Tag: novel

Why I write in first person…

If you’ve read any of my fiction, you’ll see that a surprising percentage is written in the first person. That’s a lot of “me” I grant you, and that’s a mixed blessing. Of course, I’m not really a 10 year old half-caste kid in the 12th Century (Lucca the Louse in Acre’s Bastard) nor a first generation German-American from 1920s Milwaukee (Willie Braun in The Count of the Sahara) and I’m certainly not a 1950s Korean Vet car salesman (my latest short story on Scriggler. Check it out.)

It’s really not an ego problem. I don’t set out to be the center of attention (shut up!). In fact, I never noticed I was actually writing so much in that voice until someone in my writer’s group pointed out that the same curmudgeonly middle-aged loser keeps showing up in a lot of my stories. For the record, he’s not the same guy (the anti-social railbird in On the Rail, and the eaves-dropping alcoholic in Through the Arbor Vitae,) but I suspect they’re closely related and may have gone to the same middle school.

They’re also not me, although my own appreciation for cigars makes it easy to describe a lazy smoke on the deck and my experience as a comedian and professional speaker certainly influenced the way I captured De Prorok’s barnstorming tours. But just because I use “me” and “I” doesn’t mean they’re my thoughts and actions.  In fact, I’ve been judged pretty harshly by the thoughts and comments of some of my characters. What can I tell you, people used different words to describe people 75 years ago. I sometimes blush writing them. (My work should have a disclaimer that the opinions of the characters are not necessarily those of the management.)

So why do I do it? Truthfully, it’s an accident.

I’m not a 10 year old Syrian boy…. but I play one in Acre’s Bastard

I always start with a character who is another person. Ramon Pachecho is a Puerto Rican boxer I invented, and I was able to maintain that distance throughout the story. Lucca Le Peu was born when I saw a news picture of a Syrian boy in the back of an ambulance after his village was bombed. Willie was a simple way to narrate the story of Byron de Prorok from a neutral standpoint—I needed an innocent observer. Somehow, they go from “the old guy at the cigar lounge” to “I”. How come?

First person allows me some advantages as a writer. One of the comments I got from “Arbor Vitae” when it posted on Scriggler was from a fellow author who appreciated the way I do interior monologue. That only happens because I put myself so deeply in the character’s place. Inevitably it starts with “why does he/she do this?” and eventually becomes “if it were me, why would I act that way?” At that point, it’s just easier to capture those thoughts and expressions in their voice. Maybe I’m just not that good a writer.

First person for me is an exercise in empathy. I was taught early to put myself in the other person’s shoes (fortunately I have small feet). While I’m wide open to charges of “cultural appropriation” or telling stories that aren’t mine to tell (I’ll pour the anejo and we’ll have it out in person,) I also believe it gives me deeper insight into character. That’s where you find the humor, the emotion and the tension. Something is far more dramatic if it happens to you than to someone else. Watching someone’s horse die isn’t the same as having your own pet’s life drain away in front of your eyes. (Spoiler alert?)

For me, insight comes from within. Even going back to my standup days, I was more of a commentator than an observer. Some comics can neutrally observe from outside (Jerry Seinfeld is the ultimate example.) I usually found the humor in how I react and process something, and hoped the audience would relate. I’ve never taken an old man to a cockfight, but I suspect if I did I’d sound a lot like the narrator in Tio Fernando’s Field Trip. It’s just funnier.

I don’t set out to write everything in first person, it just usually works out that way. I hope you check out a couple of the examples and keep reading.

 

 

Latin American Drama w Charles Ameringer

One of the great joys (for me) of reading historical fiction is finding out about people, places and times I either never heard of or gave no previous thought to. No offense to those who spend their entire reading hours in the Civil War or dealing with the Tudors (the hell with it, offense meant. Change the menu on occasion, it’s good for you!) When I heard about Charles Ameringer’s novel of 1920s Venezuela, “The Sons of Hernan Garcia,” I figured it was worth speaking to him. It’s not like I have a shelf full of early 20th Century Latin American stories taking up space. What about you?

Charles Ameringer, born in Milwaukee, WI, September 19, 1926, is professor emeritus of Latin American History at Penn State University.  During his academic career, he published eight scholarly books.  Now, in retirement, he has drawn upon his travel and research and unleashed his imagination to produce works of fiction, namely, the spy/thriller, “The Old Spook” (2012), the urban drama, “Duke Wellington: East Harlem Lawyer ” (2015), and “The Sons of Hernan Garcia” (2018). (Editorial note, that makes him nearly ninety-freaking-one, and he’s still writing. I am out of excuses.)

What’s your novel about?

The book takes place during two years (1920-1921) within the rule of Juan Vicente Gomez of Venezuela (1907-1935) and Hernan Garcia’s tyrannical rule is based upon that of Gomez.  It was a rule that was extremely cruel, and although the book is fiction it spares no details about  the evils perpetrated by a dictatorship.  That which the fictional characters endure and try to repay in kind makes for a thrilling game of cat and mouse.

What’s your favorite scene in the book?The Sons of Hernan Garcia by [Ameringer, Charles]

The birthday party of the five sons wherein they express their hatred toward Garcia and the ways they would like to do him in.  Although the sons were “blowing off steam,” the tyrant’s security force takes their remarks seriously and undertakes a deadly manhunt.  The reader is taken for a journey across the great plain of Venezuela, populated by exotic birds and animals (egret, jaguar, and anaconda).

I can safely say that qualifies as a unique story, and one not often told. Where can we learn more about your books and your work?

You can find me on Amazon by clicking here

or on Goodreads

Subscribe to my monthly newsletter and get a chance to win a signed paperback copy of Acre’s Bastard.  Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look in the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction of all types from around the world.

The Inquisition in Mexico- Marcia Fine

If, like me, you tend to have issues with religion in general a, you don’t have to look much past the Spanish Inquisition for a pretty good historical reason. When we think of them (and, as Monty Python reminded us, “NOBODY expects the Spanish Inquisition!”) we think of Renaissance and Reformation Europe. In fact, the Inquisition was particularly active in the New World: they were present in Mexico, Colombia and Peru. That leads us to this week’s interview with Arizona author Marcia Fine and her award-nominated novel,“Hidden Ones- a Veil of Mystery.”

AMarcia Fine has written seven novels, including THE BLIND EYE—A Sephardic Journey, historical fiction chosen by the state library of Arizona for ONEBOOKAZ 2015. PAPER CHILDREN—An Immigrant’s Legacy has been a finalist for three national prizes. PARIS LAMB, her sixth novel, deals with anti-Semitism in the 1950s. She has also written the only satirical series about Scottsdale.

Her novel, HIDDEN ONES released in 2017, examines conversos in Mexico during the Inquisition. It has won First Prizes in the categories of Historical Fiction and Multicultural as well as Honorable Mention from AZ Authors. Marcia has a BA from Florida State University and a Masters from Arizona State University.

In a nutshell, what’s the story of Hidden Ones?

HIDDEN ONES—A Veil of Memories is a true story about a grandmother arrested during the Inquisition in Mexico. She and her family must survive under harsh circumstances that take them into the Southwest Territories as they flee north. Who would turn in their abuela?

What is it about that time period you found so fascinating?

Clara Crespin is the matriarch of a large family of conversos, people who were forcibly converted to Catholicism. She is accused of Judaizing, which means she lights candles on the Sabbath, prepares foods in a special way and hides prayer books. Women were the keepers of the faith during the 17th century when the novel takes place and long before that because they taught the Law of Moses to their children. They are breaking the rules and it is punishable by death.

Celendaria, her granddaughter, feels the impact of her grandmother being imprisoned. The whole family is at risk. She is learning about their secretive lives as a mate is chosen for her. Franciso, a bail bondsman who brings prisoners from small town jails to the Inquisition Palace in Mexico City, causes consternation because he is not a scholar.

The book opens in 1649 with the aftermath of an auto-de-fé, known as An Act of Faith, a three day spectacle put on by the Church and civil authorities. It is well-documented that 40,000 people attended in Mexico City. They exhumed bodies and paraded them through town, marched the accused through the streets and burned people alive. The actual Inquisitor, Dr. Juan Saenz de Mañzoca, who presided over the auto-de-fé is a real person.

That paints a pretty dramatic picture. What was your favorite scene to write?

I’m very visual so I write in scenes. One of my favorites is when Celendaria, the granddaughter, learns a secret when she observes her friend Mariel at the mikvah, a ritual bath for cleansing that women share before the Sabbath. It is later reinforced when she spies on Mariel with a priest behind the confessional.

It’s important to mention that these people lived duplicitous lives. They were Jews inside their homes observing traditions and rituals from the past while they were Catholics who attended Mass when they went outside.

Where can people learn more about you and your other books?

On Amazon:

On Barnes and Noble:       

Website: www.marciafine.com   

On Facebook they can friend me at Marcia Fine Author. I also have a site, A Sephardic Journey that is of interest to people who have converso backgrounds. My other novels are addressed as: PAPER CHILDREN and PARIS LAMB. I am part of the Linked In community and share articles on that site.

Marcia Fine | Facebook

https://www.facebook.com/marcia.fine

A Sephardic Journey – Home | Facebook

https://www.facebook.com/asephardicjourney/

https://www.facebook.com/PaperChildren

Subscribe to my monthly newsletter and get a chance to win a signed paperback copy of Acre’s Bastard.  Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look in the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction from around the world.

The Lucknow Mutiny with Jocelyn Cullity

Read to the bottom of the page for a special offer!

I have always been fascinated by India… maybe because it is literally as different a culture from ours as possible yet there’s always been cultural cross-over. The British Raj has given us some of the most famous historical fiction ever (you’re a good man, Gunga Din) and yet we in the West have seldom heard the story from the Indians’ perspective. That’s where Jocelyn Cullity and “Amah and the Silk-Winged Pigeons” come in.

Jocelyn Cullity’s Amah & the Silk-Winged Pigeons is based on ten years of research. She was awarded The New England Writer’s Fellowship from A Room of Her Own Foundation in the United States, and a Writers’ Reserve Grant from the Ontario Arts Council in Canada. Her short stories and essays have been published in American, Canadian, and Indian journals and anthologies; her award-winning documentary film about women and social change in China, Going to the Sea, aired on television and in festivals in Canada, the United States, and in Europe.

Jocelyn has a Ph.D. in Creative Writing from Florida State University and is currently the Director of Creative Writing in the BFA Program at Truman State University. She lives in Columbia, Missouri with her husband, the film scholar Prakash Younger, and their two daughters.

What’s the story of Amah about?

Amah and the Silk-Winged Pigeons is about the women (who do not find sufficient space or voice in many of our history textbooks) who valiantly resisted English rule in 1857 India — in a famous event that some English called “the Great Mutiny” and what some Indians call “India’s First War of Independence.”

As a Canadian living in the US, I find one of the great ironies is that one person’s “freedom fighter” is another person’s “godless rebel.” What is it about this particular story you found so fascinating?

19th century Lucknow was gorgeous, opulent, and cosmopolitan — European travelers to the city regularly would say they were in “luck. now.” when they reached the city. The English had already taken over other parts of India and in 1856, they deposed Lucknow’s King and began to take over the city. What followed was a famous uprising in which the Indians in the city — led by women — attempted to oust the English.

My mother’s English family lived in India for five generations and my great-great-great aunt was in the city of Lucknow during the resistance to English rule there. When I was a teenager, I transcribed her diary and the event stuck with me! I went on to look at Indian women’s perspectives on the tragedy that happened there. That’s when I found out that it was Indian women who planned and led the resistance — women we know too little about — and I knew then that the story I wanted to tell was theirs.

What’s your favorite scene in the book?

Print
My favorite scene in the book is when Amah, who tells the story, must fight off an English soldier over a very hot and difficult afternoon.
Where can we learn more about your book?
Subscribe to my monthly newsletter and get a chance to win a signed paperback copy of Acre’s Bastard.  Each month you’ll receive links to interviews with great authors, news about upcoming events and previews of my work in progress, Acre’s Orphans. Look in the bottom left of the page for the sign-up sheet. No spam, just once a month updates and a chance to learn about great new Historical Fiction from around the world. Everyone who signs up before January 1 enters to win!

Reformation, Faith and Heresy with C.L.R Peterson

By now, it’s abundantly clear from Acre’s Bastard that I have a complicated relationship with organized religion. Still, any student of history knows that little else has moved the levers of power in every corner of the world like faith and people’s reactions to it. Case in point:  CLR Peterson’s new novel about the Renaissance, the Reformation and the line between conscience and heresy. “Lucia’s Renaissance” comes from the author’s own academic interest in the topic. Here’s what she has to say:

What’s your deal?

CLR Peterson is the author of Lucia’s Renaissance

Renaissance history came to life for me during a semester of study in Italy. Then Martin Luther’s bold stand against the Roman Church and its pleasure-loving Pope Leo, a classic David-versus-Goliath battle, hooked me on the Reformation. I’ve pursued my passion for the Renaissance/Reformation era ever since, earning a PhD in Early Modern European History at Stanford University. Research for my debut novel, Lucia’s Renaissance, included reading heresy trial transcripts in Venice’s State Archives.

 

 

Geeky but cool. What’s Lucia’s Renaissance about?

Heresy is fatal in late sixteenth-century Italy, so only a suicidal zealot would so much as whisper the name of Martin Luther. But after Luther’s ideas ignite a young girl’s faith, she can’t set them aside, even when faced by plague, death, and the Inquisition.

What is it about that time period that is so fascinating to you?

For years, I’ve been intrigued by the relationship between the Italian Renaissance, with its vitality, creativity, and focus on humanity, and the religious Reformation sparked by Luther.

While reading heresy trial records from this era, I found a microcosm of this Renaissance/Reformation tension. A bare-bones portrait emerged of a Renaissance-educated Italian physician so devoted to Martin Luther’s ideas that for years he smuggled the reformer’s writings into Italian lands, leading to three trials before the Roman Church’s Inquisition. My novel fills out his family’s story (using literary license when necessary) from the viewpoint of the physician’s daughter, Lucia.

What’s your favorite scene or event  in the book?

When Lucia unlocks a hidden drawer in her father’s desk, she makes a shocking discovery: a book by Martin Luther, the arch-heretic her priest railed against. Questions flood her mind. Why was the book placed in the drawer? Does her father, a strict follower of the Church’s rules, know about the book? Could he be a heretic?

Lucia must decide whether to report her find to the priest, lock the book away and pretend she never saw it, confront her father, or read the book and make her own judgment.

Where can people learn more about you and Lucia’s Renaissance?

My website: clrpeterson.com

My book’s Amazon link: https://www.amazon.com/dp/ B076GKJY2V

My book’s Goodreads link: https://www.goodreads.com/ book/show/36339179-lucia-s- renaissance?from_search=true

Ancient Chinese Drama with Alice Poon

Growing up in British Columbia, and having a mother who spent several years in Asia, I developed a fascination with the culture and people of China. I dig Chinese movies (House of Flying Daggers, Hero, and the like will bring productivity to a halt in this house) and have a very snobbish opinion of what most North Americans call “Chinese food” (friends don’t let friends eat Panda Express.) So when I came across Alice Poon’s new novel, I was intrigued.

Not only is the book set in the Ming and Qing dynasties, but Alice lives and writes in Richmond, BC, about 40 miles from my home town. She’s  an avid reader of world historical fiction. Born and educated in Hong Kong, she grew up devouring Jin Yong’s (Louis Cha’s) martial arts and chivalry novels which are all set in China’s distant past. That sparked her life-long interest in Chinese history. Writing historical novels set in Old China has been her long cherished dream. She is the author of the bestselling Chinese edition of Land and the Ruling Class in Hong Kong, which won the 2011 Hong Kong Book Prize. In 2007, Canadian Book Review Annual selected the original English Edition as Editor’s Choice (Scholarly). Okay, she’s way out of my league but she talked to me anyway….

What is The Green Phoenix about?

It’s about the life and times of Empress Dowager Xiaozhuang, the first matriarch of China’s Qing Dynasty. She was a Mongolian princess descended from Genghis Khan’s full brother Khasar and her maiden name was Borgijit Bumbutai. By arranged marriage she becomes the consort of the Manchu Khan, Hong Taiji, who is a dauntless warrior intent on conquering Ming China. But right from the beginning, deep conflicts seethe beneath the relationship with her husband, the future Qing Emperor, as she is deeply in love with his half brother Dorgon, who, it so happens, is the Emperor’s nemesis due to a deep-seated mutual hatred going back one generation. The story follows Bumbutai as she struggles to survive the Manchu court’s in-fighting, the sibling rivalry and war, burdened as she is with an heir-producing duty owed both to Hong Taiji and to her own tribesmen. Eventually, when Ming China is at last conquered, circumstances dictate that she has to take up leadership in the new Qing regime, and to help her son and grandson restore peace and rule over a war-wearied multicultural Empire.

The narrative is set against a turbulent canvas as the Ming Dynasty is replaced by the Qing Dynasty and the transition is marked by numerous vicious battles between the Manchus and the Hans. Ethnic antagonism between the opposing camps and perfidy (major points for use of perfidy!) and corruption among the Hans themselves drive conflicts to a culmination, which results in large scale deaths and sufferings.

What is it about that time period or character that intrigued you and motivated you to write about it?

The time period is most fascinating as it is marked by the violent demise of one ruling regime and the simultaneous birth of another. Such straddling periods in history, whether it’s in the West or the East, are, in my view, always a subject that bears studying. The saying that history repeats itself, though clichéd, is not far from truth. I’ve often pondered over the question, why does humankind never learn from history? Recently I came across a sobering article by Paul Lynch, recommended to me by a good friend, that says there’s no such thing as historical fiction: the modern world is governed by ancient forces – power versus weakness, truth versus falsehood, life versus death – and there’s the question of how we can survive those forces. How spot-on! When we look at our past, we are actually staring into our present.

Above all, I was motivated to write about the character of Empress Xiaozhuang because I felt that her contributions to humanity in China’s history are greatly underrated, and also because this historical character has never been introduced to the Western literary consciousness. Western readers only know about two Imperial women in Chinese history: Empress Wu Zetian of the Tang Dynasty and Empress Cixi of the late Qing, but the fact is, Chinese people don’t even respect these two characters.

Without giving away spoilers, what’s your favorite scene or event in the book?

There are actually quite a few. It’s hard to choose one. Let’s see. I love the scene where Bumbutai has a long conversation with her half sister Little Jade (Dorgon’s wife) in the beautiful setting of the imperial hunting park called South Park. Both women love Dorgon deeply. Here each of them expresses her own cutting insight into Dorgon’s behavioral eccentricities, while being mindful of the other sister’s sensibilities. The natural landscape exerts a rejuvenating effect on Bumbutai, who is a born lover of nature, whereas their visit to a deer farm brings out different reaction from each.

One favorite event (I’m cheating here!) is where Bumbutai tries to coax her son Shunzhi Emperor to face down his fear in a critical crisis by enlisting the help of his respected adviser, a German Jesuit priest, who she knows always has Shunzhi’s ear. As she predicts correctly, the priest gives a most convincing speech, which calms down the Emperor at once. She has the whole situation under control and knows clearly in her mind which commander to deploy and how to resolve the crisis, but keeps quiet as she does not want to appear to be overriding her son’s power in the presence of courtiers. Then when the Emperor is out of the fit of hysteria, she casually hints at the name of the commander, and gives credit to her son for coming up with the solution.

 Where can people find you and The Green Phoenix?   

Alice: The Kindle version is now available for pre-order from Amazon. The hardcover and paperback versions will be available on September 1, 2017.

The Goodreads book page:

The Amazon book page:

Facebook: http://www.facebook.com/alice.poon.author

Twitter: @alicepoon1

My Blog: http://alicewaihanpoon.blogspot.ca

 

Roots of Faith in American History Anthony Cleveland

American history is full of contradictions. This is particularly true when it comes to the interweaving of history and religion. As an immigrant (and a seriously– probably permanently– lapsed Baptist), I have seen both the good and the bad of how faith plays a part in the national discourse. Regardless of your individual position, you can’t really examine America’s history without looking at faith, religion, and everything that goes with them.
That brings us to this weeks interview with Anthony Cleveland about his book, Roots of Faith.
So who’s Anthony Cleveland when he’s home?
Anthony (Tony) Cleveland is an Associate Professor of Psychology at Jackson College in Jackson, Michigan. He has a B.S. In Chemistry from the University of Toledo and an M.A. In Counseling Psychology from Moody Theological Seminary – Michigan.
Professor Cleveland spent 25 years in the private sector holding positions in R&D, Operations, Sales and Marketing. Seeking a deeper career fulfillment, he enrolled in a Christian seminary where he encountered the healing power of applied psychological principles integrated with a Christian worldview. While serving as a clinician Cleveland discovered his passion and true calling as an educator and has been at Jackson College since 2002. In 2012, Professor Cleveland received the Outstanding Faculty of the Year award, after being nominated by numerous students and colleagues.
Anthony and his wife of 42 years have two daughters and two grandchildren. Roots of Faith, published in May of 2017 by Lighthouse Christian publishing is Professor Cleveland’s first novel written in the genre of Christian historical fiction.
What is the book about?
Roots of Faith is an intergenerational saga following four southern American families from their ancient roots in Great Britain through their immigration and settlement in the United States. Each of the 17 chapters highlights a specific period of time where one of the families must adapt to the dynamic political, economic, sociocultural and technological forces at work in their lives. The book is of course about the ever evolving Christian religion and it’s direct impact upon these families. The book is indeed a journey of faith as it attempts to highlight the universal human experiences of doubt, fear and confusion in each of the principle characters as they grow and develop in their relationship to their God. It is a story about people whose faith bends but does not break.
Roots of Faith is also in an indirect fashion about the impact of the Christian religion upon the development of the United States. Hopefully, readers of the book will have a better understanding and a deeper appreciation of the need for a Constitution which guarantees the free expression of religion and the right of every citizen to worship (or not worship) God in a manner they deem appropriate without fear of retribution by the government. Nor shall our government establish (and enforce) a national religion.
Roots of Faith is also about the power of love. Romantic, familial and spiritual love that stands the test of time through difficult and seemingly overwhelming trials.
What is it about that time period or character that intrigued you and motivated you to write about it?
Quite simply, I wrote this book for my grandchildren. The four families I write about are my ancestors. I wanted my grandchildren to know of the sacrifices their ancestors made in coming to America and the importance their faith made in that endeavor. The book, of course, is historical fiction. I attempt to weave together an imaginative yet informative blend of history and myth, fact and fiction, that will help guide them through their lives after I am long gone. I do pray reading this work will help them remember not only the history of their ancestors but of our nation. God willing, it will somehow inspire them to stay strong in faith, follow the teachings of Jesus of Nazareth, and, ultimately, “run the race well”.
Without giving away spoilers, what is your favorite scene or event in the book?
That’s a tough one to answer. As you might imagine, this was truly a labor of love. I suppose if I had to select something, I would mention three events; the dialogue between William Cochrane and his grandson while standing outside Paisley Abbey in Scotland, the encounter of Isabel (who has been accused of witchcraft by the elders of the local Kirk) with the vision of Jesus, and finally, the tearful departure from his father of the indentured teenager, Alexander Cleveland, at the docks of Bristol, England as he boards the ship heading for the Colony of Virginia.
Where can people find you and your book?
The book is available at Amazon or at the Lighthouse Christian publishing website. I am also a Goodreads author where you can read my blog, the “Historical Foundations of Roots of Faith”. Also, I have an author’s Facebook account at Roots of Faith by AJC where you can find photos of many of the places I write about.
Of course, you can also read my books like Acre’s Bastard,  or The Count of the Sahara, with a slightly different take on religion and history… just saying.

Born at the Wrong Time- Lauren Sobka

Most of us have our favorite historical periods. If pushed, we’d even say we’d like to have been around then. (News flash, much as the 17th century might have been fun for sword fighting and decolletage, I’m partial to cheap books, hot water, and indoor plumbing. I’m good here, thanks….) and some even say they were born in the wrong era (The Duchess says in all seriousness she wanted to be around in 1920s New York- and thinks she was). That brings us to Californian Lauren Sobka and her chronic Francophilia, as well as her book, Brokenly Live On.

Okay, what’s the Lauren Sobka story?

Just a girl born in the wrong era. My name is Lauren, I’m an artist and writer living in California. To sum myself up I propose this:

A dirt lane leading down a path beside a crumbling, ancient wall where wildflowers have cast their roots in like flags pitched in ownership; they are legion, reaching, and riotous. Looking ahead, the rolling fog obscures much of the landscape, but in the distance you can hear the rushing crash of waves reaching up the bluffs; all around the wind gently pushes through the trees and sways the heather bushes reaching out across the rolling hills.

There are a few more nuanced details, but that’s about what rolls around in my brain all day, and knowing what someone thinks is the best way to understand them, is it not?

Actually, that’s a terrifying thought, but then I’m paranoid. What’s the book about?

It takes place in France, in 1875. After the fall of the Second Empire, on the cusp of the Belle Époque, Clara Devereaux finds herself motherless, left with a recluse for a father with whom she shares the halls of a slowly decaying estate – Château Rivière. At twenty-two she has not been able to discover the reasons for her mother’s death nor her father’s phantasmal existence, and so, unguided and temperamental, Clara finds no other purpose but to spend her days carousing in Paris with childhood friend Remi.

As the mystery of her parents begins to unravel – thanks to the help of her dear friend and neighbor Christophe – deep prejudices, betrayals, and a vindictiveness distilled through generations are revealed; all of which falls onto Clara’s shoulders. While facing her family’s past, a new valet in her father’s employ catches her interest and causes a jealousy to spark that sets in motion events she never could have imagined. With what little pieces of a life she can claim falling away around her, she must find the resolve to endure a fate she cannot escape, the loss of all she holds dear, and the strength to face the retribution of her parent’s mistakes.

So why “la Belle Epoque” and France? What’s the fascination?Product Details

When I was thirteen I was told I needed to choose a language to study in school, which would be the one I would learn for the next five years. Out of my three choices I settled upon French, and since that time I’ve been fascinated by the culture and history, driven on by beauty in the language.

Over the course of seventeen years I’ve picked up more than a few novels by Flaubert and Dumas Fils and found the times they were set in to be fascinating. One object in particular, however, was my starting point – a painting by artist Toulouse Lautrec. His work spun my imagination and soon a short story turned into twenty thousand words and before long I knew I had to do things the right way; so I researched. The more I learned the more I knew that his era, the end of the 19th century France, that of the Impressionists, of Art Nouveau, of no more Napoleons, of the fading aristocrats and the continued rise of the bourgeoisie – and so much more – was the era I wanted to write about.

What’s your favorite scene in the book?

Such a horribly difficult choice, but if I had to, I’d say the scene where Clara and Alain encounter one of her old friends from her past life of debauchery in Paris. I really enjoyed writing the banter between a drunk bon vivant laying down insults and how Alain handled it.

Speaking of debauchery, how can people learn more about you 😉  ?

website: www.brokenlyliveon.com

 

amazon (the book): https://www.amazon.com/Brokenly-Live-Lauren-Sobka-ebook/dp/B07481XB2Z/ref=sr_1_1?ie=UTF8&qid=1501094619&sr=8-1&keywords=brokenly+live+on

amazon author page: https://www.amazon.com/Lauren-Sobka/e/B07482RTK7/ref=ntt_dp_epwbk_0

Goodreads (the book): https://www.goodreads.com/book/show/35534325-brokenly-live-on

Goodreads (author page): https://www.goodreads.com/author/show/16986987.Lauren_Sobka

Twitter: @brokenlyliveon

Instagram: @brokenlyliveon

Vietnam War Tales From Rick DeStefanis

Even growing up in Canada in the 60s and 70s, the Vietnam War was present throughout my childhood. I remember watching Walter Cronkite with the “scoreboard” up behind him. Every Canadian high school had that cool English teacher who appeared to come from nowhere (usually with long hair, bellbottoms, an acoustic guitar and a vaguely Midwestern accent) and I’m fascinated by the many books and films that have come from that era–both the classics and the crap. Enter Rick DeStefanis and his new novel, The Valley of Purple Hearts.

Rick is known as “The Word Hunter.” The author of six books, he brings a wide range of life experiences to his writing. His experiences as a paratrooper with the U.S. 82nd Airborne Division from 1970 to 1972 predicates his Vietnam War Series, a collection of novels written as historical fiction, but which exceed simple genre classification. DeStefanis writes not only about men at war, but the women they love and their families back home, as well as the people of Vietnam. His novel, “The Gomorrah Principle,” was a Readers Choice Book Award Winner in 2014. He also published “Tallahatchie” in 2016, the first book in his new Southern Fiction Series.

Rick presently lives in northern Mississippi with his wife, Janet, six cats and a male Labrador retriever named Blondie.

I’m not going to even think about the gender identity crisis you’ve created for your poor dog. Let’s get to the book. What’s the story about?

Have you ever wondered about that father, grandfather, uncle or brother who served in Vietnam? What was it that he refused to talk about? Or perhaps your question is: Why did he drink so much, or couldn’t keep a job, or had three divorces? What was it that made this person that way? These things are what “Valley of the Purple Hearts” is about. It’s about a squad of paratroopers with the 101st Airborne Division fighting in Vietnam, immediately after the 1968 Tet Offensive. It’s about their lives, their friendships, their loves, the war and the aftermath. I like to call it my Vietnam War version of A Farewell to Arms.

Protagonist Buck Marino is a dumb kid from Mississippi who finds he is facing the consequences of his poor decision to join the army and escape the rural farm life of his deceased parents. And when he meets Army nurse, Janie Jorgensen, he falls in love, only to realize the war has destroyed his vision of a happy life. This book is about the violence of war, the effects on the soul and redemption.

I’ve listened to their stories and read dozens of non-fiction accounts by Vietnam War combat veterans. Many of their books are very well written. Most are not. This is not to degrade the efforts of brave men attempting to tell their stories, but merely to state an observation. And the most recognized stories are those that have been bastardized by Hollywood for the sake of entertainment. The problem with the veterans’ stories is that describing the pain of burning alive is probably not quite possible after the fact. Most cannot see beyond the flames that consumed them. Historical Fiction allows a knowledgeable author to show the deep emotions the veteran cannot often sufficiently express. It allows a certain exposition from an external perspective that cannot be otherwise replicated. Historical fiction goes deep into the human psyche, a place where many fear to tread.

Is it your own experience that makes that period so intriguing for you?

I was a wall flower who got dressed for the big dance and was left behind. I trained; I did everything in preparation to go to Vietnam. I even got orders, but my military orders were change at the last minute to go to the 82nd Airborne at Fort Bragg. A year later, while still serving with the 82nd Airborne Division, my friends from AIT at Fort Polk and Jump School at Fort Benning began returning from their tours of duty in Vietnam. I spent many an hour in bars in Fayetteville, North Carolina listening to their stories and the hell I missed. Even then, these combat veterans refused to let me write about their experiences. My only option became to write them as fiction, with the mission of telling the things they revealed to me (only when they had consumed enough alcohol to bear the pain). My novels are their stories, and I tell them for the purpose of giving credit to a generation of combat veterans who were marginalized in a political climate very similar to that which we are experiencing today.

Without giving away the goods, what’s your favorite part of Valley of  the Purple Hearts?

The ending!  Okay, that’s true, but let’s talks about my “second” favorite scene. 1968 was the beginning of the “sexual revolution.” Youth in America were breaking away from the rigid mores of their parents. This led to a certain degree of promiscuity, probably over-emphasized in many respects, but very real. Buck Marino was of this generation, but when he finds himself in the room above the Vietnamese laundry in Phu Bai with Janie, he suddenly realizes what is about to occur is not simply a sexual tryst. Chapter Nine, “A Night at the Laundry,” is my next favorite scene, because Buck realizes if he follows through and makes love with Janie, he is signing a lifetime mortgage of commitment.

Where can we learn more?

Valley of the Purple Hearts, will be out by August 1st, 2017, and the first three books in the Vietnam War Series are available in paperback and Kindle editions at Amazon.com , and can  be ordered through most book stores.

Spirituality and Historical Fiction with Nataša Pantović Nuit

My relationship with the spiritual and religious is complicated, to say the least. And while I remain very skeptical, bordering on the agnostic, in most issues, the search for the soul and the things that bring it peace fascinates me. Basically, I gave up searching a while ago, but respect and cheer on those who continue their journey. As usual, it’s taken me a long time to get to the point: today’s interview with Nataša Pantović Nuit and her novel “A-ma: Alchemy of Love.”

Nataša is an author, trainer, Yogi and spiritual researcher who lives and works in Malta. She’s the author of 9 Mindfulness Books called  the “Alchemy of Love Mindfulness Training.” Ever fascinated with the energies of: Love, Divine, Power of Mind, Creativity, Tao, Living one’s Highest Potential, Nuit writes self-development courses exploring topics of inner-development, esoteric or occult teachings, and New Consciousness. The main theme of her Mindfulness Books, her poetry, and for today’s purposes her novels, is our alchemy transformation, the alchemy of soul, our everlasting quest to find the gold within, and discovering the stone that transforms metals into gold.

Like I said, that’s way more work than I’m willing to put in. But it’s not like spirituality, religion and restlessness of the soul haven’t been behind some of history’s greatest movements so….. (and at least it’s not another story about the Civil War or the #$$%@%ing Tudors)

In a nutshell, what’s Ama about?

We follow Ama through her life journey. Ama was born of an African mum and a Portuguese Lord De-Nobille. She was an alchemy mix of a White King and a Black Queen and she was supported with all the knowledge, money, spiritual insights from both the East, African spirits, and the Western Alchemy. She is a Goddess incarnated to help the transition from one Era to the next. All the events and manuscripts mentioned within the book: the Dutch attack on Macao on the 24th of June 1622, Fortaleza do Monte proved crucial in successfully holding off the attempted Dutch invasion, the Dutch East India Company, the Reform of the Chinese Calendar during 1630s in China, Father Schall’s [Johann Adam Schall von Bell] Appointment to the Chinese Board of Mathematicians (during 1650s), the Witch hunt and Witches Manual, are carefully researched historical facts. During the 17th century, some 5,000 slaves lived in Macau, around 2,000 Portuguese and 20,000 Chinese. The book uses history to create the connection between actions of the individuals that live surrounded by magic.

I think that historical fiction is a great way of asking the important questions in life, don’t you?  

Yes, using historical fiction, my major question to the audience was: How much of our thoughts, feeling or insights are truly ours and how many of them repeat within the various historical settings on Earth, throughout the centuries. Within our own spiritual journeys the major question is our eternal addiction to suffering (in my story this is the voice of Lilith). Can we let it go? Can we live our highest potential? Can we open to Love?

What is it about that time period or character that intrigued you and motivated you to write about it?

I was triggered by Giordano Bruno’s writings and his drive to change the existing “dogmatic” structure within the science and religion of his time. Trying to prove that the Earth is not at the center of our  Universe, placing humans at the periphery of Gods attention, shook the essence of our Adam and Eve story, our story of Jesus, our promises of Heaven and Hell, and has threatened to undermine our Religious and Political foundations. Entering the Age of Reason and Age of Enlightenment from the long period of darkness, fighting so many “demons” must have inspired many enlightened souls and their “revolutionary” spirit and works: Leonardo Da Vinci, Martin Luther, Christopher Columbus, Michelangelo, Shakespeare, Galileo Galilei, to name just a few.

Now, imagine living during these times, imagine the 16th and 17th century China, being in the shoes of Jesuit Portuguese Priests who came to convert the Chinese into Christianity and for the first time truly met the wealth and depth of this most amazing culture…

Why China you may ask? I found it most intriguing that China had a compass and gun powder centuries before they came to Europe. Did you know that they possessed the most advanced Navy, yet they always focused on the trade with their neighbors, never went into frantic invasions of other continents. Reading about holocausts committed all around the world by Colonists powers around different continents (American Indians slaughter, Australian Aboriginals destruction, or crimes against New Zealand Maoris) all gave me an insight about how unfair was our world, and difficult our fight for justice, better world, and freedom. Within A-Ma we follow insights and subtle energy battles following lives of a group of enlightened souls who understood the prime importance for West and East wisdom sharing.

Without giving away spoilers, what’s your favorite scene in the book?

It is the setting of my story.

The world without a coffee or a tea shop was also our reality, not such a long time ago. The books were kept within the cellars of privileged, with an access only to the few. Various Monasteries were great for studying, however going out of their walls, there were a few places where people could gather to discuss life and philosophy. Coffee or tea shops mushroomed during this time, each one of them having similar setting where all classes are mixed and each could afford this inexpensive cup of delicious liquid. They were called “Penny Universities”, they gathered artists, philosophers, time-wasters, actors, poets. This became a natural setting of my story, Ama’s coffee house in Macao, at the edge of China. Ole within its walls gathered all sort of researchers.

If people are interested in the questions you ask and this intriguing story, where can they learn more?