Writer, speaker, not a bad guy once you get to know him
Author: Wayne Turmel
Wayne Turmel is a writer, speaker, and co-founder of The Remote Leadership Institute. Originally from Canada, he recently moved from Chicago to Las Vegas with his wife, The Duchess. He tries to balance his fiction and non-fiction writing, and loves to hear from readers. You can find him on Twitter @Wturmel. His Amazon author page is at https://www.amazon.com/Wayne-Turmel/e/B00J5PGNWU/
Every once in a blue moon I post one of my short pieces on the old blog. In this case it’s a little experiment in which I tried to write in the voice and tone of one of my favorite books: Jonathan Strange and Mr. Norrell. If you haven’t read it or seen the terrific mini-series based on it, quit mucking around with me and indulge yourself. It’s wonderful and a very impressive piece of work.
Meanwhile, this little effort is in this year’s anthology from the Naperville Writers Group. Rivulets 28 will be out October 1. If you enjoy this story, buy a copy and help some local writers gain recognition.
It is a sad fact of modern British life that there is no more magick. I am not referring to the kind of “magic” where your seldom-spoken-of uncle pulls sixpence pieces from behind your ear, or hooded priests commit dark acts on barren moors or in dark pine forests to summon slimy-tentacled gods. Both of those are, sadly, in abundant supply to this minute.
When I refer to magick, I of course refer to that ancient art unique to Britain, usually involving the help of faeries, sprites and other “small folk.” After a brief resurgence in the early half of the 19th century—where rumours abound that it helped defeat Napoleon and saved our Blessed Island from defeat and shame, demonstrations of the Art became all the rage in the parlors of Whitehall and Mayfair, then disappeared again forever. Those fantastic beings were never again spoken of seriously, except as the stuff of myth.
It is, indeed, gone, never to return. In point of fact, it ended at precisely 10:43 on the evening of October 20, 1854, in the drawing room of Lord and Lady Winthrop. I was there, and these many years later I have never forgotten. Nor have I spoken of it until now……
One of the beauties of historical fiction is finding yourself in a different time and place and totally making yourself to home. Just like in life, that rarely involves huge battles and famous people, sometimes you’d just like to live in a time when people don’t tread across your yard staring at their phones while looking for invisible creatures. A good writer can make you feel at home anywhere, even in a Scotland older than Sean Connery.
Lexie Conyngham, What’s the deal on you and the Letho of Murray series?
A very old photograph of Lexie Conyngham, apparently
I’m a historian living North East Scotland, in the shadow of the Highlands. My Murray of Letho novels are born of a life amidst Scotland’s old cities and universities and hidden-away aristocratic estates, but I’ve been writing since the day I found out that people were allowed to do such a thing.
Beyond teaching and research, my days are spent with wool, wild allotments and a wee bit of whisky – and I’m fitting this interview in after a morning baking multiple batches of muffins for a church sale! (Editor’s note… that may be the single most Scottish sentence written since Robbie Burns declined killing that mouse.)
In a nutshell, what’s Death in a Scarlet Gown about?
It’s set in 1802. St. Andrews in Fife, an ancient Scottish university, is
wracked by murder. A vindictive professor, an uncouth student, and a man seeking ministry lie dead, but who wanted to kill them? Charles Murray, a student with enough problems of his own, is drawn into the mystery, where neither innocuous accidents nor good friends are all they seem. Death in a Scarlet Gown is the first in the Murray of Letho series, set in Georgian Scotland.
As a graduate of St. Andrews myself, I loved going back through the history of
that little grey town by the cold North Sea which its alumni miss so much.
Though the university is much bigger now, the centre of the town has not really
changed much in two hundred years! The later books are mostly set in Edinburgh and other parts of Fife, and in one case my hero heads off for India, but in the next Murray book I hope once again to return to St. Andrews (which of course is an excuse for a ‘research’ visit).
Whatever you have to tell yourself, Lexie. What is it about this time period that fascinates you?
I was living in Edinburgh when I first started to write the series, and working
in Edinburgh’s New Town which is a Georgian architectural wonderland. I’d had a Georgian dolls’ house when I was a teenager for which I tried to make furniture, and the styles and fashions had always fascinated me. When I started to look into the people of the period I was hooked: think somewhere between Jane Austen, Walter Scott and (the much-later of course) Dorothy L. Sayers for culture and manners. There was so much going on, too: the Napoleonic Wars, the aftermath of the Jacobites, massive advances in science and medicine, the British involvement in India, the madness of King George III: there’s almost too much! Without spoilers, what’s one of your favorite scenes in the book?
About halfway through there’s a nice little fist fight, which like all
Death in a Scarlet Gown is part of the the Murray of Letho series.
unprofessional fist fights does not go smoothly. Writing action scenes doesn’t
come naturally to me, and I greatly admire those who can convey the detail of a
fight without losing the force of the action, but I think this one went quite
well in the end. Though the conflict is based on a massive misunderstanding, it
says a good deal about the characters involved without much in the way of
dialogue, and is, I hope, also quite funny, though I don’t generally do much
slapstick! I prefer one-liners. There’s one terribly sad scene, too, and while I
was quite pleased with it, it is too sad to be a favourite. It still makes me
cry.
Where can people find you and the Murray of Letho series?
Where can people find you and your book (links to Amazon page, Goodreads,
Twitter, Blog whatever) You can find the books on Amazon
Most of you know by now that I have a fascination with the Crusades. No surprise, then, that I look for fiction about that time period. There are even holy land tours from companies like Immanuel-Tours that take you to Israel to really feel the history of the country. Anyway, that led me to Helena P Schrader’s book, Defender of Jersualem, and its sequel, Envoy of Jerusalem. While our books are very different (as, I suspect, are our feelings about the period in general) it’s an epic tale about an interesting character.
Helena P. Schrader earned a PhD in History with a ground-breaking biography of
Helena Schrader is the author of the “Jerusalem” series
the mastermind behind the coup attempt against Hitler on July 20, 1944. She has published numerous works of non-fiction and fiction. As a novelist, she has focused on historical and biographical fiction. She is a career diplomat currently serving in Africa.
So your first book starts a few years before mine, and the new one ends after. What’s your series about?
“Defender of Jerusalem” and “Envoy of Jerusalem” are two parts of a biographical novel about Balian d’Ibelin. Some readers may remember that Balian was the hero of Ridley Scott’s film “The Kingdom of Heaven.” Indeed, it was the Hollywood film that sparked my interest in this particular period in history. After seeing the film (while working on a completely different project), I started wondering how much of it was true. A quick check revealed that Balian d’Ibelin was not only a historical person (who did some of the remarkable things portrayed in the film), but also that he (the historical Balian) was a more important historical figure than the film character made him out to be. My curiosity ignited, I did more research and was soon intrigued and captivated by the man, his age, society, and his contemporaries–such as his royal Byzantine wife, the Leper King, the near-pirate Reynald de Chatillon, Richard the Lionheart, and Saladin. While I follow the historical record and alter no known facts, the books go beyond those facts to give the reader insights into a whole cast of fascinating historical characters and a complex society at a critical moment in history.
The Second Crusade in particular was a bit of a mess. What is it about that period that fascinated you?
Balian lived in the crusader Kingdom of Jerusalem in the decade immediately before and after the devastating battle of Hattin. That was the battle in which the Muslims under the Kurdish leader Saladin virtually obliterated the Christian fighting forces in the Holy Land. This victory paved the way for the capture of Jerusalem and occupation of the rest of the kingdom, triggering the Third Crusade. The Saracen leader Saladin – in contrast to what Hollywood would have you believe – was a devout Muslim, who had declared jihad against the crusader states and vowed to drive them into the sea. He was opposed, not by fanatics ala “The Kingdom of Heaven,” but by ethnically diverse states with Christian – not a Muslim – majorities. Furthermore, these states were highly urbanized, economically dynamic and characterized by a sophisticated legal system and flourishing culture. Although almost obliterated after Hattin, these states recovered and re-established themselves to survive another hundred years. Saladin failed to destroy them in part because of the strategic genius of Richard the Lionheart – but even more because of the tenacity, resilience and courage of the natives and lords of Jerusalem–led by Balian d’Ibelin. Indeed, while the King of Jerusalem was taken captive and later marginalized and deposed, Balian fought his way off the field at Hattin, commanded the defense of Jerusalem, and ultimately negotiated the truce between Saladin and Richard the Lionheart. He was referred to as “like a king” by Arab sources, and his descendants would marry royalty and be regents more than once. This was an exceptional man who proved his worth both as a warrior and a diplomat. His story is relevant today because we again find ourselves confronting jihadists and so forced to define who we are, what our values are, and which of our values we can sacrifice for security and which we must be prepared to defend with our lives. These books are as much about who we are today as about Balian d’Ibelin, the Leper King or Saladin.
What are your favorite parts of the story?
The first book in the series
There are no spoilers in books based on history. Everyone knows the plot and the ending – or can find out – without reading the books. And there are so many great scenes in both books because history is so full of surprises and moments of great drama! Balian arriving in Jerusalem unarmed on a safe-conduct from Saladin to remove his family–only to be tumultuously received by a population expecting him to take command the defense, is one such historical moment, or the (true!) moment when Saladin’s banners are tossed down from the walls of Jerusalem just as Saladin says he won’t negotiate for a city he already holds. But if I have to choose one scene from “Defender of Jerusalem,” a scene that is based more on my exploration of historical events and personalities than the naked facts, it would be the moment after Balian leads a break-out at Hattin and crashes over the steep slope to the Sea of Galilee–only to realize that barely 3,000 men are with him and on the plateau behind him the king, the bulk of the army and the True Cross are being slaughtered or captured. He realizes that the kingdom is lost, but 3,000 mostly wounded and desperate men are looking to him for leadership. He doesn’t have time to grieve; he has to keep leading. As for “Envoy of Jerusalem,” my favorite scenes are those in which two worlds clash-not Christian vs Muslim, but native of the Holy Land vs. crusader, i.e. the scenes in which Balian and Richard the Lionheart confront one another with incomprehension at first, but gradually with greater and greater respect and trust.
The story of Balian concludes with Envoy of Jerusalem
Interesting. One of the things that I find interesting is the tension between those Franks who came from Europe on Crusade and those living and making their lives in “Outremont.”
Sometimes you run across people who are just so darned talented in so many ways and has such a seemingly cool life it seems quite unfair to the rest of us mere mortals. Pamela Allegretto is one of these folks.
Pamela Allegretto is the polymath author of Bridge of Sighs and Dreams
She was educated at L’Università per Gli Stranieri in Florence, Italy, lives in Connecticut and divides her time between writing, painting, and translating. In addition to the new historical novel: Bridge of Sighs and Dreams, Her published work includes dual-language poetry books, translations in Italian literary journals, articles in local newspapers and on-line websites,CD covers, and cartoons. Her original art is collected worldwide.If it wasn’t for her habit of sending emails in comic sans, I wouldn’t believe she’s mortal.
I, on the other hand, managed to feed Byron, my cockatiel, without spilling any seeds on the rug this morning. Not in the same league at all.
In a nutshell, what’s the book about?
Nazi-occupied Rome sets the stage forBridge of Sighs and Dreams, where the lives of two women collide in an arena of deception, greed, and sacrifice.
While political cartoonist Angelina Rosini channels her creativity into the art of survival for herself and her daughter, Lidia Corsini quenches her greed by turning in Jews to the Nazis. Lidia’s spiral into immorality accelerates as swiftly as the Jewish population dwindles; and soon not even her husband, her son, nor Angelina is immune to her madness.
What is it about that period or character that intrigued you and motivated you to write about it?
While growing up, I always hated listening to jokes about the Italians going into World War 2 with their hands raised. This was not at all the case, and I wanted to point out the bravery of the Italian population during this horrific time. Although Bridge of Sighs and Dreams is fiction, It is based on real events. I felt compelled to write a war novel in which the women don’t play the role of wallpaper or objects of amusement to soldiers and politicians. The women in Bridge of Sighs and Dreams take center stage in a behind the lines battle between good and evil.
Without giving away spoilers, what’s your favorite scene or event in the book?
Oh boy, asking an author what’s her favorite scene in a book is like asking a mother to name her favorite child. I suppose writing my antagonist, Lidia, affected me most. To think that such an immoral character lurked somewhere in my psyche was more than a little unsettling. And the idea that I actually enjoyed getting into her head and writing her odious words and deeds, well…
Of all the niches of historical fiction, the one that continues to fascinate Americans (and perplex the rest of the planet) is the US Civil War. Many of the people I know trace their fascination back to family history. Such is the case with Keith R Baker and his “Longshot” series.
Here’s a bit about the author.
Keith R Baker, author of the Longshot series
In addition to being an avid history and genealogy buff, Keith has been an avid outdoorsman his entire life. He has a variety of hats in the business world after completing two periods of duty with the US Navy. His hobbies apart from reading and research include shooting, teaching others the basics of gun safety & handling. Until recently he took an active role in local and regional politics as a public speaker and campaign consultant.
Keith and his family took up a farming life “off-the-grid” in the Missouri Ozarks for several years in a very rural setting. Lessons learned from that experience help inform his writings about the era 100 years earlier, before electrification occurred.
In a nutshell, what’s “Longshot in Missouri” about?
Longshot in Missouri, a tale of the civil war
The Longshot In Missouri (and the Longshot series) is about an Irish immigrant farmer, Rob Finn by name, who gets caught up in the real politics of the Civil War while trying to do his level best in fulfilling his duty as a citizen, soldier, husband, father and man. His exceptional talents open unexpected opportunities to see and learn what makes his adopted nation tick. His perspective expands to see the other side of the war – a side he hadn’t read about and didn’t suspect existed.
What is it that makes this story–and the whole time period–so fascinating to you?
It has been said that no human endeavor presents the level of challenge as does war. A civil war exacerbates that claim several-fold. My intrigue was initially stirred by my genealogical research and the revelation that I had ancestors on both sides of the fight. The main character, Rob Finn, is amalgamated from several ancestors and others. There lives were very real, very challenging.
I am always envious of people who can trace their families back a long way, I certainly can’t. Without spoilers, what’s your favorite scene in the book?
My favorite scene in the first book occurs after the hero is surprised by events at home and makes amends to his young family in stress.
Where can people learn more about you and your book?
Gods with the heads of Dogs and Storks? Pyramids? Who doesn’t love them some Ancient Egypt? It’s also (and personally I blame Gerard Butler for this) not something that’s been explored a lot in novels or films (seriously Gerry? A Pharaoh with a Scottish accent and pasty Celtic skin?)
Lethbridge, Alberta, author Erin Chase, though, has written a romance set in the time of Ramses. Of course, I’ve spent time in Lethbridge. Fantasizing about another time and place is pretty much the local industry. I asked her what her book was all about.
What is “Behind Palace Walls” about?
Behind Palace Walls is an historical fiction set in Ancient Egypt. Sheshamun is an adopted fourteen-year-old girl living in a village along the Nile River. When Pharaoh’s Royal Wife takes a special interest in her, Sheshamun is chosen to be a member of Pharaoh Ramses’ harem. Once situated in the palace, she soon discovers the luxurious lifestyle is not at all how she had once imagined.
The strong-willed teenager must choose between family and royalty; pride and duty; honor and her own life.
What is it about Egypt that inspired you to write the book?
A romance set in Ancient Egypt- Behind Palace Walls
Ancient Egypt has always fascinated me. It’s a very exotic and unique culture that is completely different from today’s society. Between the polytheistic deity worship, exquisite structures (i.e. Abu Simbel and the Great Pyramid of Giza), and innovation of the time, I felt a need to learn as much as I could about the time period.
In 2010, only months before the Arab Spring, I traveled throughout Egypt. The beauty and complexity of the statues, hieroglyphics, and temples left me awestruck. What I had always pictured in my mind’s eye paled in comparison to what I actually saw. I just HAD to write about it!
Without giving away too much, what’s your favorite scene in “Behind Palace Walls?”
…Sheshamun was inexplicably drawn to a small, dark stall. Out of the shadows appeared a stooped, elderly woman. She opened her mouth to speak, but Sheshamun could not hear her. She beckoned the young girl to come closer. Being only inches from the woman’s face, Sheshamun could smell death and something else she could not quite put her finger on. Though repulsed, she refused to move away, knowing deep inside this old woman had something important to say. “Sheshamun, daughter of Hury and Nefra, you are venturing into great danger. Beware of those with the same blood, as all is not what it appears to be. Heed my warning and take solace in those pure of heart, or you will certainly bring forth your own demise.”
Where can we learn more about the wonder that is Erin Chase?
The definition of “historical fiction” is blurry at best, and never more so than when people introduce a fantasy element to a specific time and place (see the interview I did with Lavinia Collins for an Arthurian example.) Heck, even Star Trek did an episode with Al Capone. History is always blended with fiction – take Game of Thrones. It’s very obviously set in medieval times with knights and swords and castles, but look closer and there will be nothing that is actually true to historical fact. Similarly, Lord of the Rings is set in a time of magic and wizards and kings and queens, but when exactly is it set? We can read all about Aragorn and Gandalf and Bilbo, but then we see the world is entirely fictional. It’s only based on history. It makes sense to do this – authors can borrow different styles from different eras, creating an amalgamation of different historical periods.
And why wouldn’t they do this? Somewhere like 1920’s Chicago was an amazing period. In fact, it serves as part of the backdrop for my own book, The Count of the Sahara. Why tart it up? Because it’s fun. Kelsey Lee Connors has written a dystopian fantasy for young adults that is set in a time recognizable as Chicago in the ’20s, but with a twist.
Kelsey Lee Connors, author of Surge
First, give us the Kelsey Lee Connors story…
I was born in Chicago, Illinois, and I’ve been writing since I was 14 years old. At University I studied Classical Studies, with a minor in Anthropology, and after two years work experience I decided to move to Rome, Italy to pursue my career in Roman history and an MA in Arts Management. Now I’m 25, teaching English as a foreign language while I finish my masters’ at The American University in Rome, and excited to finish the second novel in my series. Some fun facts about me: I’m an artist, a crazy cat lady, I love fantasy of all sorts, and I cosplay Ygritte from Game of Thrones every year at C2E2, Chicago’s Comic Con.
I’d also be remiss if I didn’t mention that you and I share a publisher, “The Book Folks” out of London. Between you, me, and Lou Holly, Erik must be tempted to open a Chicago office.
In a nutshell, what’s the book about?
The book is about Chicago in the 1920’s, which is ruled by a faceless, high-tech Corporation slowly sucking the life from its citizens. The story is told through the perspective of 16-year-old Evelyn O’Donnell, whose father dies of a sudden car-accident near their home. Or so they think. After his death, the now dry Pub he worked day and night to keep running for their neighborhood, is about to go under. Evelyn teams up with her brother’s mysterious new friend (Dante Malachi), despite completely despising him, in order to get the funds to save it. The unlikely pair take to the speakeasies to gamble it back by playing Black Jack.
But Chicago is changing, and so is Evelyn. Each day a strange power she can’t seem to control sends sparks of electricity flying from her fingertips. News of her father’s life before his death grows darker with each turn around the grapevine. And there are rumors of the Corporation’s electrical plants turning the alive…into the undead.
When you’re writing fantasy based on history….. where do you decide how much of each….. how much does real history impact that balance? I mean, the mob was tough but they weren’t creating electricity out of bodies!
I tried to incorporate as much historical accuracy as I could when I wrote SURGE. I like to think of The Corporation as a tick on the skin- Chicago is more or less in the same historical period as it was in the true version of history, but it has a sort of infestation of technology feeding off it.
I was woefully ignorant about the 20’s as a period before I started research, which is why I went in this direction. I think most people have an idea very different from what it actually was like. Interestingly, the biggest delusions about the era are pertaining to women, crime and, of course, fashion. I could go on for hours about the actual length of a flapper’s dress (much longer than we see in modern costumes) or the modern fad of wearing suspenders (back then were considered undergarments, not for show). But, at the end of the day, I hugely enjoyed the research aspect of writing!
What is it about that time period or character that intrigued you and motivated you to write about it?
Back in college, I did an internship in the Collections Department at the Hellenic Museum in Chicago where I was handling a huge amount of artifacts from Greek immigrants in the Prohibition era. I’ve always loved the period, but this really planted the seed of inspiration. I really wanted to write another book about electric control, and one particularly cold and rainy day I was coming up from
Surge is a fantasy set in 1920s Chicago…
the L train off UIC/Halsted to the museum and the ideas collided.
Of course, Evelyn came along because I imagined what it would be like to be in the shoes of those immigrants. She and her brother are second generation Irish immigrants, a salute to my own heritage. In Paris, there was a similar, one would argue better, period of art and exploration and that’s in part what inspired Dante’s origins. I like to think of him wandering Parisian streets heckling Fitzgerald and Hemingway, scotch glass in hand.
Without giving away spoilers, what’s your favorite scene or event in the book?
Without a doubt, when Evelyn enters a speakeasy for the first time. I had imagined the scene so many times in my head that when I came to write it down, I got the worst writer’s block of my life. It ended up being the last scene I wrote!
It’s an actual real, historical place called the Green Mill in Chicago, which I’ve visited many times. It’s famous for being Al Capone’s (or Capuzzi, in SURGE) hangout and there are still the original tunnels below it that they used for importing liquor and escaping from the fuzz! Living in Chicago, I know the Green Mill well. It’s easy to get sucked into the past there. Where can people learn more about you and your work?
I have a little tradition. Whenever I finish a full draft of a book, I celebrate by having a glass of Templeton Rye on the rocks. I’m not a whiskey drinker, (anejo tequila, neat, is my drug of choice, for those of you seeking gift ideas) but it is tradition, and must therefore be correct.
The traditional Templeton on the rocks means I have sent Acre’s Bastard to my publisher.
Acre’s Bastard is an adventure story set during the Second Crusade. It’s a little more straight-forward than The Count of the Sahara, and a little grittier but I hope TheBookFolks like it enough to send it out into the world, and I hope all of you enjoy it as well.
Tonight I’m toasting Lucca, Brother Marco, Sister Marie-Terese and even Brother Idoneus, may he rot in hell. I hope you’ll join me on the adventure.
The waiting is the hardest part
Every day you see one more card
You take it on faith, you take it to the heart
The waiting is the hardest part
If it seems like I’ve gone radio silent for a few weeks, well I have. I am in a kind of literary limbo, and as my boy Tom says, the waiting is the hardest part.
See, I’ve finished the first draft of Acre’s Bastard. And I can’t do a darned thing about it for a while. Four generous, masochistic souls (all members of Naperville Writers Group– and if you aren’t part of a circle of fellow writers, you’re missing out) have agreed to read it and offer their feedback so I can make any major changes before sending it on to my editor at The Book Folks.
The waiting is the hardest part of writing…. nobody tells you that until your head is ready to explode right off your shoulders.
So here I sit. I don’t want to start any new projects until this one is done, I can’t do any more on this one until I get their notes, and since they are volunteers with actual lives it would be damned rude of me to stand over their shoulder and yell, “Hurry up dammit, my head is about to explode.” Hell, even The Duchess has only gotten to page 60, and she has to live with me.
I know some of what they’ll say: the finale needs to be clearer. I need more description of the final battle scene and the main villain (there are two but he’s the most critical) has too many names (which makes no sense and yet is wholly accurate). Still, I can’t do the rewrite, hand it in, and move on until I hear. There may be more unexpected criticism. They may say my baby is ugly and I should smother it with a pillow before offending the reading public. They might tell me it’s wonderful, only to have my editor throw it back like an undersized Dolly Varden.
The point is, I can’t control any of this, and I can’t really do anything until the reports come in. So, as Tom says, the waiting is indeed the hardest part.
I discovered years ago when doing my management podcast that the internet makes it easy to reach out to people you respect and admire. Just hit “send.” Some answer, some don’t. Well, when I decided this blog would focus on historical fiction, there’s one person I really wanted to get to know (in an internet, “hey he answers my emails” kind of way): Colin Falconer.
His stuff is fast paced and just fun. You can read my review of his latest book, A Great Love of Small Proportion, in the previous post. Here’s a little bit of my interview with him.
So, for those who don’t know, what’s the Colin Falconer story?
I was born in North London, and spent my school years playing football or looking out of the window wishing I was somewhere else.
Falconer’s latest romantic adventure set in Reconquista Spain.
I’ve been a writer most of my working life, I have over 40 books in print (Blogger’s note: just when you start feeling good about your level of productivity, this guy comes along), I’ve started publishing indie books as well over the last 3-4 years. My books have been translated into 23 languages.
I travel a lot to research my novels and the quest for authenticity has led me to run with the bulls in Pamplona, pursue tornadoes across Oklahoma and black witches across Mexico. As well as to the Alhambra in Granada, of course, for my latest novel.
The little touches shine through, to be sure. In a nutshell, what’s the new book about (if you can remember because you’ve probably cranked out 3 more since Tuesday)?
A GREAT LOVE OF SMALL PROPORTION is set in Spain at the end of the Reconquista. Diego Sanchis is Seville’s most brilliant painter – but he’s also ugly and a dwarf. He is also shunned because he is suspected of being a Jew.
When he paints, he can capture the beauty in people an ordinary things – yet he hates the world that so hates him. But one day his father persuades him to take on a student; Mercedes Goncalvez is beautiful, perfect. And nothing like he expects.
He can see beauty in the world – but only she sees the beauty in him. But this is the time of the Inquisition, of religious fanaticism taken to extremes … so how can this possibly come to any good?
The guiding hand in this was the question of beauty. What is it? We are all so quick to judge beauty by what we see – but what if the hero of a romantic story was not beautiful at all, but was as far from perfect as a man can be? This is the question that drove the narrative for me. Mercedes does not fall in love with Diego because he is handsome, or brave, or even rich – she sees something else. Don’t we all wish for someone who sees something in us, other than what the world sees?
What is your favorite scene in the book?
Colin Falconer in yet another location, writing off his travel as a business expense.
So I suppose my favourite scene is when she finds the paintings he has hidden from her. I like the sparks that fly just from the dialogue. I like what they don’t say as much as what they do say. And I like how she sees through him, and how the dialogue sparks from how he knows that, and he loves it and he hates it at the same time.
Here’s where I accuse you of being a shameless romantic. Where can people learn more about this book and your other work?
Where can we learn more about the wonder that is Erin Chase?
