Tag: Wayne Turmel

From Roses to Tudors-Samantha Wilcoxson

Readers of historical fiction tend to gravitate to certain periods. There are huge clumps of writers and readers fascinated by The US Civil War, World War 2, and One of the hottest trends the last little on both TV, the movies, and novels has been the Tudor period. Cable TV is littered with torn bodices. I will confess somewhat ashamedly, I have somehow missed the boat. If sheer numbers are any indication, there are a lot of people out there who find that time more fascinating than I do.

Enter Samantha Wilcoxson, and her Plantagenet Embers trilogy. The latest installment, Queen of Martyrs is now out.

Samantha, you and I are both members of the Historical Novel Society (join us on Facebook here). What else should we know?

Samantha Wilcoxson

I’m the author of the Plantagenet Embers Trilogy. An incurable bibliophile and sufferer of wanderlust, I live in Michigan with my husband and three teenagers.

Three teenagers? That explains your obsession with family blood-letting and intrigue. What’s Queen of Martyrs about?

Queen of Martyrs is biographical fiction that transports the reader into the life of Mary Tudor. The story begins with her receiving the news of Margaret Pole’s execution in 1541 and follows her through the rest of her life as she struggles as a bastardized princess who finally becomes queen. My objective was to humanize the woman that many people today dismiss as ‘Bloody Mary’. There is so much more to her character, and many of the ‘facts’ people believe about her are no more than myths. My research made it shockingly easy to find sympathy for Queen Mary I.

As England’s first queen regnant, Mary faced many challenges, which she was, quite frankly, unprepared for. She failed to realize how great the outcry would be against her choice of Prince Philip of Spain as a husband. She did not recognize the great religious changes that were taking place throughout the world and that could not be ignored or reversed. Mary was a devout, caring woman, but she was no politician. In this intimate portrayal of her, readers are invited to enter her world, share her heartbreaks and victories, and gain understanding of this complex sixteenth century woman.

I confess I’ve kind of missed the whole Plantagenet/Tudor thing. What’s your fascination with this period?

Some readers might be surprised to discover that the Tudor era is not my first love. It was the Wars of the Roses that captivated my attention, but I was looking for a new angle that had not already been written about. That was how I began with Elizabeth of York in Plantagenet Princess, Tudor Queen. I had not planned a trilogy, but the story of the York remnant unfolded in front of me, ending with Reginald Pole at Mary’s side in Queen of Martyrs.

The fifteenth and early sixteenth centuries are interesting not only due to political upheaval, but the impact of religious changes that forced people throughout Europe to evolve in their thinking and way of life. The heavy influence of faith on daily life is difficult to wrap the modern mind around, but that is just what I appreciate about studying the medieval and reformation eras.

Without giving away the good bits, what’s your favorite scene in the book?

One of my favorite scenes in Queen of Martyrs takes place during the reign of Edward VI. This was a turbulent time for Mary as she watched the country she loved falling into heresy. At that point, she had no reason to believe that she would become queen. She was her brother’s legal heir, but he was much younger. In this scene, Mary has the opportunity to escape England with the help of Holy Roman Emperor Charles V. This is when Mary decides that she must remain in England and do what she must to save her brother and all Englishmen, though she may be forced to pay the ultimate price.

It is a great misconception that Mary’s attempt at counter-reformation was based on bitterness or a need for revenge. Mary truly believed that she was doing what was necessary to ensure that her people enjoyed eternal life in heaven, and I think this scene gives readers a poignant view of Mary’s true motivations.

Where can people learn more about your work?

The best place to find me is on my blog. I also invite everyone to follow me on Twitter, Facebook, Goodreads, and Instagram. Besides bookish news, I share a wide variety of history articles and images of historic places that I visit. I love to share my tendency toward bibliophilia and wanderlust with friends!

My books are available in paperback and on Kindle on Amazon. They are also free with Kindle Unlimited!

 

Duty in the Cause of Liberty with Charles Frye

The American Revolution is truly one of the seminal events in world history, and while I get insane amounts of fun tweaking people about being a Loyalist and seeing it from the Canadian side, there’s no doubt of its importance. Oh, and the right side won. That leads us to “The War has Begun,” by Charles E Frye, the first book in his quadrology. (Is that a thing? Let’s assume it is)

So what’s the Charlie Frye story?

author and polymath Charles E Frye, author of The War has Begun

I am a geographer, cartographer, information scientist, and U.S. Army veteran. However, I studied architecture for three years prior to discovering geography, and I am still fascinated with architectural history and the design of the built environment. I have read books by the dozens every year since I could read. For fun, I still read fantasy and historical fiction. I decided I wanted to be a professional baseball player when I was five years old, and while I grew out of that, I have always enjoyed watching baseball, and am an Angels fan now. For the past fifteen years, my hobbies have included genealogy, reading about the history of the American Revolutionary War, and researching Isaac Frye’s story. I have been a member of the Sons of the American Revolution (SAR) for twelve years, and a member of George Washington’s Lifeguard, which the unit my chapter portrays in re-enactments, living history events, and parades—it definitely helped to know how to walk a mile in those shoes, including how to fire a musket and study the manual of arms. I was born in Ohio, and spent significant time in Missouri and Kansas. I am married and have three sons and a daughter, and for twenty-three years have lived and worked in southern California.

Re-enactors fascinate me (and freak me out a little) because of the depth of their passion for the topic. What is the story of The War Has Begun (besides the obvious, that the war had begun?)

The War has Begun is the first of four books about Major Isaac Frye in the American Revolution. He is a farmer, husband, father, and minuteman from Wilton, NH. So, why write about him? Wasn’t everybody a farmer and minuteman in those days? In New Hampshire, it was roughly one in five men. What makes Isaac different is that he served for the entire war as an officer, starting on day one, through to being in the last unit disbanded. No one else from New Hampshire did that, and nobody from any other colony, other than Massachusetts could have. To me, that was a story worth learning about and telling.

I called the series of four books Duty in the Cause of Liberty because as a veteran I know a little of what that means, but Isaac Frye and the men he served with fought to establish something that none of them could describe fully, even while their lives were at stake as they fought for it. As I watched our country go about its daily business remaining largely oblivious to the recent wars, I wondered how many of those people would sacrifice anything if their country called upon them. By the time I completed my research on Isaac, and saw the magnitude of what he, his family, and his town sacrificed; I felt strongly compelled to tell his story and hopefully convey some of why he may have done what he did. The story begins as he responds immediately to the Lexington and Concord alarm on April 19, 1775 and serves as an officer in the American army. His descendant’s oral history oral history included his words as he left: “The war has begun, I must be going.” Isaac fights in the Battle of Breeds Hill, and after the siege of Boston ends, marches to New York City, where he stays only a short time before ordered to Quebec. After retreating with the sick and nearly starving army from Quebec, his regiment is one of several that establish and construct Camp Independence during the latter months of 1776. The next book in the series will take up the story starting in early 1777.

What is it about this particular story that appealed to you?

As I started the research, I was stunned to find so many records were preserved, particularly compared the next hundred and fifty years. In part, it was due to Isaac being an officer, which meant he was named in many records pertaining to his regiments, and responsible for producing some of those records. I am a geographer and cartographer, so it was second nature for me to decide to map Isaac’s timeline during the war using a geographic information system (GIS). This allowed me to organize hundreds of records pinpointing Isaac’s location nearly a thousand times.

To make that geographic timeline, I needed a detailed map of America from 1775 to 1784. I spent several years compiling that from primary source documents—this allowed me to locate Isaac. Modern maps would not work because we have changed the names of towns and landforms, dammed rivers, drained swamps, and built highways and railroads. I needed a map that showed all the places that mattered during the Revolutionary War. The map is available online, and shows the path Isaac took during this book:  https://dutyinthecauseofliberty.wordpress.com/2017/04/20/using-gis-to-research-isaac-frye/

All that research and time, what’s your favorite scene in the book?

I have always liked reading battle scenes, so the Battle of Bunker Hill is my “default” choice. However, the scenes near the end about Josiah Parker, the son of Isaac’s neighbor, were the most satisfying to write in terms of what motivated me to write this book. Those scenes stem from a letter Isaac’s wife Elizabeth wrote to him in the fall of 1776. It took both genealogical research and a little bit of luck to find a corroborating account that brought all the details together. That letter, combined with determining who Isaac’s neighbors were, held the keys to understanding some of how Wilton suffered and operated as a community during the war.

Where can people learn more about the book series and your work?

 

 

The 1960s, Portugal and Lesbians with Genta Sebastian

While exact definitions are hard to come by, historical fiction has to have taken place in the past. Most people generally accept a generation ago as the cut off (beware the upcoming flood of 90s nostalgia!). This means that the years of my childhood are now considered history. My first car ( a 1970 Chevy Nova) is officially an antique. Which is a way of saying that if you don’t think of the 1960s when you think HF, well get used to it. I’m trying.

What I love about reading stories that take place in the past is trying to get an insight into what and how they thought. I try not to judge, or impose modern attitudes to people then, just find out their stories. And that, in a way-too-long introduction, brings us to Genta Sebastian and her tale of female sexuality and empowerment, When Butches Cry.

Okay, so what’s the Genta Sebastian story?

Author Genta Sebastian

I am a multiple award-winning author with a backlist including LGBT YA novels and lesfic science fiction, erotica, and historical romance. Living in the thriving art center of the Twin Cities, I’m a professional storyteller with experience entertaining audiences of all ages and most proclivities. A traveler by nature, I have toured the continental US entertaining folks from all walks of life. My work has been compared to authors John Steinbeck and S.E. Hinton, mostly I believe, because I love the complexity of people. I give my characters foolishness and failings as readily as self-reliance and success.

Lesfic science fiction is a thing? Niches get nichier, which is why categories are so limiting I suppose. I know I find the same thing when I try to sell Acre’s Bastard to people who don’t think they care about the Crusades. Which (ever notice that when someone says “long story short,” it’s already too late?) brings us to this story which has a unique historical setting. What’s it about?

When Butches Cry takes place in the middle of the twentieth century when a twist of nature creates an unusually high number of young lesbians on a Portuguese island in the Atlantic Ocean. Whilst this might sound exciting to some of the men reading this, it is not as amorous as it first sounds. If you’re looking for that sort of thing, maybe you should watch lesbian adults videos online instead. The Portuguese island in question is Terceira, where Americans are establishing an Air Force/naval base among a local population of farmers and fishermen, is paved with cobblestone roads connecting isolated villas that have existed for five hundred years. Traf and her merry band of lesbians, calling themselves Troublemakers, take on the outdated conventions of friends and families, community gossips, brutal bullies, Catholic priests and even the US military, seeking to define themselves as modern women. The young women learn to deal with love, friendship, sex, and the power of women working together who never give up, but not one is prepared When Butches Cry.

A lot of people find their stories in family connections. What is it about this time period, and especially this uncommon location, that appealed to you?

Well, completely by coincidence mind you, my wife was born and raised on Terceira during the mid-twentieth century. Over our lifetime together, she’s told me stories about this fascinating place and the people she knew and loved then. Some of her tales are tragic, others funnier than hell. What else could I do but write a book making the shadows of real people and events live again?

Being the real life Trafulha’s wife brings me into the familial circle whenever we visit the Azores islands of her birth. Although the twenty-first century has marched through Terceira with all the miracles of modern technology, there’s a unique mindset to people who live on the same hundred and fifty square miles where the bones of their ancestors have been buried for centuries. Modern Azoreans are leaping into the future and I wanted to capture a unique period of change spurred, not incidentally, by an unusually large LGBT segment of their society. What happened there and then is unlike any other situation I’ve ever heard of, and contributed to a diaspora that changed the world. The courage of the Maria Rapaz in the face of incredible odds cannot be scattered on the winds of time.

Without spoilers, any favorite scenes?

Oh, I have so many. I laugh over Traf’s baptism of the whorehouse, cry over the broken bar, shudder in the graveyard, and cheer on chuckies! Crucifixion causes chuckles, letters bring hope and despair, fumbling first kisses make me sigh every time, and I fume at the renowned bull-fighter’s misogyny. The stories in When Butches Cry are as varied as the characters in them. There – absolutely no spoilers at all.

Where can we learn more about you and your work?

Look for me on Facebook. I spend way too much time there, unless I’m busy writing when I’m scarcer than hen’s teeth. I’m also on Twitter. @gentasebastian

You can read about my books and find links to buy them on Goodreads and Amazon.

My blog, Authorially Yours, Genta Sebastian, is also a good place to look for news about my work as well as five years of writing advice, thoughts on LGBT issues, and the occasional rant.

 

 

 

Who Can Resist the Resistance? Pamela Boles Eglinski

As over-exposed as much of WWII stories can be, I’m a sucker for the French Resistance. It’s an underdog story, it’s spy stuff, it’s got hot French girls (quick, name a movie where the French Resistance fighter isn’t a total babe… thought so. Apparently there was a dress code or something), what’s not to like?

It seems, Pamela Boles Eglinski agrees. Her third novel, The Third Knife, is set in the French Riviera in 1943… well, I’ll introduce her and let her tell you….

So who’s Pamela Eglinski when she’s home?

My life is a little more sedate than that of my characters.

You may view my biography, while cruising though my books on Author Central. I’m a founding member of Read Local: Kansas City, Write Brain Trust, and a contributing author to The Good Life France, an on-line magazine for ex-pats. I am also a proud member of the Alliance of Independent Authors. The Third Knife has propelled me into the status of best-selling international author, and earned the novel a lovely little golden tag that says, “best seller.” I count my “Amazon blessings.”

Show off 🙂 So, what’s the book about?

The Third Knife is an intimate story of young men and women who fought in the French Resistance during WWII.  It’s the tale of vengeance and passion, lives lost and saved, and the making of heroes and martyrs.

I’ve always been intrigued by strong women—especially under fire. I created a male/female spy team in my second and third novels [Return of the French Blue, and She Rides with Genghis Khan], and wanted to tell their back-story. I needed to answer this question: what drove my contemporary characters to follow in their parent’s path? Today, my characters take on global terrorism, while their parents and grandparents fought another kind of terrorism—the German Gestapo.

So, I asked myself, what better back-story than the French Resistance? And so, into the chaos of war enters a young woman, Charlotte Beaumont. She is sent by her parents from Turin to Nice—with the hope of finding refuge with her aunt. She carries a family heirloom—a diamond necklace cut from the legendary French Blue.

Why was the time-period intriguing?

The novel begins in 1943. In the chaos of war, Charlotte is unable to find her aunt, and in desperation searches for a childhood friend, Edouard Bonhomme. He now leads a band of French Maquis—a subset of the Resistance. She embraces their mission . . . one of espionage, subterfuge, and guerilla warfare. Set on the French Riviera, this rag-tag team of spies sets out to defeat the Germans—focusing on the Gestapo.

I know we love all our children equally, but what’s your favorite scene in the book?

In researching the novel, I discovered the French village of Vercors—a WWII refuge for Maquis, in the Alps near the Italian border. There is a fabulous PBS series, Wish Me Luck, which depicts what is now a famous and heroic battle between the French Resistance and the Germans. I enjoyed the series so much I watched it half a dozen times. Great characters, true to life, and filled with the mission and passion to defeat Hitler. When writing my novel, I chose to focus on the battle of Vercors—a battle that epitomized love of country.

Where can readers learn more about you and your books?

Readers will gain an admiration of France, the resilience of its people, and deep insight into WWII and the Resistance movement—in both the cities and countryside. The e-book is available on Amazon and the paperback may be found on Createspace.

They can find me on my author page on Amazon as well as

Please join me on:   Facebook    Goodreads     New website under construction!

If you buy and read The Third Knife, kindly leave a review. Thank you in advance, and enjoy the story of the brave souls who fought and won the war against German oppression.

That’s a good point, Pam. Indie authors need reviews. The same is true of The Count of the Sahara and Acre’s Bastard. If you liked it, tell someone!

Alternative History- Rome in the 21st Century w Alison Morton

About  a year ago, I asked, “why does it seem everyone’s working on a novel about ancient Rome?” Then this year has gone by and I think the question should be more like, “why isn’t EVERYONE writing about it?”  The notion of history holding perhaps some answers for why our own nations act like they do is an old one, as is asking, “what if?”

That’s where alternative history comes into play, which eventually leads us to Alison Morton’s “Roma Nova” series, and her latest installment, “Insurrectio.” Not only does it ask “what if the Empire survived until today?” It also plays with roles of gender and class.

A ‘Roman nut’ since age 11, Alison Morton continues to be fascinated by that complex, power and value driven civilization. Armed with a masters’ in history, six years’ military service and the love of a good thriller, she explores via her award winning Roma Nova adventure thrillers the ‘what if’ idea of a modern Roman society run by strong women.

The sixth book, RETALIO, will be published on 27 April. In the meantime, Alison lives in France with her husband, tends her Roman herb garden and drinks wine, which is a good gig if you can get it.

Okay, Lady. In a nutshell, what’s the book about?

INSURRECTIO is about a rising nationalist movement led by a charming demagogue who wishes to overturn an established political system at a weak moment in a country’s history. (Any resemblance to persons living or dead, is completely coincidental and fully denied – I started drafting this first).

But it also charts the lifelong struggle between Aurelia, our upright and complex heroine, and Caius, an amoral charmer determined to destroy her and all she stands for. She’s an ex-Praetorian officer and now imperial councillor, utterly loyal to the imperatrix, the ruler of Roma Nova; he’s a wastrel, just released from prison where she put him nearly thirteen years before.

So it’s about sex, power and revenge in a small piece of the Roman Empire that’s survived into the 20th century. Until now.

What is it about that time period or character that intrigued you and motivated you to write about it?

I’ve been a ‘Roman nut’ since I stepped onto my first mosaic pavement at age eleven. As I listened to my father (senior Roman nut) explain about senators and soldiers, farmers and traders, power and occupation, I asked what the mummies and children did. Being the daughter of a feminist mother I was dismayed about the reply that mummies stayed indoors looking after the children and had no public life, vote or independence.

Maybe it was the hot sun in that Spanish sky, budding feminism or merely a smartass kid asking a smartass question, but I asked him what it would be like if women ran Roman life instead of the men. He shot back, “What do you think it would have been like?”

I held that thought throughout most of my life until I sat down to write my first Roma Nova thriller. I brought the story up to the modern age as although women exerted influence, they weren’t able to hold power in antiquity in the way I wanted them to in my stories, so I plunged into alternat(iv)e history. We’re still fascinated by Rome; just suppose a Roman society had survived with forums, temples, a Senate, a strong military but with an innate state service ethic and well-developed personal responsibility and it was run by women…

That’s a lot of ifs… Without giving away spoilers, what’s your favo(u)rite scene or event in the book?

I’d like to choose two types, if I may. Firstly, all the confrontations between Aurelia and Caius. They spark personality and supressed sexual tension, but most of all, the struggle for power. Very Roman! He winds her up, but can’t dent her inner core; she refuses to bend her principles and can’t understand why he has no conscience.

Secondly, Aurelia will do anything to protect her frail and, to be honest, light-minded daughter; they struggle to understand each other although there is no doubt about their mutual love. Writing their scenes together was an emotional experience as was Aurelia’s frustration with, and deep passion for, the elusive Miklós.

Where can people find you and your book (links to Amazon page, Goodreads, Twitter, Blog whatever)?

Social media links

Connect with Alison on her Roma Nova site: http://alison-morton.com

Facebook author page: https://www.facebook.com/AlisonMortonAuthor

Twitter: https://twitter.com/alison_morton @alison-morton

Goodreads:  https://www.goodreads.com/author/show/5783095.Alison_Morton

Amazon author page: http://Author.to/AlisonMortonAmazon

 

Buying link for INSURRECTIO (multiple retailers/formats):

http://alison-morton.com/books-2/insurrectio/where-to-buy-insurrectio/

INSURRECTIO book trailer: https://youtu.be/eXGslRLjv6g

 

Acre’s Bastard is an Award Winner

When you send your books out to be reviewed, it’s kind of a weird process. You send them off, full of hopes. Then the waiting begins. Even if you think your book is pretty good (and the voices in your head actually agree) you honestly have no idea what the readers will think. And there’s… all… that… time to obsess, worry, and eventually forget you ever sent it off in the first place. Then you get an email that says, not only did these total strangers like your book, they’d like to give you an award!

So, it’s with pride that I say Acre’s Bastard has not one, but two awards to its name now. The “Chill With a Book” awards have awarded Acre’s Bastard with both the “Reader’s Award” and the equivalent of a Founder’s Prize, the “PB Award” (named for Pauline Barclay, the obviously brilliant woman who runs the joint and has impeccable taste.)

 

Life on the Oregon Trail with Theresa Hupp

The opening of the American West is great fodder for writers of historical fiction. Huge vistas, dramatic action, and characters who lived just long enough ago that they don’t feel foreign to us. A lot of people writing in that genre draw on their own family stories, and that leads us to Theresa Hupp, and her series about life on the Oregon Trail.

I met Theresa through our mutual participation in the Hometown Reads program. (If you want to find local authors in your area, this is a terrific resource. Check her out in Kansas City and my work and fellow authors in Chicago.) She’s the author of two historical novels, Lead Me Home: Hardship and Hope on the Oregon Trail (2015), and its sequel, Now I’m Found: Desolation and Discovery in the Gold Rush Years (2016). She has also written award-winning short stories, essays, and poetry, as well as a corporate thriller under a pseudonym. Her short works have been published by Chicken Soup for the Soul, Mozark Press, and Kansas City Voices magazine. Theresa is a member of the Kansas City Writers Group, the Missouri Writers Guild, Oklahoma Writers Federation, Inc., and Write Brain Trust. She has a B.A. from Middlebury College and a J.D. from Stanford Law School, and she has worked as an attorney, human resources executive, and mediator. (Editor’s note: now she’s just showing off! )

What’s the series about?

The first book in my Oregon Chronicles series is Lead Me Home. It tells the story of Caleb “Mac” McDougall, a young Bostonian seeking adventure on the Oregon Trail. As he passes through Missouri, he rescues Jenny Calhoun, a lonely girl in trouble. For reasons explained in the novel, Mac and Jenny pose as a married couple. Their journey is perilous and some of their companions untrustworthy. But they both grow in maturity while discovering the beauty and danger of the western frontier.

The second novel, Now I’m Found, opens with Mac deciding to return east, because he does not see a future with Jenny. On his way back to Boston, Mac learns of the California gold strike. He joins hordes of prospectors and also participates in the development of California as a state. Meanwhile, Jenny forges a new life in Oregon, but she must deal with the lie she and Mac told their friends in the wagon company. Mac and Jenny separately confront violence, temptation, and heartache in this second book. Do they find happiness? You’ll have to read the novel.

I am currently working on another book in the series. This third book does not deal primarily with Mac and Jenny, but with some of their wagon train companions. I hope to have it published in early 2018.

Why that time period? What is it that intrigues you about the Oregon Trail?

I grew up near the Whitman Mission in Washington State. Narcissa Whitman, one of the first white woman to cross the Rocky Mountains (in 1836), was my childhood heroine. She and her husband were killed in 1847. Then I found out that one of my ancestors’ family took a covered wagon to Oregon in 1848.

These historical and personal antecedents gave me a huge interest in the Oregon Trail, which led me to write Lead Me Home. I set Lead Me Home in 1847 so my characters could meet Narcissa Whitman before her death.

Now I’m Found simply continues the story through the early California Gold Rush years, which really began in 1848 (a year before the Forty-Niners rushed west). Those already in the West had a leg up on finding the easy pickings. Now I’m Found covers not only the early prospectors, but also the development of California as a state and the impact of the California gold discoveries on settlers in Oregon.

I know this is a completely unfair question, but what’s your favorite scene?

This question really made me pause and think. In general, I prefer writing scenes with lots of dialogue, rather than description. That’s probably the result of spending years as a lawyer taking depositions and listening to testimony. So I like the scenes with lots of tension as the characters argue or don’t tell each other everything.

One of my highlights as a writer was writing a scene in Lead Me Home in which a character dies—I made myself cry, so I knew I was writing well. But for obvious reasons, that isn’t my favorite scene. I loved writing the scenes in Lead Me Home that showed Jenny McDougall’s growth from a scared girl to a young woman who could climb mountains.

In Now I’m Found, I liked the scenes between Mac McDougall and a character named Consuela. Consuela gave Mac advice he didn’t want to hear. She told him things he should have figured out for himself, but it took him the whole novel to get there on his own.

So where can we find out more about you and your books (besides Hometown Reads. Her profile page is here…)

Amazon author site:

B&N author site: 

Website: http://www.theresahuppauthor.com

Facebook page:

Goodreads: https://www.goodreads.com/author/show/8078829.Theresa_Hupp

LinkedIn: https://www.linkedin.com/in/mtheresahupp/

Twitter: https://twitter.com/MTHupp

Nzinga: African Warrior Queen- Moses L Howard

I will be the first to admit that when I think of “African history” my mind immediately goes to Victorian Englishmen in pith helmets. That, of course, is both wrong and stupid, but so much of real African history is only found in oral tradition. So I was absolutely delighted to stumble across a novel called “Nzinga- African Warrior Queen,” by Moses Howard. It’s a great read about a young woman in what’s now Angola, and her fight for her people and culture against the Portuguese in the early days of European exploration. It neatly fits two of the important tenets of this blog: 1) It’s hard to be a badass woman in a corset and 2) Swords are cooler than guns.

When I read about his own personal journey to writing the story I knew I needed to learn more.

What’s the Moses Howard story?

Dr Moses Howard, author of Nzinga: African Warrior Queen

I started out on a farm in Mississippi. With a biology degree in hand, I was in the first wave of the Teacher Education for East Africa project out of Columbia University in the 1960s, where I spent ten years training medical technologists and teachers in Uganda. Back in the States, I’ve been a biology teacher, assistant high school principal, community college dean, and counselor/mentor for students at risk. I began writing children’s chapter books while in Africa, and have been writing fiction for children and adults ever since.

What’s “Nzinga” about?

“Nzinga” is really about a child who at an early age learns to decipher her environment, understanding what she needs to survive. She treats her father, the king of Ndongo, as a beacon of light that she follows to know how to be in the world. As an adult, Nzinga masters the elements of her society and the ways of her enemies—and uses her enemies’ ways against them. She uses their animals, guns, language, and especially religion. But she achieves what she does through empathy and understanding.

What is it about that time period and character that appealed to you most?

I had a whole different idea about Africa until I learned about Nzinga. I had the idea that old-time African “chiefs” thought of Europeans as gods, that they’d fight for a little bit, then capitulate and become corrupted, selling their people as slaves. But that all came from a European outlook, with no understanding that tribes were as different from each other as French or Germans in language and culture. Competing tribes went to war with each other and sold their enemies defeated in war—the same as Europeans and Mediterranean cultures had done for centuries.

Nzinga’s story is attractive because she faced and overcame such overwhelming odds. It was unheard of for a woman in her culture to do what she did, with only her father as a model for leadership. She had a quick mind and mastered languages and advanced an enormous sense of justice. I felt compelled to learn how Nzinga did what she did, which took years of research.

What’s your favorite scene in the book?

My favorite scene is the one where Nzinga is in the greatest danger—when she goes to observe slaves being loaded on the ship. She witnesses scenes of horror, and I felt immense fear for her while writing it, because she could have been taken away as a slave. I carry a strong sense of that horror, of course. When I was a teacher in Uganda, I was walking with my students, and we passed some old women who were disturbed that I couldn’t speak with them (I wasn’t rude; I didn’t know the language). My students told them I came from the people who’d been captured and taken to America. One woman walked around me, examining me, and said, “I know this is true, because there’s a tree in my village where they used to tie them up, the people who were sold as slaves.”

We went to the woman’s village, and she showed us the tree. All that remained were flakes of rust issuing from a hole in the tree, which of course had grown in the hundreds of years since then. But I turned my back to the tree, and put up my hands to see how it would be—would I fit?—to be chained to that tree. The feel of that tree, and the old women’s words, have stayed with me for more than fifty years. (Editor’s note, if you read the book you have to read the epilogue where Dr Howard relates this story. It gave me chills- and you know what an unemotional grump I can be.)

How can we learn more about Nzinga and your other books?

The best place to find what’s new with me is on Facebook (@MosesLHoward).
You can find all my books at amazon.com/author/moseshoward
We have extra essays and insights on my website at jugumpress.com/moseshoward

Thank you for this opportunity to talk about Nzinga!

The Alfred Hitchcock Test for Historical Novels

Whenever I’m speaking to people about writing historical fiction, the question of “How much of it needs to be exactly true?” arises. For a long time I hemmed and hawed and couldn’t really define it. At long last I have an answer. Does it pass the “North by Northwest” test?

Allow me to digress a bit and I promise I’ll get to the point. One of the major points of contention in my marriage to the Duchess is Alfred Hitchcock’s movie, North by Northwest. (Not for nothing, but after 25 years if this is the biggest bone we have to pick with each other we’re doing just fine.) My bride loves that movie. After all, it’s got peak Cary Grant, a stylish Eva Marie Saint, and amazing visuals, including a rousing finale on the top of Mount Rushmore. What’s not to love?

Trying to murder someone by biplane seems a bit hard to swallow, doesn’t it?

Plenty. I don’t care for that movie and the reason is simple. There are two scenes that ruin the whole experience. First, there’s no cool Frank Lloyd Wright house on the top of Mount Rushmore. Secondly, crop-dusters make really inefficient murder weapons. Actually, the crop-duster is mainly the reason I don’t enjoy that film: I remember thinking, “oh come on,” when that scene came on and Grant was pursued through the Indiana cornfield by the airplane. By the time I got to the mid-century modern house placed on top of a national monument, which I know darned well doesn’t exist, I had detached emotionally from the movie and didn’t believe any of it. The spell was broken.

Nice house, right? Too bad it doesn’t freaking exist, no matter how badly my wife wants it to.

Still with me? For historical fiction to work, we have to stay in the moment. We have to believe that the story is taking place in the time, place, and with the characters the author has established. All authors manipulate events to make a good story. Often this doesn’t matter. In Acre’s Bastard, I have Lucca watch events from the top of a hill where he couldn’t possibly have been, but I made it work and unless you’ve been to Hattin, and seen the Horns, you wouldn’t know, and it’s not a critical detail. No harm no foul. On the other hand, I had to make sure that the famous characters did what we know they did, and acted believably or I’d have lost readers along the way. I couldn’t just have Lucca bump into Richard the Lionheart 7 years before he got there.

All historical novelists face this dilemma. Does your character say or do something that isn’t true to that time period? If so, your readers (and HF fans tend to be smarter than most, if I may be so bold) will say “oh come on,” and you’re dead in the water.

So here’s my guide to how true to the facts your book needs to be. Does it make the reader say, “Oh come on?” If so, you’ll lose credibility and your story won’t ring true.

In Count of the Sahara, the excursions and characters are well documented- heck, one of them is still alive. I had to be as accurate as possible. With Acre’s Bastard, the general facts of the time are known, but the characters are mostly fictional and there’s plenty of room for imagination.

Trust me, I pushed the boundaries but it’s not like I had a crop-duster chase Lucca all the way back to the city walls, or had Byron de Prorok snap a selfie (which the arrogant SOB would have, if he could have.)

I hope you read my stories and enjoy them. If so, let me (and Amazon!) know.

If you’d like me to speak to your book club, library or group about “Putting the Story in History- How Writers Turn Dry Facts into Great Fiction”, I’d be delighted. It’s available as an in-person talk or can be delivered by Webinar no matter where you are. Use the contact form on the side of the page to drop me a line.

 

 

 

Booze, Bars and Battles with Morgan Wade

As much as historical novelists like to talk about the “reality” of their characters and times, I suspect there’s one area in which we don’t do the job we should–when it comes to the role booze plays in great events. It stands to reason that if rebellions start in Taverns (and there’s enough proof of that from almost every corner of the world) the key players weren’t exactly sober during those discussions. As a comedian friend of mine (I think it was Boyd Banks, but memory fades) used to say, “without booze and bad judgement, most of us wouldn’t be here.” That leads us to Morgan Wade, and his novel “Bottle and Glass.”

After all, if you’re going to write about displaced soldiers, you’d better catch them in their natural habitat–the bars and taverns of Upper Canada in this case. The story also has an interesting development as a stage play, which is very cool.

Here’s the Morgan Wade story…

Morgan Wade’s debut novel, The Last Stoic, edited by Helen Humphreys, was released in June, 2011 by Hidden Brook Publishing and it made the 2012 ReLit Awards long list. His short stories and poems have been published in Canadian literary journals and anthologies including The New Quarterly and The Nashwaak Review.

He adapted his second novel, Bottle and Glass, into an immersive, site-specific play that, in conjunction with Theatre Kingston, had a sold-out run during the 2016 Kingston WritersFest. Audience members pursue the story through the streets and pubs of Kingston, drinking along with the characters and experiencing the city’s history like never before. The production is set to be expanded and re-staged for a three week run in the summer of 2017. When not writing, Morgan earns his keep as a software engineer. When not busy writing or programming, he plays soccer or spends time with friends and family in beautiful Kingston, Ontario, Canada. Editor’s note: Kingston Ontario contains a federal prison, Queen’s University and the Royal Military College. It’s safe to say that while it’s beautiful, but has its share of bad-ass bars and poor decisions influenced by booze.

In a nutshell, what’s the story of Bottle and Glass?

Bottle and Glass is a story of survival and escape told from the barstools of

Canadian author Morgan Wade

two dozen boisterous Kingston taverns at the close of the War of 1812. The story focuses on Jeremy and Merit, two young fishermen from Porthleven, Cornwall pressed into service aboard a Royal Navy frigate. They are forced to leave their native England for Canada and eventually Kingston, where they are stationed as Royal Marines. They spend much of the novel attempting to escape and return home, but by the end, having attained their freedom, they are resolved to stay and make a new life.

Inns and taverns figured prominently in Upper Canada’s frontier life. In 1812, when Kingston had a population of 2250 plus 1500 soldiers, it could boast 78 taverns. Many of these, including “Old King’s Head” and “Mother Cook’s,” are mentioned in the newspapers and correspondence of the time. This novel is structured so that each chapter takes the title of a historic Kingston tavern and each tavern is featured in the chapter in some significant way. The novel’s title is taken from the infamous watering hole, “Violin, Bottle, and Glass.”

I notice a rise in Canadians writing about the Loyalist era. What is it about that time period that fascinates you?

Kingston, Ontario, is a city rich with history, especially relative to many other cities in a country as young as Canada. When my wife and I moved here in 2001 we were struck by the historic architecture, national monuments, and wealth of other historical artifacts (e.g. Kingston is the final resting place of our first Prime Minister). It was on a visit to Fort Henry, now a world heritage site, that I realized I wanted to write a historical fiction novel based on the Kingston of 200 years ago. Standing behind the old rifle loopholes or in the underground escape tunnels, I imagined what it must have been like for a young, raw recruit, thousands of miles from home, stuck in this cold, damp, forbidding place. I wanted to explore what a young man would have felt and experienced and to walk a mile in his shoes. It would be a way of delving deeply into the stories all around us just waiting to be discovered.

I’d originally wanted to set my novel within the Fort. I liked the idea of all the main characters in the book saying something like “it’s fine, don’t worry, they’ll never attack Fort Henry,” and then three quarters through the story the American forces would stage a huge attack. It would be a big shock and I thought it would be interesting to see how the characters would deal with that. But, as I dug deeper into the research, I realized that Fort Henry was never once attacked in its entire history, so that ended that. Nevertheless, I’d done a good deal of research by this time. In my research I was struck by how prevalent drinking was in this rough frontier town two hundred years ago. I’d loved the names of all the old taverns I’d come across. So, I decided to set the story in the town instead, winding itself in and out of the many, many inns and taverns of 1814 Kingston.

Do you have a favorite (or favourite, I’m still a Canuck at heart) scene?

There is a scene early on in the book that takes place at a so-called “work bee”. I think many people have this conception of an old-fashioned work bee as a standard, sedate affair in which friends and family and neighbours come together to clear some land or erect a barn. I did, at least. I imagine fifty or more Mennonites coming together to put a structure up in one day. These early tenant farmers in Upper Canada were living on the margins and barely eking out an existence from some formidable countryside. It was a boon, if not a necessity, to get the help of neighbours and friends and to, one day, return the favour. But, in my research, I discovered that the work bees didn’t always go so smoothly. Often there was chaos and idleness. It was an all day affair usually with a lot of drinking involved as a reward for hard work. I would like to think that even the younger workers among the group would join in with this craze, provided that they had an ID, (or fake ID that can be found on something like this fake id website) so they could drink alcohol legally with the rest of the group. As the day went on, the “work bee” sometimes devolved into brawls as drunkenness increased and tempers frayed.

In Bottle and Glass, some of the main characters decide to host a work bee. When men arrive from the Kingston taverns Badgley’s and Metcalf’s, Beach’s and Brown’s, thirsty and having nothing better to do, the work bee which had started out so well takes a turn. What happens has serious repercussions for the rest of the novel. I like how the bucolic scene of the work bee curdles over the span of the chapter and I hope that the reader feels, as the scene unfolds, the growing sense of menace from the interlopers and the increasing desperation of the hosts. It turns the romantic idea of the work bee on its head!

Where can people learn more?

Bottle and Glass is available in both Kindle and Paperback form on Amazon: http://www.amazon.ca/dp/B01N4ACN5V

For more information, please visit: http://www.morganwade.ca

Facebook: https://www.facebook.com/bottleandglass/

Goodreads: https://www.goodreads.com/book/show/26347330-bottle-and-glass

Twitter: http://www.twitter.com/morgancwade