast

I was honored to be on The Inadequate Life podcast

“I like to tell people I’m the love child of Alexandre Dumas and Hunter S Thompson and let them figure it out.”

When asked by James Quinland Mervey what my influences are….

Also, a fellow writer named James Quinlan Meservey interviewed me for an ongoing series on his blog about literary influences and why we do what we do. It was a lot of fun. You can read it here if you’d like. And check out James’ fantasy work.

Incas and Conquistadors with Dennis Santaniello

One of the guiding principles of my blog- hell, my life- is that swords are way cooler than guns. That means there are certain periods of history I find more interesting than others. One of those is the Spanish Conquest of South America. It’s an exciting, if not very pretty, period.

This week’s featured author, Dennis Santaniello, has just released the first of his “The Conquistadors” series of short swashbucklers.

So, who’s Dennis Santaniello and why do we care?

My name is Dennis Santaniello. I’m a writer from New Jersey. I’ve written screenplays and novels for the last 15 years, and I’m finally ready to share my talent with the world. I’m a typical writer: introverted, weird, but also warm and genuine. My genre is Historical Fiction, and I’ve been writing my epic trilogy “CONQUISTADORS” for the last 10 years. I’m a minimalist and I believe in conciseness, patience and get to the point story-telling. Life is short. Your time in this life is even shorter. Read all the Jane Austin and Emily Bronte you want, it’s simply just not for me. I tell stories in an effective and powerful way. And I always prided myself in doing so. Why? Because I care about my readers.

Granted, you’re not much on word count. What’s the first book in your series, “Brothers and Kings,” about?

In a nutshell, my book “Brothers and Kings” is about a Spanish soldier named Sardina and his journey of finding gold in the great Inca empire, but it is also about Manco Inca: a king who tries to salvage his kingdom from utter destruction.

Why this time period?

The time period is from 1527-1540 in Peru. I wrote the book because when I was 10 years old I was pissed that there were no good fiction books about the Spanish Conquistadors. So I decided to write one for myself. Well, it took me 20 years, but I think I rectified that. Now I’m sharing it with the whole world.

I can see that. Acre’s Bastard is my delayed response to reading “Kim,” and wondering why we never knew what happened to him. What’s your favorite scene in the book?

My favorite scene is the Battle for Cusco. It is pretty cool, to say the least.

Where can we learn more about you and your work?

You can find me at dennissantaniello.com or on Twitter: @philosofarmer

Barbary Pirates and Scottish Lasses with Josanna Thompson

Most of us think pirates and we immediately go to yo-ho-ho and rum and all that. But the Barbary Pirates were no joke. Today’s interview is with Josanna Thompson, who gives us a gripping tale of Algerian pirates and sweet Scottish lassies.

So, Josanna, what’s your deal?

Hi! I’m Josanna Thompson, and I’m the author of A Maiden’s Honor. I’ve been weaving stories for as long as I can remember. I’ve always loved history and learning about how people lived way back then. I’m also an avid traveler and was fortunate enough to explore many of these distant lands in my stories. When I’m not traveling, I live a quiet life with my husband in New England.

What’s the story behind A Maiden’s Honor?

It’s complicated to say the very least. What can I say, it’s not in me to write a simple tale. A Maiden’s Honor is no exception. In fact, it’s two stories. The primary part follows the journey of Sarah Campbell. The other follows the journey of my villain, Naa’il Dhar. Their stories eventually intertwine.

Raised by her Scottish father and the natives of a remote island in the South Pacific, Sarah and her father embark on a perilous journey to Scotland. She knew that her life would change when she left her beloved island. Never did Sarah imagine that she would be sold into a harem. With her father murdered and everything that she had ever known gone, only Hassan Aziz, the most feared pirate on the Barbary Coast can save her. But is Hassan willing to jeopardize his secret mission and risk his life and the lives of his crew to shield this intoxicating maiden from slavery?

Naa’il is the Dey of Algiers, a man who has everything including, wealth, power, wives, slaves, concubines. Drawn to two beautiful American captives, Naa’il tests their loyalty to each other. Little does he know that his game will have devastating consequences… especially for him.

What’s your favorite scene in the book?

One of my favorite scenes takes place between Sarah and the hero, Hassan Aziz. Sarah’s father had died early that morning. Hassan returns to his cabin and finds Sarah sitting beside the window looking reverently at her trunk filled with “treasures” from her life on her island. Hassan can tell she is sad, he sits beside her. She opens her trunk and pulls out four objects, a bamboo comb, a flat shell, a sharks tooth and a mat. Hassan gives into his curiosity and asks her about the purpose of these objects. Sarah proceeds to tell him about her life on her island while demonstrating the use of each one.

I love this scene because it’s such a sweet interlude between these two strangers. This is the beginning of their love affair.

Where can we learn more about you and your work?

Amazon: https://www.amazon.com/Maidens-Honor-Woman-Eden-Book-ebook/dp/B076FQ27S8

Facebook: https://www.facebook.com/JosannaThompsonAuthor/?ref=bookmarks

Goodreads: https://www.goodreads.com/author/show/17238374.Josanna_Thompson

Instagram: https://www.instagram.com/theglobetrottingtiari/

Pinterest: https://www.pinterest.com/josannathompson/

Twitter: https://twitter.com/JosannaThompson

Look me up. I always enjoy chatting with readers.

Oh, I have a killer website. I built it like a DVD and packed it with lots of extras, including, a blog, interviews with characters, and articles about my research. I also give readers an opportunity to ask my characters questions. They are very chatty and would love to hear from you. (Click on the link below.) Check back from time to time. I’m always adding to it.

My website:

www.josannathompson.com

This is kind of a cool idea. Josanna has a feature on her site that says “Ask my character a question:” What would you ask her? I may steal this idea.

http://www.josannathompson.com/your-questions-for-the-characters

Thanks for interviewing me, Wayne. I had a great time answering your questions!

2 Stiffs Writing Historical Fiction

One of my favorite things about being a writer is connecting with other writers, and one of my favorite literary humans lately is Jeffrey K Walker, author of “None of Us the Same” and “Truly are the Free”.

He’s taken it upon himself to share some of our correspondence in a running feature on his blog called “Two Stiffs Writing Historical Fiction.” If you’d like a peek inside the minds of two guys who are trying to figure out the whole “writing about the past” thing, take a look.

Here’s this month’s edition

And the first conversation we had.

Beau Brummell by the Fashionable Erato

I know nothing about fashion, but both my wife and my mother ( and there’s nothing creepier than when they both say the same thing to you) referred to my attempts at dressing up as “very Beau Brummell.” I had no idea who that was, but now I’m smarter because of this week’s interview.

Erato, (yes it’s a pen name) has written about the ultimate 18th-century fashion plate in her new novel, The Cut of the Clothes.

What’s your story, Erato?

Erato writes under a pen name. She obviously doesn’t have my crying need for validation

So, Erato is my pen name — and no, it doesn’t mean I write erotica (what the hell, people? It’s not even the same key vowels, but people mistake it all the time for “Erotia” or something.) Editor’s Note: an overwhelming majority of people are idiots. Don’t let it get to you. In any case, I write historical fiction. So far all of my books are set in the Georgian/Regency era, which I am finding is a bit of a misfortune, as “Regency” has become a modern genre of its own that I don’t actually write; consequently people who like “Regency” stories don’t usually seem to like my work and other people who might actually like them don’t want to read them because they think they don’t like “Regency” stories. It just means they’re set in the late-18th/early-19th century in Great Britain, it doesn’t mean they’re about rakish noblemen having dubiously consensual sex with reluctant heroines, or that they’re Christian propaganda for clean living, or that they’re Jane Austen fanfiction where Darcy and Elizabeth have a secret baby the entire time of Pride and Prejudice.

Duly noted. It’s rough when genres constrict your subject matter. What’s the book about?

It tells the true story of Beau Brummell and the Prince Regent. It’s a story that’s been done a few times before, since it seems everyone agrees that was the most interesting part of Brummell’s life — when he was in London and at his peak. Brummell seems to possess such a natural charm, good looks, and a talent for matching his clothes together that he becomes an instant star once the Prince befriends him. My version is different from the other tellings for a couple reasons: first, it is the only one I know of that didn’t make up a fictional character to serve as a love interest for Brummell and then try to tell it as a love story. Secondly, it’s told from the Prince’s point of view, in my best attempt at historically accurate reproduction of the way he wrote.

I’m going to confess that fashion and talking about clothes bores me to tears, despite being strapped to the couch and forced to watch 13 seasons of Project Runway with the Duchesss. What is it about this story you find so fascinating?

I had heard the name Beau Brummell a bit, and when you mostly write Georgian/Regency fiction you know a little about him and his contributions to fashion from your research. I wrote kind of a knockoff version of him into the book None But Fools (as “Beau Bancroft”) but nothing very studied. While I was writing my upcoming book The Virgin and the Bull (it was written before Cut of the Clothes but only now getting published) I had needed to look up some fashion vocabulary term — I think the word I needed was the fall of a pair of breeches — and when I did so online, the page I found happened to also have a video of the opening scene of the BBC film Beau Brummell: This Charming Man. I watched the opening scene, which is not really anything more than James Purefoy as Brummell getting dressed and then walking down a hall, but on that basis, I thought, “My next book should be about Beau Brummell.” I deliberately did not watch the rest of that movie until after my book was done, and indeed our final takes on the story were quite different, but that was the inspiration.
What’s your favorite scene in the book?

There’s a joke, and I’m afraid if I explain it it’ll be ruined for like, the one person who will ever read it and actually get it without needing to look it up… ah well, they might not be amongst the same people who reads this blog, right? What are the odds? Prinny is sick in bed and is reading a book with a French title: Les Bijoux Indiscrets. I deliberately went out of my way to find the trashiest possible 18th century book for him to be reading. It’s a book by Denis Diderot of all people (co-creator of the first Encyclopedia.) It’s about a king with a magic ring that causes women’s vaginas to talk, and to declare their sexual histories. That’s as much of a plot as it’s really got. So, that’s what Prinny reads there.
Worth being said, the real-life Prinny had one hell of a pornography collection. If I remember correctly, when he died, it took three days of continuously burning fires to destroy it all. Nowadays people don’t tend to collect pornography magazines or dvd’s instead they just go online and visit websites like https://www.tubev.sex/ that have hundreds of adult porn videos that are free to watch.

Where can people learn more about you and your books?

The Cut of the Clothes – Amazon.com:
Amazon UK:
Google Play:

Erato’s Author Pages –

Amazon: https://amzn.to/2H3M6eD

Goodreads: https://www.goodreads.com/author/show/15113073.Erato

Facebook: https://www.facebook.com/EratoWrites

The First Draft of Acre’s Orphans is Born–Be Very Afraid

If you’re one of the many people who enjoyed Acre’s Bastard, you’ve probably figured out that there’s at least one more book to come. Well, I’ve finally finished the first draft. Here’s photographic proof.

The first draft of Acre’s Orphans does exist

That said, it’s a first draft. Here’s what that feels like in my head…

A first draft is like giving birth… even if it is an ugly, demonic little darling

If you’ve seen David Cronenburg’s 1979 movie, The Brood, this makes a lot more sense. It’s a deformed, demonic little creature but mama loves it. That’s how I feel about the first version of Acre’s Orphans. (Yes, that makes me Samantha Eggar in this story. Don’t read too much into that.) I am hopeful to have this revised and beta-read in time for a late fall launch.

If you’re a fan of Lucca the Louse, be prepared. You can drop me a line or join the newsletter using the link on this page to be the first to know when Acre’s Orphans is ready for the world.

Subscribe to my newsletter and get a chance to win a signed paperback copy of Acre’s Bastard. Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look in the bottom left of the page for the sign-up sheet. No spam, just periodic updates and a chance to learn about great new Historical Fiction of all types from around the world.

Why I write in first person…

If you’ve read any of my fiction, you’ll see that a surprising percentage is written in the first person. That’s a lot of “me” I grant you, and that’s a mixed blessing. Of course, I’m not really a 10 year old half-caste kid in the 12^th Century (Lucca the Louse in Acre’s Bastard) nor a first generation German-American from 1920s Milwaukee (Willie Braun in The Count of the Sahara) and I’m certainly not a 1950s Korean Vet car salesman (my latest short story on Scriggler. Check it out.)

It’s really not an ego problem. I don’t set out to be the center of attention (shut up!). In fact, I never noticed I was actually writing so much in that voice until someone in my writer’s group pointed out that the same curmudgeonly middle-aged loser keeps showing up in a lot of my stories. For the record, he’s not the same guy (the anti-social railbird in On the Rail, and the eaves-dropping alcoholic in Through the Arbor Vitae,) but I suspect they’re closely related and may have gone to the same middle school.

They’re also not me, although my own appreciation for cigars makes it easy to describe a lazy smoke on the deck and my experience as a comedian and professional speaker certainly influenced the way I captured De Prorok’s barnstorming tours. But just because I use “me” and “I” doesn’t mean they’re my thoughts and actions. In fact, I’ve been judged pretty harshly by the thoughts and comments of some of my characters. What can I tell you, people used different words to describe people 75 years ago. I sometimes blush writing them. (My work should have a disclaimer that the opinions of the characters are not necessarily those of the management.)

So why do I do it? Truthfully, it’s an accident.

I’m not a 10 year old Syrian boy…. but I play one in Acre’s Bastard

I always start with a character who is another person. Ramon Pachecho is a Puerto Rican boxer I invented, and I was able to maintain that distance throughout the story. Lucca Le Peu was born when I saw a news picture of a Syrian boy in the back of an ambulance after his village was bombed. Willie was a simple way to narrate the story of Byron de Prorok from a neutral standpoint—I needed an innocent observer. Somehow, they go from “the old guy at the cigar lounge” to “I”. How come?

First person allows me some advantages as a writer. One of the comments I got from “Arbor Vitae” when it posted on Scriggler was from a fellow author who appreciated the way I do interior monologue. That only happens because I put myself so deeply in the character’s place. Inevitably it starts with “why does he/she do this?” and eventually becomes “if it were me, why would I act that way?” At that point, it’s just easier to capture those thoughts and expressions in their voice. Maybe I’m just not that good a writer.

First person for me is an exercise in empathy. I was taught early to put myself in the other person’s shoes (fortunately I have small feet). While I’m wide open to charges of “cultural appropriation” or telling stories that aren’t mine to tell (I’ll pour the anejo and we’ll have it out in person,) I also believe it gives me deeper insight into character. That’s where you find the humor, the emotion and the tension. Something is far more dramatic if it happens to you than to someone else. Watching someone’s horse die isn’t the same as having your own pet’s life drain away in front of your eyes. (Spoiler alert?)

For me, insight comes from within. Even going back to my standup days, I was more of a commentator than an observer. Some comics can neutrally observe from outside (Jerry Seinfeld is the ultimate example.) I usually found the humor in how I react and process something, and hoped the audience would relate. I’ve never taken an old man to a cockfight, but I suspect if I did I’d sound a lot like the narrator in Tio Fernando’s Field Trip. It’s just funnier.

I don’t set out to write everything in first person, it just usually works out that way. I hope you check out a couple of the examples and keep reading.

Latin American Drama w Charles Ameringer

One of the great joys (for me) of reading historical fiction is finding out about people, places and times I either never heard of or gave no previous thought to. No offense to those who spend their entire reading hours in the Civil War or dealing with the Tudors (the hell with it, offense meant. Change the menu on occasion, it’s good for you!) When I heard about Charles Ameringer’s novel of 1920s Venezuela, “The Sons of Hernan Garcia,” I figured it was worth speaking to him. It’s not like I have a shelf full of early 20th Century Latin American stories taking up space. What about you?

Charles Ameringer, born in Milwaukee, WI, September 19, 1926, is professor emeritus of Latin American History at Penn State University. During his academic career, he published eight scholarly books. Now, in retirement, he has drawn upon his travel and research and unleashed his imagination to produce works of fiction, namely, the spy/thriller, “The Old Spook” (2012), the urban drama, “Duke Wellington: East Harlem Lawyer ” (2015), and “The Sons of Hernan Garcia” (2018). (Editorial note, that makes him nearly ninety-freaking-one, and he’s still writing. I am out of excuses.)

What’s your novel about?

The book takes place during two years (1920-1921) within the rule of Juan Vicente Gomez of Venezuela (1907-1935) and Hernan Garcia’s tyrannical rule is based upon that of Gomez. It was a rule that was extremely cruel, and although the book is fiction it spares no details about the evils perpetrated by a dictatorship. That which the fictional characters endure and try to repay in kind makes for a thrilling game of cat and mouse.

What’s your favorite scene in the book?

The birthday party of the five sons wherein they express their hatred toward Garcia and the ways they would like to do him in. Although the sons were “blowing off steam,” the tyrant’s security force takes their remarks seriously and undertakes a deadly manhunt. The reader is taken for a journey across the great plain of Venezuela, populated by exotic birds and animals (egret, jaguar, and anaconda).

I can safely say that qualifies as a unique story, and one not often told. Where can we learn more about your books and your work?

You can find me on Amazon by clicking here

or on Goodreads

Subscribe to my monthly newsletter and get a chance to win a signed paperback copy of Acre’s Bastard. Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look in the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.