Thoroughly Enjoyable Imperfect Enjoyment- MJ Logue

The internet is a small place, especially for historical fiction authors. We tend to cross paths in the same Facebook groups and Twitter feeds. I’ve been aware of MJ Logue for a while, and have been eagerly awaiting the publication of her new book, “An Imperfect Enjoyment,” to interview her. Her funny, snarky outlook on life can’t help but infiltrate all her work.

So what’s MJ Logue’s deal?

Writer, mad cake lady, re-enactor, historian.
Been slightly potty about the clankier side of Ironside for around 20 years, and lists amongst my heroes in this unworthy world Sir Thomas Fairfax, Elizabeth Cromwell and John Webster (for his sense of humour.)

When not purveying historically-accurate cake to various re-enactment groups across the country, M.J. Logue can usually be discovered practising in her garden with a cavalry backsword.  (for the record, I don’t believe those exact words have ever been put in that exact order….ever.)

So what’s the nutshell version of your book?

An Imperfect Enjoyment is basically The Thin Man meets Forever Amber: if you can imagine the suave and rather elegant investigators of 1930s pulp fiction, set in Restoration England. A little bit sexy, grimly witty, slightly violent, and unerringly sophisticated.
Being the story of Thankful Russell – middle-aged, slightly-broken Admiralty intelligencer, retired – who finds himself married to the girl he’s always loved. (Turns out she’d always loved him, too. She was just waiting for him to notice.) The romantic Thomazine is big on happy ever afters. The problem is, as war with the Dutch looms and tensions run high in the capital, someone’s determined that she shouldn’t get one – or, indeed, that Russell’s going to get any kind of ever after, other than a traitor’s execution. Would a man whose principles led him to once take up arms against his King, turn his coat again and work against His Majesty for the Dutch Republic? Thomazine doesn’t think so. But her determination to see him cleared is going to lead them into more danger, and more high places, than either of them would have dreamed of….

What is it about that time period that fascinates you so?

Why the 1660s? Because I write another series set during the British Civil Wars, in which we initially meet Thankful Russell as a very badly damaged young lieutenant in the Army of Parliament, and because he meets Thomazine (in those books) when he’s twenty-one and she’s a little girl of not quite two and it was clear to me as a writer from pretty much that meeting that they were going to get together one day. She sees him as her especial property: because he’s disfigured, he’s terrified of women his own age – or their pity, at least – and Thomazine, not having known him before the scars, just thinks of him as… well, as Russell, really; as her rebel angel. So I had to know how that was going to pan out. He has to go away to come back, if you see what I mean.

So there are the two stories running alongside each other. There’s a not-quite-young man who’s thoroughly messed up, who’s got to the age of forty-two without having dared to love anybody in his life, and a girl who is single-minded enough to take him on but who’s starry-eyed enough to forgive his not being wired up right: and how they learn to be ordinary, really, to have a marriage and a home and children (one day…) together. There’s that. And then there’s the various intrigues and upheavals and literary chicanery of the Restoration going on around them: Sam Pepys the chest pest, and Aphra Behn and the Earl of Rochester writing dirty poems, and the theatre, and all of that. Imagining how you would live in that new world, if you had been happy with the old world. If you hadn’t been a fop or a cavalier or a poet, but someone who had believed in the ideals of a Commonwealth and a democracy without kings.

What’s your favorite scene in the book?

Oh, they make me laugh, them two. I couldn’t pick a favourite. Possibly the scenes where Russell decides that the best way to clear his name of a number of murders is forensically, and finagles an introduction to the Royal Society to talk about dead bodies. (With a very real and practical introduction to the same, which makes Thomazine heave.) There’s always an assumption that being a middle-aged, scarred, lapsed Puritan administrator he must be this dry-as-dust and rather humourless individual and he plays up to it relentlessly – being neither. I suspect he and Thomazine think it’s howlingly funny, in private. The sort of scene that could be high romance and oh-darling-your-eyes-are-like-stars, entirely derailed by a ticklish man and a woman with cold feet….

Or Chatham Docks. Because obviously, it’s a romantic thriller, and that means the heroine will need to be rescued from the clutches of the bad guy. Or, as it were, not. One minute it’s all sly humour and political intrigue, and the next minute it’s hairpins in the eyeball, with a horrible gristly crunch.

Where can people learn more about the wonder that is MJ Logue?

Website:         www.asweetdisorder.com
Twitter:        @hollie_babbitt
Facebook:        www.facebook.com/MJLogue/ 
Amazon links: Author.to/MJLogue        

 

Come Out and Meet Me in October

I will be part of a lot of book events in the next few weeks, and would love it if people would come meet me (and even buy a couple of books if you’re so inclined.)  I will have plenty of paperback copies of both  Acre’s Bastard and The Count of the Sahara.

Here’s what’s happening over the next little bit:

October 7 is the Oswego Literary Festival at the Oswego Public Library (Oswego

The Count of the Sahara is now available in Kindle format. Also available in paperback from Amazon or direct from the publisher.

, IL)   20 Local Illinois authors will be on hand to sell/sign/bother strangers about their books. 9 AM-1 PM

October 14 9AM-1 PM  Plainfield Public Library Indie Author Day (Plainfield Illinois, Library. There are way more independently published writers in Illinois than you can even imagine. Come join us!

Reading On the Rail at the 2015 Rivulets launch

October 14  1PM-4PM  The Naperville Writers Group will hold its annual Rivulets Book Launch. Every year we do an anthology of the best writing from the group. My short story, “Through the Arbor Vitae” will be included. Join us at the 95th Street Library in Naperville. (Of course, you can read the story on my site, by clicking here.)

October 15  Hometown Reads and Centuries and Sleuths presents #readlocalshoplocal  I’m proud to be hosting this gathering of Hometown Reads authors at Centuries and Sleuths in River Forest, IL. We will read and share our books with pretty much everyone who pops in. If you enjoy meeting and discovering new writers, this is the event for you. If we need to bribe you, there will be snacks.

Please stop by and say hello. I love meeting readers (even those who don’t buy my book, although I may steal a lock of hair for a voodoo doll–you won’t even miss it)

The Dreaded Day Job and a Really Good New Book

Much as I’m trying to carve a niche for myself as a novelist, my first books–and the business that pays the bills–are non-fiction and center on business communication. That’s why I’m really proud to announce that (co-written with Kevin Eikenberry, peace be upon him) the new book is at the pubishers.

The Long-Distance Leader: Rules for Remarkable Remote Leadership is now available for pre-order. It’s from Berrett-Koehler publishers, and we couldn’t be happier, both with the book and our partnership with B-K.

This book takes the communication skills i wrote about in “10 Steps to Successful Virtual Presentations” and “Meet Like You Mean It- a Leader’s Guide to Painless and Productive Virtual Meetings” and blends them with Kevin’s years of Leadership Development expertise to take a totally fresh, new look at how we are really working today.

If you manage a remote team, or work in a place where your co-workers are at home or spread around the globe, I invite you to check out the book. Since publication date isn’t until the end of April, you’ll be hearing more as the date gets nearer. In the meantime, I blog and write regularly at The Remote Leadership Institute site. Check it out or follow us on Twitter @LeadingRemotely

Check out the book, or my Amazon author page. If you know my work because of my fiction, you’ll find lots of information to help your business life. If you only know me through my day job, I invite you to check out my novels, The Count of the Sahara and Acre’s Bastard. Heck, if you’re bored, check the Stories section on this page for some of my short fiction work.

More to come, I look forward to continuing to share with you. Have a great week.

 

Why I Read Historical Fiction From Around the World

” I read historical fiction because I can. I read it from many sides and in many voices because I should.”

Thanks to the lovely and charming Alice Poon, (you can read my interview with her here) I just discovered and read Fox Volant of the Snowy Mountain, by Yong Jin Yong.  Think “House of Flying Daggers Meets the Hateful Eight,” and you have some idea. Apparently he’s the Steven King of Cantonese Kung Fu (or wuxia) novels.

Why would I spend my precious long weekend reading a translation of a novel by a Chinese author I’d never heard of, about a time more than 500 years ago? Because I can. It’s available on Kindle, in a very readable translation. It’s the same way I discovered some of my favorite story-tellers:

  • Arturo Perez-Reverte- this Spanish author and his Captain Alatriste novels are like the Iberian version of the Three Musketeers. The history is mostly an excuse for sword fights, illicit romance and drinking, but damn good adventure stories.
  • Leonardo Padura Fuentes (better known as just Leonardo Padura) is from Cuba, and while the 80s might not seem like history, just ask your kids if it was a long time ago. His police novels are not only good procedurals, but they show life in Cuba beyond cool old cars or Cold War machinations.
  • Alexandre Dumas. Don’t laugh, the old master still can tell a tale, and the Three Musketeers (and its 4 sequels, all of which I’ve read) and The Count of Monte Cristo are still world-class reading today. Okay, I discovered him when I was 12, but addictions die hard.

But why read these authors when there are so many easy-to-find Anglo/American/Canadian writers telling stories from those periods? Because for me part of the appeal of histfic (as the kids call it) is empathy- to learn how others felt and acted at that time as well as to learn about events we don’t know well.  The Civil War from both the Southern and Northern perspectives makes for good fiction (and while I have precious little time for revisionism, i’m happy to read it if it’s well done). Agincourt was both a glorious victory and a humiliating defeat, depending on which direction you were facing at the time. Oh, and if I have to read about Henry the Eighth and his bloody wives and daughters one more time I may behead someone myself. Give me something fresh that I haven’t read a dozen times already.

In all the hubbub about cultural appreciation, and who has the right to tell what stories, I believe this heresy: anyone can tell any damned story they want. If i want to tell the story of a ten year old half-caste orphan in Acre, I can do it. You can read Acre’s Bastard and let me know if I did it justice or not. Odds are it would be a different book if written by a Syrian, and I’d love to read that book. The problem is when people aren’t allowed to tell their own stories. I’d rather hear from them, we just don’t often come across them either through intentional white-washing or just lack of opportunity in general.  Seriously, if someone has a Crusades epic from the Arab side, in a decent translation, please let me know. I’m dying to get my hands on it.

So I read historical fiction because I can. I read it from many sides and in many voices because I should. It makes me a better writer and, I believe, a better person. When was the last time you read something in translation, or from a different perspective than your own? Don’t you think you oughta?

Let me know… who do you read that I (and our visitors here) should know about?

 

Roots of Faith in American History Anthony Cleveland

American history is full of contradictions. This is particularly true when it comes to the interweaving of history and religion. As an immigrant (and a seriously– probably permanently– lapsed Baptist), I have seen both the good and the bad of how faith plays a part in the national discourse. Regardless of your individual position, you can’t really examine America’s history without looking at faith, religion, and everything that goes with them.
That brings us to this weeks interview with Anthony Cleveland about his book, Roots of Faith.
So who’s Anthony Cleveland when he’s home?
Anthony (Tony) Cleveland is an Associate Professor of Psychology at Jackson College in Jackson, Michigan. He has a B.S. In Chemistry from the University of Toledo and an M.A. In Counseling Psychology from Moody Theological Seminary – Michigan.
Professor Cleveland spent 25 years in the private sector holding positions in R&D, Operations, Sales and Marketing. Seeking a deeper career fulfillment, he enrolled in a Christian seminary where he encountered the healing power of applied psychological principles integrated with a Christian worldview. While serving as a clinician Cleveland discovered his passion and true calling as an educator and has been at Jackson College since 2002. In 2012, Professor Cleveland received the Outstanding Faculty of the Year award, after being nominated by numerous students and colleagues.
Anthony and his wife of 42 years have two daughters and two grandchildren. Roots of Faith, published in May of 2017 by Lighthouse Christian publishing is Professor Cleveland’s first novel written in the genre of Christian historical fiction.
What is the book about?
Roots of Faith is an intergenerational saga following four southern American families from their ancient roots in Great Britain through their immigration and settlement in the United States. Each of the 17 chapters highlights a specific period of time where one of the families must adapt to the dynamic political, economic, sociocultural and technological forces at work in their lives. The book is of course about the ever evolving Christian religion and it’s direct impact upon these families. The book is indeed a journey of faith as it attempts to highlight the universal human experiences of doubt, fear and confusion in each of the principle characters as they grow and develop in their relationship to their God. It is a story about people whose faith bends but does not break.
Roots of Faith is also in an indirect fashion about the impact of the Christian religion upon the development of the United States. Hopefully, readers of the book will have a better understanding and a deeper appreciation of the need for a Constitution which guarantees the free expression of religion and the right of every citizen to worship (or not worship) God in a manner they deem appropriate without fear of retribution by the government. Nor shall our government establish (and enforce) a national religion.
Roots of Faith is also about the power of love. Romantic, familial and spiritual love that stands the test of time through difficult and seemingly overwhelming trials.
What is it about that time period or character that intrigued you and motivated you to write about it?
Quite simply, I wrote this book for my grandchildren. The four families I write about are my ancestors. I wanted my grandchildren to know of the sacrifices their ancestors made in coming to America and the importance their faith made in that endeavor. The book, of course, is historical fiction. I attempt to weave together an imaginative yet informative blend of history and myth, fact and fiction, that will help guide them through their lives after I am long gone. I do pray reading this work will help them remember not only the history of their ancestors but of our nation. God willing, it will somehow inspire them to stay strong in faith, follow the teachings of Jesus of Nazareth, and, ultimately, “run the race well”.
Without giving away spoilers, what is your favorite scene or event in the book?
That’s a tough one to answer. As you might imagine, this was truly a labor of love. I suppose if I had to select something, I would mention three events; the dialogue between William Cochrane and his grandson while standing outside Paisley Abbey in Scotland, the encounter of Isabel (who has been accused of witchcraft by the elders of the local Kirk) with the vision of Jesus, and finally, the tearful departure from his father of the indentured teenager, Alexander Cleveland, at the docks of Bristol, England as he boards the ship heading for the Colony of Virginia.
Where can people find you and your book?
The book is available at Amazon or at the Lighthouse Christian publishing website. I am also a Goodreads author where you can read my blog, the “Historical Foundations of Roots of Faith”. Also, I have an author’s Facebook account at Roots of Faith by AJC where you can find photos of many of the places I write about.
Of course, you can also read my books like Acre’s Bastard,  or The Count of the Sahara, with a slightly different take on religion and history… just saying.

Glancer Magazine Showcases Acre’s Bastard

Always nice when local press supports local authors, especially those who are indie–published. Glancer Magazine in DuPage County (outside Chicago) Gave me and Acre’s Bastard some love. You can check it out here

https://www.glancermagazine.com/single-post/2017/07/01/ARTS-ENTERTAINMENT-Literary-Local-Early-July-2017

 

From Roses to Tudors-Samantha Wilcoxson

Readers of historical fiction tend to gravitate to certain periods. There are huge clumps of writers and readers fascinated by The US Civil War, World War 2, and One of the hottest trends the last little on both TV, the movies, and novels has been the Tudor period. Cable TV is littered with torn bodices. I will confess somewhat ashamedly, I have somehow missed the boat. If sheer numbers are any indication, there are a lot of people out there who find that time more fascinating than I do.

Enter Samantha Wilcoxson, and her Plantagenet Embers trilogy. The latest installment, Queen of Martyrs is now out.

Samantha, you and I are both members of the Historical Novel Society (join us on Facebook here). What else should we know?

Samantha Wilcoxson

I’m the author of the Plantagenet Embers Trilogy. An incurable bibliophile and sufferer of wanderlust, I live in Michigan with my husband and three teenagers.

Three teenagers? That explains your obsession with family blood-letting and intrigue. What’s Queen of Martyrs about?

Queen of Martyrs is biographical fiction that transports the reader into the life of Mary Tudor. The story begins with her receiving the news of Margaret Pole’s execution in 1541 and follows her through the rest of her life as she struggles as a bastardized princess who finally becomes queen. My objective was to humanize the woman that many people today dismiss as ‘Bloody Mary’. There is so much more to her character, and many of the ‘facts’ people believe about her are no more than myths. My research made it shockingly easy to find sympathy for Queen Mary I.

As England’s first queen regnant, Mary faced many challenges, which she was, quite frankly, unprepared for. She failed to realize how great the outcry would be against her choice of Prince Philip of Spain as a husband. She did not recognize the great religious changes that were taking place throughout the world and that could not be ignored or reversed. Mary was a devout, caring woman, but she was no politician. In this intimate portrayal of her, readers are invited to enter her world, share her heartbreaks and victories, and gain understanding of this complex sixteenth century woman.

I confess I’ve kind of missed the whole Plantagenet/Tudor thing. What’s your fascination with this period?

Some readers might be surprised to discover that the Tudor era is not my first love. It was the Wars of the Roses that captivated my attention, but I was looking for a new angle that had not already been written about. That was how I began with Elizabeth of York in Plantagenet Princess, Tudor Queen. I had not planned a trilogy, but the story of the York remnant unfolded in front of me, ending with Reginald Pole at Mary’s side in Queen of Martyrs.

The fifteenth and early sixteenth centuries are interesting not only due to political upheaval, but the impact of religious changes that forced people throughout Europe to evolve in their thinking and way of life. The heavy influence of faith on daily life is difficult to wrap the modern mind around, but that is just what I appreciate about studying the medieval and reformation eras.

Without giving away the good bits, what’s your favorite scene in the book?

One of my favorite scenes in Queen of Martyrs takes place during the reign of Edward VI. This was a turbulent time for Mary as she watched the country she loved falling into heresy. At that point, she had no reason to believe that she would become queen. She was her brother’s legal heir, but he was much younger. In this scene, Mary has the opportunity to escape England with the help of Holy Roman Emperor Charles V. This is when Mary decides that she must remain in England and do what she must to save her brother and all Englishmen, though she may be forced to pay the ultimate price.

It is a great misconception that Mary’s attempt at counter-reformation was based on bitterness or a need for revenge. Mary truly believed that she was doing what was necessary to ensure that her people enjoyed eternal life in heaven, and I think this scene gives readers a poignant view of Mary’s true motivations.

Where can people learn more about your work?

The best place to find me is on my blog. I also invite everyone to follow me on Twitter, Facebook, Goodreads, and Instagram. Besides bookish news, I share a wide variety of history articles and images of historic places that I visit. I love to share my tendency toward bibliophilia and wanderlust with friends!

My books are available in paperback and on Kindle on Amazon. They are also free with Kindle Unlimited!

 

The 1960s, Portugal and Lesbians with Genta Sebastian

While exact definitions are hard to come by, historical fiction has to have taken place in the past. Most people generally accept a generation ago as the cut off (beware the upcoming flood of 90s nostalgia!). This means that the years of my childhood are now considered history. My first car ( a 1970 Chevy Nova) is officially an antique. Which is a way of saying that if you don’t think of the 1960s when you think HF, well get used to it. I’m trying.

What I love about reading stories that take place in the past is trying to get an insight into what and how they thought. I try not to judge, or impose modern attitudes to people then, just find out their stories. And that, in a way-too-long introduction, brings us to Genta Sebastian and her tale of female sexuality and empowerment, When Butches Cry.

Okay, so what’s the Genta Sebastian story?

Author Genta Sebastian

I am a multiple award-winning author with a backlist including LGBT YA novels and lesfic science fiction, erotica, and historical romance. Living in the thriving art center of the Twin Cities, I’m a professional storyteller with experience entertaining audiences of all ages and most proclivities. A traveler by nature, I have toured the continental US entertaining folks from all walks of life. My work has been compared to authors John Steinbeck and S.E. Hinton, mostly I believe, because I love the complexity of people. I give my characters foolishness and failings as readily as self-reliance and success.

Lesfic science fiction is a thing? Niches get nichier, which is why categories are so limiting I suppose. I know I find the same thing when I try to sell Acre’s Bastard to people who don’t think they care about the Crusades. Which (ever notice that when someone says “long story short,” it’s already too late?) brings us to this story which has a unique historical setting. What’s it about?

When Butches Cry takes place in the middle of the twentieth century when a twist of nature creates an unusually high number of young lesbians on a Portuguese island in the Atlantic Ocean. Terceira, where Americans are establishing an Air Force/naval base among a local population of farmers and fishermen, is paved with cobblestone roads connecting isolated villas that have existed for five hundred years. Traf and her merry band of lesbians, calling themselves Troublemakers, take on the outdated conventions of friends and families, community gossips, brutal bullies, Catholic priests and even the US military, seeking to define themselves as modern women. The young women learn to deal with love, friendship, sex, and the power of women working together who never give up, but not one is prepared When Butches Cry.

A lot of people find their stories in family connections. What is it about this time period, and especially this uncommon location, that appealed to you?

Well, completely by coincidence mind you, my wife was born and raised on Terceira during the mid-twentieth century. Over our lifetime together, she’s told me stories about this fascinating place and the people she knew and loved then. Some of her tales are tragic, others funnier than hell. What else could I do but write a book making the shadows of real people and events live again?

Being the real life Trafulha’s wife brings me into the familial circle whenever we visit the Azores islands of her birth. Although the twenty-first century has marched through Terceira with all the miracles of modern technology, there’s a unique mindset to people who live on the same hundred and fifty square miles where the bones of their ancestors have been buried for centuries. Modern Azoreans are leaping into the future and I wanted to capture a unique period of change spurred, not incidentally, by an unusually large LGBT segment of their society. What happened there and then is unlike any other situation I’ve ever heard of, and contributed to a diaspora that changed the world. The courage of the Maria Rapaz in the face of incredible odds cannot be scattered on the winds of time.

Without spoilers, any favorite scenes?

Oh, I have so many. I laugh over Traf’s baptism of the whorehouse, cry over the broken bar, shudder in the graveyard, and cheer on chuckies! Crucifixion causes chuckles, letters bring hope and despair, fumbling first kisses make me sigh every time, and I fume at the renowned bull-fighter’s misogyny. The stories in When Butches Cry are as varied as the characters in them. There – absolutely no spoilers at all.

Where can we learn more about you and your work?

Look for me on Facebook. I spend way too much time there, unless I’m busy writing when I’m scarcer than hen’s teeth. I’m also on Twitter. @gentasebastian

You can read about my books and find links to buy them on Goodreads and Amazon.

My blog, Authorially Yours, Genta Sebastian, is also a good place to look for news about my work as well as five years of writing advice, thoughts on LGBT issues, and the occasional rant.

 

 

 

Alternative History- Rome in the 21st Century w Alison Morton

About  a year ago, I asked, “why does it seem everyone’s working on a novel about ancient Rome?” Then this year has gone by and I think the question should be more like, “why isn’t EVERYONE writing about it?”  The notion of history holding perhaps some answers for why our own nations act like they do is an old one, as is asking, “what if?”

That’s where alternative history comes into play, which eventually leads us to Alison Morton’s “Roma Nova” series, and her latest installment, “Insurrectio.” Not only does it ask “what if the Empire survived until today?” It also plays with roles of gender and class.

A ‘Roman nut’ since age 11, Alison Morton continues to be fascinated by that complex, power and value driven civilization. Armed with a masters’ in history, six years’ military service and the love of a good thriller, she explores via her award winning Roma Nova adventure thrillers the ‘what if’ idea of a modern Roman society run by strong women.

The sixth book, RETALIO, will be published on 27 April. In the meantime, Alison lives in France with her husband, tends her Roman herb garden and drinks wine, which is a good gig if you can get it.

Okay, Lady. In a nutshell, what’s the book about?

INSURRECTIO is about a rising nationalist movement led by a charming demagogue who wishes to overturn an established political system at a weak moment in a country’s history. (Any resemblance to persons living or dead, is completely coincidental and fully denied – I started drafting this first).

But it also charts the lifelong struggle between Aurelia, our upright and complex heroine, and Caius, an amoral charmer determined to destroy her and all she stands for. She’s an ex-Praetorian officer and now imperial councillor, utterly loyal to the imperatrix, the ruler of Roma Nova; he’s a wastrel, just released from prison where she put him nearly thirteen years before.

So it’s about sex, power and revenge in a small piece of the Roman Empire that’s survived into the 20th century. Until now.

What is it about that time period or character that intrigued you and motivated you to write about it?

I’ve been a ‘Roman nut’ since I stepped onto my first mosaic pavement at age eleven. As I listened to my father (senior Roman nut) explain about senators and soldiers, farmers and traders, power and occupation, I asked what the mummies and children did. Being the daughter of a feminist mother I was dismayed about the reply that mummies stayed indoors looking after the children and had no public life, vote or independence.

Maybe it was the hot sun in that Spanish sky, budding feminism or merely a smartass kid asking a smartass question, but I asked him what it would be like if women ran Roman life instead of the men. He shot back, “What do you think it would have been like?”

I held that thought throughout most of my life until I sat down to write my first Roma Nova thriller. I brought the story up to the modern age as although women exerted influence, they weren’t able to hold power in antiquity in the way I wanted them to in my stories, so I plunged into alternat(iv)e history. We’re still fascinated by Rome; just suppose a Roman society had survived with forums, temples, a Senate, a strong military but with an innate state service ethic and well-developed personal responsibility and it was run by women…

That’s a lot of ifs… Without giving away spoilers, what’s your favo(u)rite scene or event in the book?

I’d like to choose two types, if I may. Firstly, all the confrontations between Aurelia and Caius. They spark personality and supressed sexual tension, but most of all, the struggle for power. Very Roman! He winds her up, but can’t dent her inner core; she refuses to bend her principles and can’t understand why he has no conscience.

Secondly, Aurelia will do anything to protect her frail and, to be honest, light-minded daughter; they struggle to understand each other although there is no doubt about their mutual love. Writing their scenes together was an emotional experience as was Aurelia’s frustration with, and deep passion for, the elusive Miklós.

Where can people find you and your book (links to Amazon page, Goodreads, Twitter, Blog whatever)?

Social media links

Connect with Alison on her Roma Nova site: http://alison-morton.com

Facebook author page: https://www.facebook.com/AlisonMortonAuthor

Twitter: https://twitter.com/alison_morton @alison-morton

Goodreads:  https://www.goodreads.com/author/show/5783095.Alison_Morton

Amazon author page: http://Author.to/AlisonMortonAmazon

 

Buying link for INSURRECTIO (multiple retailers/formats):

http://alison-morton.com/books-2/insurrectio/where-to-buy-insurrectio/

INSURRECTIO book trailer: https://youtu.be/eXGslRLjv6g

 

Acre’s Bastard is an Award Winner

When you send your books out to be reviewed, it’s kind of a weird process. You send them off, full of hopes. Then the waiting begins. Even if you think your book is pretty good (and the voices in your head actually agree) you honestly have no idea what the readers will think. And there’s… all… that… time to obsess, worry, and eventually forget you ever sent it off in the first place. Then you get an email that says, not only did these total strangers like your book, they’d like to give you an award!

So, it’s with pride that I say Acre’s Bastard has not one, but two awards to its name now. The “Chill With a Book” awards have awarded Acre’s Bastard with both the “Reader’s Award” and the equivalent of a Founder’s Prize, the “PB Award” (named for Pauline Barclay, the obviously brilliant woman who runs the joint and has impeccable taste.)