Anglo Saxon Adventure with Annie Whitehead

When we think of the English, most of us-especially we colonials-have an image in mind. But the history of Britain goes back a long way, and it’s far from a straight road with an unbroken line of homogeneous residents (Brexit not withstanding.) Today’s author specializes in telling stories of the Angles and Saxons…. I introduce Annie Whitehead.

Annie came into my orbit when we took part in a round-table blog discussion with members of the Historical Novel Society. You can read it here. As you’ll see, she’s a total smartass, which mean we had to “meet,” at least virtually.

Okay, Lady. What’s your story?

I’m an historian (and a bit of a pedant – note that I didn’t say ‘a’ historian!) and a writer, mainly of Anglo-Saxon stories. I’m a nomad who genuinely can’t say where I’m ‘from’. I have two birth certificates, which I believe is quite rare. I’m vibrant, witty and smiley – when I’m tucked away behind the safety of my keyboard. In real life there’s less elegance and sophistication, which is perhaps no bad thing as I live in the English Lake District where I walk, a lot, and where it rains, a lot. History, writing and music are my passions, and I’m lucky to be able to indulge all three – the last of which involves my regularly making a fool of myself as I teach small children the art of music, singing, and what I like to call ‘leaping about’ – and yes, ‘leaping about’ is a technical term…

What are your books about?

Can I be greedy and tell you about both my books? (Editor’s note. I suspect it would be a fool’s mission to try and stop her, but carry on) I’ll be super-brief (unlike my books which are good and chunky):

To Be A Queen is the story of Aethelflaed, Lady of the Mercians, daughter of Alfred the Great. She came to be ruler of a country in all but name, fighting for that country against the Vikings, and, ultimately, her own brother.

Alvar the Kingmaker is the right-hand-man of King Edgar at a time when politics and intrigue at court make life difficult, and dangerous. His job brings power and wealth, but also heartbreak and sacrifice, especially when the king dies and the country is plunged into civil war. Then there’s the small matter of the queen, who loves him, and is accused of murder…

The Anglo-Saxon period is rather “niche-y”. Why that era?

I assume I’m amongst friends – i.e. history lovers. I won’t use the words nerd or geek, although I do apply both terms to myself – so I suppose I can dispense with explaining my love of history. But this particular period? It was brought alive for me by a very learned tutor of mine, with whom I’m still friends. Everyone has that one teacher, yes? The one who inspires? Well, Ann Williams was that teacher for me; she gave me the bug, and I’ve never shaken it off.

Specifically though, in the case of Alvar, it was a footnote in one of Ann’s published papers about Alvar (real name Aelfhere) concerning a widow who was deprived of her lands after his death. It’s the only mention of her, and no-one knows if she was his wife, his lover… and why did they leave no children? I was intrigued, so I set out to answer my own questions. With To Be A Queen it was simple: no-one had told the story of this remarkable woman, yes, woman, who had led an army and ruled a country. I had to put that right!

Any favorite (or favourite, since you’re so pedantic and British-y and all) scenes you can share?

Hmm, no spoilers huh? That rules out a couple of my favourite scenes… Okay, in that case: In ’Queen’ I had a lot of fun researching the flammable properties of flour (yes, really!) and enjoyed writing the scene in the mill when my characters also learn about those properties…

In ‘Alvar’, most of my favourites are spoilers; you know, those pivotal moments when lives are ended or changed, hearts are broken or mended, but there is one: it’s where Alvar finally gives vent to the rage that has been boiling for years. He fires off a load of expletives (I was keen to keep them pure Old English so no, not that four-letter word). I had a lot of fun, and he felt a whole lot better!

Where can we learn more about you and your books?

Besides my website, I have two blogs, Casting Light Upon the Shadow  and Time Traveler

My Amazon Author page is here

You can also follow me on Twitter and Facebook.

Windy City Reviews likes Acre’s Bastard

It’s hard for an indie book to get reviews aside from the folks who take the time to write on Amazon or Goodreads (and a thousand blessings on your homes and camels.) So when someone you don’t know, share DNA with, or owe money to likes your book, it’s a cause to celebrate.

Windy City Reviews has done a pre-publication review of Acre’s Bastard, and it’s a good one! You can read the whole thing here.

Any review that starts with

The subtitle to Wayne Turmel’s Acre’s Bastard is “Part 1 of the Lucca le Pou stories,” and I am already looking forward to further stories from this author about his engaging main character.

and ends with

… even these supporting characters have none of the cardboard cut-out feel of many adventures. They have the feel of people we might have chanced to meet if we were transported to those hectic times.

Now, I could pick nits… the biggest thing is this is NOT a YA novel that adults can read, it’s an adult novel teen readers can sink their teeth into. Still who am I to complain when people are telling strangers to buy your book?

Sitting at the Big Kids (Historical, Round) Table

One of the most fun writing activities I’ve been involved in for a while was to take part in a “round table” of 6 or 7 historical fiction writers. Just being included in their midst was like graduating to the big-kids table at Thanksgiving.

As a new member of the Historical Novel Society, I’m in awe of the talent and output of so many people who share some of my obsessions. Click here to take a look at the discussion and enjoy.

A big thanks to Sophie Schiller (a nom de plum but who am I to rat her out?) for putting this project together through the HSN Bloggers Facebook Page. Can’t wait for next month to meet more talented folks. Many of these authors are likely to wind up interviewed here over the next few weeks. I’m looking forward to learning more about them and reading their work.

Meanwhile, if you’re checking out their work, don’t forget Acre’s Bastard is out on January 17!

The Odyssey From a Woman’s Viewpoint- Tamara Agha-Jaffar

I am a sucker for familiar stories told from an outsider’s point of view. A good example is the very familiar story of The Odyssey… as told by all the women Odysseus uhhhhh, encountered, on his long weird trip home. (To put it mildly, he was a player.)It’s a safe bet most of them weren’t exactly happy with the experience.

The coolest thing about doing these interviews is meeting (at least virtually) people with the most interesting  backgrounds. Such is the case with Tamara.

So what’s the Tamara Agha-Jaffar story?

I was born in Baghdad, Iraq. My parents moved to England when I was very young so I have little recollection of my country of birth. I was raised in England and then attended university in Lebanon where I obtained my Bachelor’s and Master’s degrees in English Literature. I obtained my Ph.D. in English Literature from Washington State. My husband and I have lived in the U.S. for the last 40 years. We have two sons and two grandchildren.

I have been in academia all my professional life. I was a Professor of English for about 18 years. I introduced several new courses to the college curriculum, including Introduction to Women’s Studies, Women in Literature, and Women in Religion. I moved to the “dark side” of academia when I became an administrator. I was Dean of Humanities and Fine Arts for a few years and then the Vice President for Academic Affairs for several years before my retirement in July 2013.

The Carnegie Foundation honored me in 2004 by naming me Kansas Professor of the Year, and I received President Barack Obama’s Call to Service Award in 2010 for my volunteer work in the local shelter for battered women and in the school district.

I have been fascinated by mythology and ancient cultures for a number of years and have decided that when I grow up, I want to become an anthropologist and archaeologist rolled into one. I would love to get dirt under my fingernails by unearthing ancient artifacts and structures and learning more about the cultures that gave birth to them.

I know that feeling. When I wrote Count of the Sahara I wanted to be an archaeologist. Then I realized it involved two things I hate: shoveling and attention to detail. Oh well. Tell us about Unsung Odysseys…

It tells the story of Odysseus’ return from Troy through the voices of the women involved in his escapades. I thought it was time we heard the voices of women. Each female speaks directly to the reader in her own voice, describing her encounter with and feelings toward Odysseus.

The speakers are Anticleia, Penelope, Circe, Athena, Calypso, Nausicaa, and Eurycleia. The narrative progresses with each character picking up the thread where the previous character left off. Although these are mythological characters, they interact with each other on a human level and are easily relatable. Their gendered perspective is reflected in their dialogue and reaction to events.

That’s a cool take. What inspired your approach?

It’s the sort of situation where one thing naturally progressed into another.

My immersion in mythology and women’s role in ancient myths gave birth to my first book, Demeter and Persephone: Lessons from a Myth (McFarland 2002), a feminist interpretation of the classical Greek myth based on Homer’s Hymn to Demeter.

I followed this with my second book, Women and Goddesses in Myth and Sacred Text: An Anthology (Pearson 2005), a cross-cultural text for women in world religions and indigenous cultures.

When I finally had time to breathe after my retirement, I went back to the Demeter/Persephone myth and wrote my first novel, A Pomegranate and the Maiden. This is a re-telling of the myth through the voices of the characters involved in the story.

My love of the mythology and culture of the ancient world, especially the mythology of Mesopotamia, Sumer, Egypt, Classical Greece, and Rome continues unabated. I love to give voice to characters in myths, to put myself inside their skin and hear them express themselves. I believe ancient myths still have so much to say to us and write a blog on my website in which I interpret myths by teasing out their nuggets of wisdom.

My love of Homer also continues unabated. I have read both the Iliad and the Odyssey more times than I can recall. Of the two, I prefer the Odyssey because it doesn’t have quite so much blood and gore and because it gives greater prominence to women. So it was a natural progression for me to go from writing a novel based on Homer’s Hymn to Demeter to one based on his Odyssey.

Much of the analysis and discussion of the Odyssey focuses on the character of Odysseus and his adventures, so I thought it would be interesting to hear the voices of women since they could provide a gendered perspective on events absent from the original. I tried to get inside the skin of each woman, breathing life into her and articulating her thoughts and reactions. I had fun doing it. I hope my readers will enjoy reading it as much as I enjoyed writing it.

What’s your favorite scene?

I have a lot of “favorite” scenes in the novel, but if I had to pick one, it would be the scene where Calypso confronts Hermes when he informs her of Zeus’ command to release Odysseus from captivity. Calypso flips out. She yells, hisses, screeches, and throws things at Hermes in her anger. She lashes out at him and all the male gods, launching into a venomous tirade about gender discrimination and the patriarchal bastion that is the Greek pantheon. I had a lot of fun writing that scene.

You can find her book on Amazon, and more information about Tamara

On Amazon

On Goodreads

Or on her website, www.tamaraaghajaffar.com

Richard Adams and Why I Don’t Believe in “YA”

Richard Adams

Richard Adams, author of Watership Down, died this week. Although talking bunnies in the English countryside are a long way from the Crusades, he and I have (had?) at least one philosophy in common–“there are no such things as children’s books.”

I know it’s tacky and self-serving turning the loss of a writer into a discussion about my new book, Acre’s Bastard, but there’s a point to be made, so indulge me.

Watership Down, because it involves talking rabbits, is sometimes (very mistakenly) thought of as a children’s book. Adams’ point was that a book is a book. If you can read, then the book is for you. Now, to make this about me again, that’s one reason I intentionally avoided making the tale of Lucca and his adventures, “YA.” Yes, the hero is a young boy. Yes it’s an adventure story that anyone over the age of 14 or 15 can enjoy. That doesn’t mean it’s meant for a younger audience or that adults can’t enjoy it guilt-free.

In fact, one reason my former publishers at The Book Folks (blessings be upon them) turned this book down, is the fear that adults won’t read about a young boy, and younger readers will be appalled or offended by the violence and terror Lucca goes through. I don’t believe that. So far, my readers and reviewers haven’t either.

The fact is, a good story is a good story. Jim Hawkins, Luke Skywalker and Kim were young boys thrust into violent situations and thrilling adventures. Treasure Island and the lot were written for a general audience, before marketing people segregated the audience and school libraries were the final arbiters of what was appropriate reading material.

The recent violence in Aleppo only goes to show that children are often caught in wartime, and combatants don’t care what’s “appropriate for children.” That’s what Acre’s Bastard is about. Yes, it might not be for all young readers (although I’d have read it at 15.) That’s why I rejected the original title of “Acre’s Brat,” lest it entice those not ready to tackle the subject matter. You have to play fair with the audience, after all.

Richard Adam’s allegorical rabbits weren’t intended solely for a young audience, although it didn’t talk down to, or exclude them either. I hope the same is true of my book. I hope teen readers will thrill to Lucca’s adventures and identify with his spirit, and older audiences won’t be put off by the idea that it’s about a child so must be for younger audiences.

Acre’s Bastard is available for pre-order now at Amazon, Barnes and Noble and Chapters online. The Ebook will be available January 17, and the paperback February 8.

 

Family Letters Inspire Civil War Drama: Greg Seeley

Lately, my email has been filled with authors who’ve written Civil War dramas (henceforth to be referred to as Civil War 1.0, because I’ve got a bad feeling about this.) I’m a bit ambivalent about the time period, maybe because I’m Canadian and don’t really empathize too much with the South on this one. (I’ve heard all the arguments. Bite me.) At any rate, many of the authors have deep family connections to the event. Such a writer is Greg Seeley, whose new novel, “Henry’s Pride,” is here for your consideration.

greg-seeleyGreg Seeley was raised on a farm north of Afton, Iowa. He graduated from the University of Northern Iowa with a major in history and received his Master’s degree from the University of Iowa. He is a retired certified public accountant and lives in Overland Park, Kansas with his wife Carolyn, a retired math teacher. Henry’s Pride is Greg’s first novel. He is also the author of
a book verse entitled The Horse Lawyer and other Poems.

So what’s Henry’s Pride all about?

Henry’s Pride is a wide-sweeping novel of the Civil War told from the perspective of two families, one from Minnesota and the other from Georgia. Henry Hancock is a Minnesota tenant farmer who reluctantly but dutifully goes to war to save the Union. Darius Morgan, the son of a Georgia plantation owner eagerly enlists in the Confederate army to save what he considers to be his rightful legacy. Other characters, whose stories are interwoven include Hamilton Stark, the cowardly yet vicious overseer from the Morgan plantation and Adam Kendrick, a gentle but dutiful southern soldier, who must keep his anti-slavery sentiments hidden. Meet also Joshua Gibbons, a Union chaplain and Hosea Billings the vindictive captain of guards at a Federal prison camp.

The story is told through the usual means of narrative and dialogue but also through numerous letters written back and forth between the characters expressing their loneliness, fear, pride, and other emotions associated with what the title character calls “the nation’s nasty business”. The story also portrays the devastating effect of war on soldiers and families alike – wounds both physical and mental as the characters deal with battle injuries and with what is now call PTSD. There is Jonas Hancock, Henry’s brother, who is injured and mustered out early in the war but continuously deals with haunting memories. There is Henry himself, tormented by reminders of what he has had to see and do. Henry’s Pride is a war novel that, in sense, is also an anti-war novel. Characters on both sides examine themselves and must decide whether or not their respective country’s objectives are worth the sacrifices they and thousands of others are called upon to make. Henry’s Pride is not about generals and military strategy or troop movements. It’s about ordinary soldiers and families each trying to find their way through the “madness” that is the Civil War.

What inspired the story? Where’d your passion for the topic come from?front-cover-thumbnail

My great-grandfather, Ira Seeley, served with an Iowa regiment in the Civil War. When I was still in elementary school, my grandmother would sometimes bring out letters he had written home, show them to me, and read me some of them. After college, I took the same letters and carefully typed a transcript of each one exactly as written.

Many years later, after I retired as a CPA, I thought about trying to reconstruct all of the unsaved letters that my great-grandmother might have written to her soldier husband and mesh them with the transcribed letters.  I soon determined the task to be nearly impossible given the time it would have taken for their letters to cross in the mail and the difficulty of determining which letters each would have received when writing to the other. At that point, I decided to write a novel of the period – a fictional account where I could weave into the story letters to and from my characters written in the style of the day.

What’s your favorite scene from the book?

I believe my favorite scene takes place after Henry Hancock has been mustered out of service and has returned home. The traumatized Henry, though of Methodist faith, seeks out a priest to take his confession and absolve him of the things he has had to do. The scene shows a certain depth of feeling shared even now by veterans of more recent wars. Though Henry was a hero of the Battle of Shiloh – even called ‘the Lion’ by his men, he is vulnerable. He is at the same time proud of his service to the country and guilt-ridden over the part he has played.

Where can people learn more about Henry’s Pride?

The book is available at Goodreads and as both an e-book and paperback edition at Amazon.com. For signed copies, contact me at Greg.Seeley@att.net.

Manhattan Before Hudson with Harald Johnson

I have mixed feelings about New York City, but there’s no argument it’s changed the world like few places before or since. Harald Johnson has tackled the history of the island of Manhattan in a series of novellas. The first Manhattan Novella: 1609, is out now.

Sometimes I feel like such an underachiever when I do these interviews. What’s the Harald Johnson story?

I invent a new career for myself every 7-10 years, like a memory-challenged

The author visioning his Manhattan story at the tip of the island he swam around.
The author visioning his Manhattan story at the tip of the island he swam around.

cicada. Over the past 40 years, I’ve been a magazine publisher, Hollywood art director, ad agency creative director, photographer/filmmaker, marketing consultant, and of course, a writer across all those trips around the sun. And recently, I’ve turned my focus back to something I’ve kept hidden for a long time: fiction writing. Oh, and did I mention I like to swim? A lot. Not only did I win that around-Manhattan swimming race mentioned here, but I continue to swim regularly as much as I can. So water and swimming are recurring themes in my life, and in my writing.

What’s the story behind Manhattan: 1609? And don’t say it’s about Manhattan in 1609 because that’ll just tick me off…..

If historical fiction is your thing, you might also want to check out my own novels, The Count of the Sahara and the newest, Acre’s Bastard.

 

 

Launch Event for Acre’s Bastard February 11th

My new novel, Acre's Bastard will be out in January of 2017 and available in all formats and online stores
My new novel, Acre’s Bastard will be out in January of 2017 and available in all formats and online stores

Join me February 11th, 2017 to launch Acre’s Bastard! I’ll be speaking at the Museums at Lisle Station, in Lisle, IL at 1 PM, on “Putting the Story in History,” Then I’ll be signing the first hot-off-the-presses copies of my new historical fiction novel.

If you can join us, click CONTACT on the right side of the screen and drop us a line.

 

 

Here’s the poster and the details:

Join us February 11th

 

 

 

Was Robin Hood Gay? We Ask NB Dixon

One of the most fun things about history is asking: “what if?” That can cause all kinds of chaos. Additionally, there’s no quicker way to freak people out than to question the sexuality of a historical figure or at least portray them in some way different than the idealized picture of that person. There are fewer iconic characters than Robin Hood. So when you ask, “was Robin Hood gay?” You’re pretty much asking for trouble.

Yet, author NB Dixon has done just that. In a new series of Kindle novels, beginning with The Heir of Locksley, he (or she, cause we don’t know do we?) examines not only what we know about the legendary outlaw, but the relationships with his band of “Merry Men.”

Now, I could make jokes ( What, the emerald green tights weren’t a giveaway? Okay, sorry. I’m done acting like a 12 year old now.) but if Alexander the Great, Richard the Lion Heart and other historical figures haven’t already proven that having unconventional sexuality and being a badass aren’t mutually exclusive, I don’t know what will.

Tell us a little more about yourself. I notice you write incognito, so we don’t have a picture of you.

I’ve always loved history, and English history in particular. Trying to get in

Was Robin Hood Gay? Find out for yourself in this new novel, Heir of Locksley
Was Robin Hood really into Maid Marian? Find out for yourself in this new novel, Heir of Locksley

the minds of characters hundreds of years dead and portray how they would have thought and felt is what I love most about this type of fiction.

My parents gave me books as soon as I was able to hold one and so my love of literature was born. I’ve always had a taste for the dramatic, so Historical Fiction was perfect. It also means I get to indulge my love of Folklore and Medieval History.

My love affair with the Robin Hood legend began one day in a hidden corner of the school library and has extended into my adult life. I only hope I can convince my readers to love him as much as I do.

In a nutshell, what’s your book about?

Heir of Locksley is the first in a series chronicling the life of Robin Hood. While researching the legend, the thing that struck me most was the relationship between Robin Hood and his men. There is evidence to suggest that his sexuality was not as cut and dried as Hollywood would have us believe. Maid Marian does not even feature in the earliest tales. It was this bond between men that I chose to explore by means of a GLBT (or LGBT or however you want to arrange those letters where you live) theme. To be honest, some researchers would even go so far as to say that Robin Hood and his Merry Men were, in fact, a group of twinks. Not convinced? I am sure you could find a more adult version of the classic story of Robin Hood on a website like twinki.xxx that would fully embrace this idea.

A controversial take to be sure. Still, Robin Hood is one of my favorite stories as well. What is it about the legends and that time period you find so intriguing?

What I find most fascinating about this period is the odd mixture of honour and brutality that characterised it. Though I have to say, the sword fights are fun to write as well.

One of the abiding principles of this blog is, “swords are way cooler than guns,” so welcome aboard. What’s your favorite scene in the book?

It would be hard to pick a favourite scene, but I think the one where a young Robin takes part in an archery contest for the first time was particularly enjoyable to write.

Where can people find your book?

They can learn more about me and the books at my website, www.NBDixonauthor.com

You can find the book on Kindle at

Amazon.com

Amazon.co.uk

 

The Other Side of the 49th- Elaine Cougler’s Loyalists

The whole point of historical fiction is to tell a story. And every story has two sides, unless it’s your side and then the other side’s uh, side, is apparently invalid. Sometimes this gets contentious (those of you who missed the point of my last post and thought I was a Castro apologist need to breathe.) So let’s take the most calm, polite example I can think of: the Loyalists who built Southern Ontario after the cruel terrorists forced them from their lawful land in America…. oh did that hurt? #sorrynotsorry.

Fact is, that the American revolution didn’t end in 1778, and the “other side” weren’t all animal brutes and Hessians hired to oppress the good people of the colonies. Elaine Cougler has done yeoman service in her “Loyalist Trilogy,” and I interview her here.

So, here’s the Elaine story in a nutshell…

Elaine Cougler is the author of historical novels about the lives of settlers incougler the Thirteen Colonies who remained loyal to Britain during the American Revolution. She uses the backdrop of the conflict for page-turning fictional tales where the main characters face torn loyalties, danger and personal conflicts.

Her Loyalist trilogy: The Loyalist’s Wife, The Loyalist’s Luck and The Loyalist Legacy came out this month. The Inspire! Toronto International Book Fair selected The Loyalist’s Wife as a finalist in its Self-Publishing Awards. The Middlesex County Library selected the book as its choice for book club suggestions. The Writers Community of Durham Region presented Elaine with a Pay-It-Forward Award.

Alright, so this is the third book in the series. What’s it about?

The Loyalist Legacy plunks the Garner family right in the wild heart of Upper Canada (now southern Ontario) to build a life after their devastating losses in Niagara. They’ve suffered through the American Revolutionary War (The Loyalist’s Wife) and the War of 1812 (The Loyalist’s Luck) and now settle on two hundred acres awarded them by the Crown for military service. All they want is peace and prosperity. Instead they find extreme hardship, back-destroying labor, disgruntled native peoples,  family feuds and a government where they have no say and must watch as the “Family Compact” keeps power and position in the hands of a privileged few. This last becomes the divisive knife that leads the settlers ever closer to rebellion. Perhaps Upper and Lower Canada will take the path their neighbours to the south have taken.

What’s your interest in that time period?

I  have in my possession a book about Butler’s Rangers, a famous group of militia who fought for the King in the Revolutionary War, and in the back are the names of two of my relatives, John Cain and John Garner. That absolutely got my attention even though there is some question about whether the second one is actually my John Garner ancestor. My brain took off on all the possibilities and mapped out a fictional story for John Garner set against the history of the times after the Boston Tea Party, the resettling after the Revolutionary War (where did all those disgruntled people go?) and the War of 1812. Once I was into the initial research more and more nuggets seemed to drop into my head leading to not just one novel but a trilogy. My brother and his wife shared their findings of the family history and took me on a car tour to the actual land where William and Catherine (Cain) Garner settled north of London, Ontario. I could just see the third book as I gazed out at the two hundred acres on either side of the Thames River and the place where the Garners had built their home. How in the world did they do it?

Without giving away spoilers, what’s your favorite scene?

loyalistI have so many. There is one involving Catherine Garner and her ability to rise up and fight against a lynx that has come right up on her porch and grabbed a papoose from its cradle there. There is another where she is furious with William because of his treatment of his brother and in a flash of insight switches to empathy for the man she loves. I love the strength of Migisi and Kiwidinok, a Chippewa couple who represent the plight of the native peoples at this time in our North American history. And I love the scene from Lucy’s point of view at her granddaughter’s wedding and its subsequent denouement. All of these scenes and many more show the strength of these ordinary people who when circumstances demand become absolutely extraordinary. These are the ancestors of many of us lucky enough to live here now in North America.
While the times I write about often emphasize the division between the United States and Canada I am ever mindful of our united beginnings. Brother against brother in the wars, laws restricting land ownership  based on allegiance which went on for years, the ugly head of slavery, the struggles of neighbour against neighbour where had been staunch allies—all of these show the difficult times my characters and our ancestors lived in, no matter which side of the border they were on. Still today most of us have relatives on the other side of the US-Canada border. Imagine if our two countries went to war not as allies but as enemies. When governments and those in power make decisions, we the little people must find ways to survive. This is the backbone of the Loyalist trilogy.
You can learn more about Elaine and her work here:

Her blog

Her Amazon author page

Twitter @ElaineCougler

Her Facebook author page