Glancer Magazine Showcases Acre’s Bastard

Always nice when local press supports local authors, especially those who are indie–published. Glancer Magazine in DuPage County (outside Chicago) Gave me and Acre’s Bastard some love. You can check it out here

https://www.glancermagazine.com/single-post/2017/07/01/ARTS-ENTERTAINMENT-Literary-Local-Early-July-2017

 

Young Adult Western History- Danielle Grandinetti

So I mentioned that there are a lot of Chicago area writers who love historical fiction, but that takes all forms. One of the genres that makes me a bit crazy is “YA” (there’s probably a whole rant here that you don’t care about) but anything that gets kids to read is okay in the great scheme of things. To that end, I’d like to introduce Danielle Grandinetti, author of “The Vanishing Kidnapper.”

The Vanishing Kidnapper by Danielle Grandinetti
The Vanishing Kidnapper by Danielle Grandinetti

Since 2008, Danielle has worked as a freelance editor and writing instructor, helping teens and adults become better writers. While mystery is her favorite genre to both read and write, she also enjoys historical topics, classic literature, and a good adventure. Her short stories and articles have appeared in several publications; her novel, The Vanishing Kidnapper was released in December; and her republished novelette, Choices Amid the Trees was released as an e-book in August. Though a Chicagoland native, Danielle now lives in Wisconsin with her husband. She also enjoys a good cup of tea.

So  what is The Vanishing Kidnapper all about?

Teenagers John and Kaitlyn Rivers have a simple life in their 1870s outpost, running their family’s general store for the surrounding communities and operating the stagecoach stop. But one stormy night, the stage’s visit is anything but ordinary. Kidnappings, attacks, and shady characters change a usually boring existence into a fight for life.

Confronted with their past, John and Kaitlyn begin to unravel a mystery that left them survivors of not one, but two kidnapping attempts. Their questions uncover facts different than the truth they had always believed. Now they have to decide whom to trust – and the lives of those they care about depend on it.

There’s been a real resurgence in local history writing lately, especially in the Midwest. What is it about this time period that you find so interesting?

The period after the Civil War is labeled the Reconstruction Era, in which it was hoped that deep scars would be healed and relationships rebuilt. Historians debate how well this happened and what impact those events have on the present. The tumult of this time is especially true of the Old West, or Wild West. That’s why I thought it served as the perfect backdrop to explore John and Kaitlyn’s discovery that people are not always what they appear to be.

Without giving away the goodies, what’s your favorite scene in the book?

My favorite scene in the book contains the biggest spoiler. It is wrapped around a character who fleshes out the main theme of the story. We as humans often put others into categories. The question is whether the definition of those categories really fit the people we’ve placed in them or whether people are bigger than the labels we give them.

How can people learn more about you and your books?

Danielle Grandinetti
Danielle Grandinetti

The Vanishing Kidnapper is available in paperback and as an e-book. For ordering information, please visit: danielleswritingspot.com/The-Vanishing-Kidnapper/ for links.

You can follow me on my blog (danielleswritingspot.com), Twitter (@dgrandinetti), or my facebook page 

Erin Chase and Ancient Egypt

Gods with the heads of Dogs and Storks? Pyramids? Who doesn’t love them some Ancient Egypt? It’s also (and personally I blame Gerard Butler for this) not something that’s been explored a lot in novels or films (seriously Gerry? A Pharaoh with a Scottish accent and pasty Celtic skin?)

Lethbridge, Alberta, author Erin Chase, though, has written a romance set in the time of Ramses. Of course, I’ve spent time in Lethbridge. Fantasizing about another time and place is pretty much the local industry. I asked her what her book was all about.

What is “Behind Palace Walls” about?

Behind Palace Walls is an historical fiction set in Ancient Egypt. Sheshamun is an adopted fourteen-year-old girl living in a village along the Nile River. When Pharaoh’s Royal Wife takes a special interest in her, Sheshamun is chosen to be a member of Pharaoh Ramses’ harem. Once situated in the palace, she soon discovers the luxurious lifestyle is not at all how she had once imagined.

The strong-willed teenager must choose between family and royalty; pride and duty; honor and her own life.

What is it about Egypt that inspired you to write the book?

A romance set in Achient Egypt- Behind Palace Walls
A romance set in Ancient Egypt- Behind Palace Walls
Ancient Egypt has always fascinated me. It’s a very exotic and unique culture that is completely different from today’s society. Between the polytheistic deity worship, exquisite structures (i.e. Abu Simbel and the Great Pyramid of Giza), and innovation of the time, I felt a need to learn as much as I could about the time period.
In 2010, only months before the Arab Spring, I traveled throughout Egypt. The beauty and complexity of the statues, hieroglyphics, and temples left me awestruck. What I had always pictured in my mind’s eye paled in comparison to what I actually saw. I just HAD to write about it!
Without giving away too much, what’s your favorite scene in “Behind Palace Walls?”

…Sheshamun was inexplicably drawn to a small, dark stall. Out of the shadows appeared a stooped, elderly woman. She opened her mouth to speak, but Sheshamun could not hear her. She beckoned the young girl to come closer. Being only inches from the woman’s face, Sheshamun could smell death and something else she could not quite put her finger on. Though repulsed, she refused to move away, knowing deep inside this old woman had something important to say. “Sheshamun, daughter of Hury and Nefra, you are venturing into great danger. Beware of those with the same blood, as all is not what it appears to be. Heed my warning and take solace in those pure of heart, or you will certainly bring forth your own demise.”

erinchaseWhere can we learn more about the wonder that is Erin Chase?

People can find me at:
Twitter: @AuthorErinChase – https://twitter.com/AuthorErinChase

Adieu Jim Harrison

Another of my favorite writers has gone to…. well probably not his reward. There aren’t a lot of rewards for spending most of your life cooking, hunting, fishing, writing and drinking. Seems kind of redundant.

 

 

 

 

 

 

 

 

Jim Harrison, author of Legends of the Fall and so much more has passed. Go read something of his. Hell of a way to spend a weekend.

You can read Esquire’s last interview with him here. It’s worth it.

The Opinions of the Characters Are Not Necessarily Those of the Management

When the characters in your book say something despicable, stupid or “politically incorrect,” does that mean that the author is a racist, an idiot or a bad human being? This has been the topic of conversation, some of it fairly heated, at my writer’s group lately.

The cover of The Count of the Sahara available now on Kindle
The cover of The Count of the Sahara available now on Kindle

Historical fiction is particularly susceptible to this kind of discussion, because the characters must necessarily reflect the ethics and flavor of the time. My novel, The Count of the Sahara, takes place in the 1920s. This was a long time ago, and many attitudes have changed. Things that people said and believed then may seem outdated, wrong or even awful to us today. Don’t believe me? Get your Great-Grandma drunk and bring up the topic of race…. try not to be too scandalized by what comes out of her mouth–remember she’s old.

One of the few disagreements with Erik, my editor at TheBookFolks.com (a thousand blessings on his house and camels) was over just such a scene. Willy, a naive 19 year old German-American kid from Milwaukee walks up to the front desk and in his mind tries to place the ethnicity of the desk clerk.  In the original draft,  he looks at the slicked back hair and prominent nose and thinks he “must be a Jew or a Hungarian or something.”  The points I was making were a) in the cities of early 20th Century America, racial identity was just part of the landscape so this was the way Willy would think and b) the big dummy wasn’t anti-Semitic, just curious about where the desk clerk was from and probably couldn’t tell the difference between a Jew and a Hungarian. It wasn’t a judgment, it was an observation.  It also wasn’t a hill I was prepared to die on. Did I mention I lost that argument?

We had a similar dust-up at the Naperville Writers Group over the use of the “N” word in someone’s writing. Does the use of a certain hot-button word in your fiction condone it? One of my fellow writers actually made a great distinction: if it’s inside quotation marks, or the narrator is clearly identified as a specific character, you can get away with it. If the narrator is “third person omniscient,” then that narrator is basically you. If your character says something hurtful or insensitive, that’s one thing. If “you” do, perhaps you should reconsider.

Maybe I’m a liberal wimp, but I actually cringe a little when one of my characters says something I disagree with. It’s not being a slave to “political correctness,”  I consider it common courtesy. Do I want to unintentionally cause offense to someone? I  stop and think twice before writing something that I think might be hurtful to a reader, even if that’s not my intention.

Probably, though, I’ll write it anyway because that is what the character would do in that time and place. I’m not a 19 year old, big city, immigrant kid, and I don’t think like one. When I’m writing that character though, he’s not me either.

Maybe all fiction should contain a disclaimer: “Warning, opinions of the characters are not necessarily those of the management.”

Or maybe readers can just lighten the hell up a bit. Both work for me.